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In The Mood
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1
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
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Orchestre
#
AVANCÉ
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Contemporain
#
Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
THE GREAT WALL CONCERTO For Piano & Orchestra
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestre
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AVANCÉ
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World....
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Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
Nights In White Satin
Nights In White Satin
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Orchestre
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AVANCÉ
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Rock
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The Moody Blues
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Brad Ritchie
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Nights In White Satin
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1284756 By The Moody Blues. By Justin Hayward. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 74 pages. Main Of...
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Full Orchestra - Level 5 - SKU: A0.1284756 By The Moody Blues. By Justin Hayward. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 74 pages. Main Office Productions & Publishing #875932. Published by Main Office Productions & Publishing (A0.1284756). Full Orchestra Arrangement that is true to the original The Moody Blues recording. Â Features Vocal and Rock Band.Score Formatted for 11x17 paper. Â Parts formatted for 9.5x12.5 paper. Â Parts are designed to be taped accordion style.
$100.00
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Symphony No. 10, Full Score (in Concert Pitch) - Score Only
Symphony No. 10, Full Score (in Concert Pitch) - Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 10, Full Score
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1283782 Composed by James Nathaniel Holland. 21st Century,Contemporary. 76 pages. James Nathaniel Holland #874973. Pu...
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Full Orchestra - Level 5 - SKU: A0.1283782 Composed by James Nathaniel Holland. 21st Century,Contemporary. 76 pages. James Nathaniel Holland #874973. Published by James Nathaniel Holland (A0.1283782). FULL SCORE (Concert Pitch).  The tenth symphony for large orchestra of American 21st century composer James Nathaniel Holland in one movement.  A magnificent, contemporary musical journey that carries the listener through tonal color and mood. Scored for large orchestra.  Instrumentation: picc, fl 123, ob 12, cl12, bcl, bsn, cbsn, hrn1234, tpt123, tromb12, btrmb, tba, timp, perc 123 (bd, splash cym, hand cym, snr, tam, ride cym. with mallets and stick, tri., gong, glockenspeil/chimes), hrp or pno., stringsDuration:  30 minutesFull Orchestral Score with Individual Instrument Parts sold separately.
$15.50
Concerto in G Minor for Trombone and Orchestra
Concerto in G Minor for Trombone and Orchestra
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Orchestre
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AVANCÉ
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Robert E
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Concerto in G Minor for Trombo
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. ...
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Full Orchestra - Level 5 - SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
Voices of the Night - orchestra
Voices of the Night - orchestra
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Orchestre
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AVANCÉ
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Richard E Brown
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2
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Voices of the Night - orchestr
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music #4302031. Publis...
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Full Orchestra - Level 5 - SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music #4302031. Published by Dacker Music (A0.814789). Voices of the Night, subtitled A Nocturnal Fantasy for Orchestra, is in 3 parts: 1. a slow, moody introductory section; 2. a lively but somewhat dark rhythmic dance-like section; 3. a quiet epilogue based on the opening music.
$65.00
Christmas Processional
Christmas Processional
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Orchestre
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AVANCÉ
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Noël
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French Traditional
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Andrew Wainwright
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Christmas Processional
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Andrew Wainwright
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wa...
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Full Orchestra - Level 5 - SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.
$65.00
War of Kalinga
War of Kalinga
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Orchestre
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AVANCÉ
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Suraj Synthesist
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War of Kalinga
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Suraj Synthesist
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.525276 Composed by Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 25 ...
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Full Orchestra - Level 5 - SKU: A0.525276 Composed by Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 25 pages. Suraj Synthesist #135814. Published by Suraj Synthesist (A0.525276). Track number 4, the Instrumental track from the album Consume this album...(Before the ban). This sheet music consists of Vocal solo, the Synth, Harpsichord &Organ Parts , Drop D Guitars & Bass tabs & Clefs, Drums , Flute &Optional 2nd guitar part. Based on Pantuvaralli or Puriya Danashree. Double bass drumming in 11/8 to groovy common time, Call and response/argument-like Conversational leads, Unison parts, Transformation of melodies and Mood without changing modes . A full score of the piece.
$14.99
Friend or Fiend for orchestra (parts)
Friend or Fiend for orchestra (parts)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Publish...
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Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Published by Tom Swafford (A0.914155). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAP Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$25.00
Friend or Fiend for orchestra (score)
Friend or Fiend for orchestra (score)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Publish...
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Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Published by Tom Swafford (A0.914153). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAPÂ Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$5.00
SSRI
SSRI
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Orchestre
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AVANCÉ
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Jonathan Worsley
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SSRI
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Jonathan Worsley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsl...
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Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsley #748033. Published by Jonathan Worsley (A0.1147835). 2(1.2/pic).2(1.2/ca).2.2(1.cbsn) | 4.2.3(1.2.btbn).1 | T | 2P | Hp | Str A deeply personal piece that deals with antidepressants, and the fluctuations in mood that they can bring about. Score, parts, and percussion score.
$20.00
星期å…ä¸åˆ Saturday Noon
星期å…ä¸åˆ Saturday Noon
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Orchestre
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AVANCÉ
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Egon Tse Fook Cheong
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Egon Tse Fook Cheong
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星期å…ä¸å
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Egon Tse
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1019475 Composed by Egon Tse Fook Cheong. Arranged by Egon Tse Fook Cheong. Contemporary,World. Score and parts. 92 p...
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Full Orchestra - Level 5 - SKU: A0.1019475 Composed by Egon Tse Fook Cheong. Arranged by Egon Tse Fook Cheong. Contemporary,World. Score and parts. 92 pages. Egon Tse #6026749. Published by Egon Tse (A0.1019475). A music sheets of a symphony in a full orchestra performance, containing four movements, titled 星期å…ä¸åˆ Saturday Noon with a duration about 31 minutes. Using including piccolo, flutes, oboes, English horns, clarinets in A, bassoons, contra-bassoon, French horns, trumpets in Bb, tenor-trombones, tuba, timpani, triangle, cymbals, woodblock, piano, violins, violas, cellos and double-basses stage-instruments, describe a life balance in an internal feeling among certain rushing moment, moods changing, unfinished project job and unbearable hot weather of externally environment in a Saturday noon.
$62.50
Symphony No. 10, Full Score and Individual Instrument Parts
Symphony No. 10, Full Score and Individual Instrument Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 10, Full Score an
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1283796 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 220 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.1283796 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 220 pages. James Nathaniel Holland #874985. Published by James Nathaniel Holland (A0.1283796). FULL SCORE (Concert Pitch) and INDIVIDUAL PARTS.  The tenth symphony for large orchestra of American 21st century composer James Nathaniel Holland in one movement.  A magnificent, contemporary musical journey that carries the listener through tonal color and mood. Scored large orchestra.  Instrumentation: picc, fl 123, ob 12, cl12, bcl, bsn, cbsn, hrn1234, tpt123, tromb12, btrmb, tba, timp, perc 123 (bd, splash cym, hand cym, snr, tam, ride cym. with mallets and stick, tri., gong, glockenspeil/chimes), hrp or pno., stringsDuration:  30 minutesFull Orchestral Score only also available, sold separately.
$34.99
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