Partitions Numériques de (They Long To Be) Close To You pour Orchestre

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(They Long To Be) Close To You
Non classifié 58

Piano & claviers
Piano seul 60
Piano Facile 16
Piano, Voix 15
Piano, Voix et Guitare 12
Piano grosses notes 3

Accordéon 3
Instruments en Do 2
1 Piano, 4 mains 1
Accordéon, Voix 1
Orgue 1

+ 5 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 9
Ukulele 6
Guitare notes et tablatures 6
Paroles et Accords 4
Guitare 3

4 Guitares (Quatuor) 1

+ 1 instrumentations

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Voix
Chorale 3 parties 6
Chorale SATB 5
Chorale 2 parties 2
Chorale SSAA 1
Chorale 1

Vents
Flûte traversière 8
Saxophone (partie séparée) 6
Saxophone Alto 5
Clarinette 3
Saxophone Tenor 3

Ensemble de Clarinettes 2
Quatuor de Saxophones: 4 saxophones 2
Ensemble de Flûtes 2
Saxophone 1
2 Cors Anglais Et Pianoforte 1
Saxophone Tenor et Piano 1
3 Clarinettes (trio) 1
2 Saxophones (duo) 1
Trio de Flûtes: 3 flûtes 1
Saxophone Alto et Piano 1
Flûte, Clarinette et Basson 1

+ 11 instrumentations

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Cuivres
Trompette 5
Trombone 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Cor 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2

Trompette, Trombone (duo) 2
Quatuor de Cuivres 1
2 Cors Anglais Et Pianoforte 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon 5
Alto seul 3
Violoncelle 3
Harpe 2

Violoncelle (partie séparée) 2
Violon, Violoncelle (duo) 1
2 Violons (duo) 1

+ 3 instrumentations

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Percussions & orchestre
Jazz combo 9
Ensemble Jazz 5
Ensemble de cuivres 3
Orchestre 2

Orchestre de chambre 2

Orchestre d'harmonie 2
Orchestre à Cordes 1

+ 2 instrumentations

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(They Long To Be) Close To You

Orchestre

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2 partitions trouvées

Chevalier De Sangreal

Chevalier De Sangreal #Orchestre #AVANCÉ #Hans Zimmer #Chevalier De Sangreal #www.studio-orchestrations.com #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...(+)

Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

$150.00

CONJUNCTION: The Christmas Star of 2020

CONJUNCTION: The Christmas Star of 2020 #Orchestre #INTERMÉDIAIRE #Noël #Robert Myers #He will show His favor again #CONJUNCTION: The Christmas Sta #WheatMyer Music #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...(+)

Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brotherâ€™s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthewâ€™s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holstâ€™s The Planets for themes that would portray Jupiter and Saturnâ€™s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holstâ€™s motives provide CONJUNCTIONâ€™s foundation I also used Handelâ€™s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020â€™s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturnâ€™s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiterâ€™s main hymn theme. Still, itâ€™s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.

$95.00

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