Partitions Numériques de Come For The Feast pour Orchestre

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Come For The Feast
Non classifié 50

Piano & claviers
Piano seul 14
Orgue 8
Piano, Voix 6
Piano Facile 5
Piano, Voix et Guitare 4

Guitares
Piano, Guitare (duo) 1
Guitare notes et tablatures 1
Ukulele 1

Voix
Chorale SATB 25
Chorale 2 parties 5
Chorale 3 parties 5
Voix duo, Piano 3
Chorale Unison 2

Chorale TTBB 1

+ 1 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 5
3 Saxophones (trio) 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Quatuor de Saxophones: 4 saxophones 4
Clarinette et Piano 3

Quintette de Flûte : 5 flûtes 2
Clarinette Basse, Piano 2
Flûte à bec Soprano, Piano 1
Hautbois, Harpe 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte, Hautbois, Clarinette (trio) 1
Saxophone Soprano et Piano 1
Hautbois, Piano (duo) 1
3 Clarinettes (trio) 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Alto et Piano 1
Trio de Flûtes: 3 flûtes 1
Saxophone Baryton, Piano 1
Clarinette 1
Saxophone et Harpe 1
Saxophone (partie séparée) 1
Piccolo, Piano 1
Flûte traversière et Piano 1
Ensemble de Hautbois 1
Quatuor de Flûtes à bec 1
Quatuor de Clarinettes: 4 clarinettes 1

+ 21 instrumentations

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Cuivres
Trompette 2
Trombone et Piano 2
Euphonium, Piano (duo) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor et Piano 1

Tuba et Orgue 1
Trompette, Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Cor et Harpe 1

+ 4 instrumentations

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Cordes
Harpe 11
2 Harpes (duo) 6
Violon et Piano 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Harpe, Trombone (duo) 1

Violoncelle 1
Contrebasse, Piano (duo) 1
Alto, Piano 1
Violoncelle, Piano 1
Harpe, Violon (duo) 1
Harpe, Voix 1
2 Violons (duo) 1
Violon, Violoncelle (duo) 1
Harpe, Violoncelle (duo) 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre 3

Orchestre de chambre 2
Cloches 2
Xylophone, Piano 1

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Come For The Feast

Orchestre

Partitions à imprimer

3 partitions trouvées

Setup the omicide

Setup the omicide #Orchestre #Claudio Rosati #Setup the omicide #Claudio Rosati #SheetMusicPlus

Full Orchestra - SKU: A0.835326 Composed by Claudio Rosati. 20th Century,Broadway,Contemporary. Score and parts. 13 pages. Claudio Rosati #513339. Publi...(+)

Full Orchestra - SKU: A0.835326 Composed by Claudio Rosati. 20th Century,Broadway,Contemporary. Score and parts. 13 pages. Claudio Rosati #513339. Published by Claudio Rosati (A0.835326). This was the soundtrack of a comedy written by Annalisa Rossi and titled: La Festa dell'Albero (The Feast of the Tree), where 3 elderly women quietly kill bad mans, hiding their remains under the trees planted for the yearly Feast of the Tree.

$6.99 ≈ 6.46€

Festival

Festival #Orchestre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Mike Lyons #Festival #Lyons Music Services #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...(+)

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible.Â The first section opens with â€˜sunriseâ€™ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendorsâ€™ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think itâ€™s all over, thereâ€™s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.

$55.00 ≈ 50.86€

Luna Rossa

Luna Rossa #Orchestre #INTERMÉDIAIRE/AVANCÉ #Pop musique #Jerry Vale #Marek Czekala #Luna Rossa #Marek Czekala #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1033818 By Jerry Vale. By A. Vian and W. De Crescenzo. Arranged by Marek Czekala. Pop. Score and parts. 94 pages. Mar...(+)

Full Orchestra - Level 4 - SKU: A0.1033818 By Jerry Vale. By A. Vian and W. De Crescenzo. Arranged by Marek Czekala. Pop. Score and parts. 94 pages. Marek Czekala #639133. Published by Marek Czekala (A0.1033818). The song, written by Vincenzo De Crescenzo and with music by Antonio Viana, was first performed at the Feast of Piedigrotta at the Augusteo Theater in Naples in 1950, sung by Giorgio Consolini with the accompaniment of Nello Segurini's orchestra. In a short time, the song became very popular, becoming one of the post-war hits not only in Naples, but also in Italy and abroad, translated into 42 languages and dialects. Claudio Villa will make him his workhorse. He has come to the United States of America and will be recorded by singers such as Frank Sinatra. This study is inspired by the performance of Mario Frangoulis.

$69.00 ≈ 63.80€

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