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Take It Slow
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1
It Ain't What You Do
It Ain't What You Do
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Bananarama
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Derek Hasted
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It Ain't What You Do
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Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. ...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809). T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...I hope you enjoy this piece!
$4.99 ≈
4.49€
Con Te Partiro (time To Say Goodbye)
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99 ≈
80.93€
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestre
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INTERMÉDIAIRE
#
Classique
#
Sergei Rachmaninoff
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Michael Barrera
#
Rachmaninoff: Alla Marcia in g
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Michael Barrera
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
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Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99 ≈
71.94€
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Sergei Rachmaninoff
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Michael Barrera
#
Rachmaninoff: Alla Marcia in g
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Michael Barrera
#
SheetMusicPlus
Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Publishe...
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Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff?s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$24.99 ≈
22.48€
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