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Beautiful for performance
Non classifié 340

Piano & claviers
Piano seul 68
Piano Facile 47
Piano, Voix 13
Piano, Voix et Guitare 11
Orgue 6

1 Piano, 4 mains 5
Instruments en Do 4
Piano Quintette: piano, 2 violons, alto, violoncelle 3
Accompagnement Piano 3
Piano Trio: piano, violon, violoncelle 2
Accordéon 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 12
Guitare 5
Ukulele 4
Paroles et Accords 1
2 Guitares (duo) 1

4 Guitares (Quatuor) 1
Piano, Guitare (duo) 1
3 Guitares (trio) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 51
Chorale 3 parties 38
Chorale 2 parties 18
Chorale SSAA 12
Chorale TTBB 12

Chorale Unison 2
Voix duo, Piano 1
Voix moyenne, Piano 1

+ 3 instrumentations

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Vents
2 Saxophones (duo) 98
2 Clarinettes (duo) 55
Flûte, Hautbois, Clarinette, Basson 53
Quatuor de Saxophones: 4 saxophones 52
2 Flûte à bec (duo) 45

2 Flûtes traversières (duo) 38
Saxophone, Clarinette (duo) 36
Quintette de Saxophone: 5 saxophones 33
Clarinette, Violon (duo) 32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 31
Flûte traversière et Piano 31
3 Saxophones (trio) 28
Clarinette, Trompette (duo) 25
Quatuor de Clarinettes: 4 clarinettes 24
Hautbois, Basson (duo) 24
Flûte, Clarinette (duo) 23
Hautbois, Clarinette (duo) 23
Hautbois, Piano (duo) 21
Flûte, Alto (duo) 19
Clarinette 18
Hautbois, Flûte 17
Clarinette et Alto 17
Clarinette et Piano 16
Flûte, Violoncelle 16
2 Hautbois (duo) 15
Clarinette, Basson (duo) 15
Clarinette, Violoncelle (duo) 14
3 Clarinettes (trio) 14
Flûte, Violon 13
Flûte, Saxophone (duo) 12
Hautbois, Violoncelle 12
Saxophone Alto et Piano 11
Clarinette, Trombone (duo) 9
Flûte, Trompette (duo) 9
Cor anglais, Piano 9
Hautbois, Clarinette, Basson (trio d'anches) 9
Saxophone Tenor et Piano 8
Hautbois (partie séparée) 8
Flûte traversière 7
Quintette de Clarinettes: 5 clarinettes 7
Hautbois et alto (duo) 7
Trio de Flûtes: 3 flûtes 6
Flûte, Clarinette et Basson 6
Flûte, Hautbois, Clarinette (trio) 6
Flûte, Tuba (duo) 6
Clarinette, Tuba 5
Saxophone Soprano et Piano 5
Quatuor de Flûtes : 4 flûtes 5
Quintette de Flûte : 5 flûtes 5
Quatuor de Flûtes à bec 4
Hautbois, trombone (duo) 4
Saxophone (partie séparée) 4
Flûte, Trombone (duo) 4
3 Flûtes à bec (trio) 3
Flûte à bec Tenor 2
Saxophone Baryton, Piano 2
Flûte à bec Soprano, Piano 2
Saxophone Alto 2
Flûte et Guitare 2
Ensemble de Clarinettes 1
Flûte, Hautbois (duo) 1
Flûte et Trio à cordes 1
Ensemble de Flûtes 1
Flûte, Clarinette, Piano (trio) 1
5 Flûtes à bec 1
Flûte à bec Soprano 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Ensemble de saxophones 1

+ 63 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 41
Quatuor de Cuivres : 2 trompettes, trombone, tuba 30
2 Trombones (duo) 28
2 Trompettes (duo) 28
Trompette, Saxophone (duo) 25

Quatuor de Cuivres 15
Trompette, Trombone (duo) 14
Trombone et Piano 12
Trompette, Piano 11
2 Euphoniums (duo) 10
Cor anglais, Piano 9
Trombone 8
Trombone, Violon (duo) 7
Trompette 7
Trio de Cuivres 7
Cor 6
Tuba 6
Cor et Piano 6
Trompette, Tuba (duo) 6
2 Cors (duo) 6
Tuba et Piano 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Trombone, Tuba (duo) 3
Euphonium, Piano (duo) 3
Trompette, Cor (duo) 2
Clarinette, Cor (duo) 2
Quatuor de cuivres: 4 trombones 2
Euphonium 1
Trompette, Violoncelle (duo) 1
Quatuor de cuivres: 4 cors 1
Euphonium, Tuba (duo) 1
Trombone, Cor (duo) 1
Trompette, Basson (duo) 1
4 Tubas 1
Cor et Basson (duo) 1
3 Cors (trio) 1
Trompette et Guitare 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trompettes 1
3 Tubas (trio) 1

+ 35 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 72
2 Violons (duo) 32
Violon et Piano 31
Violon, Violoncelle (duo) 29
Violon, Alto (duo) 28

2 Altos (duo) 27
2 Violoncelles (duo) 25
Trio à Cordes: violon, alto, violoncelle 22
Alto, Piano 19
Quintette à cordes: 2 violons, alto, violoncelle, basse 17
Violoncelle, Piano 17
Violon 12
Violoncelle (partie séparée) 9
Violon, Tuba (duo) 6
Alto seul 6
2 Harpes (duo) 6
Violon, Basson (duo) 6
Alto, Violoncelle (duo) 4
Trio à Cordes: 2 violons, violoncelle 4
Violoncelle, Contrebasse (duo) 3
Violoncelle 3
Quatuor à cordes: 4 violons 3
Harpe 3
Alto et Basson 3
Contre Basse 2
Contrebasse, Piano (duo) 2
Quintette à cordes : 2 violons, alto et 2 violoncelles 2
Trio à cordes: 3 violins 2
Quatuor à cordes : 4 altos 1
Trio à cordes: 3 altos 1
Trio à Cordes: 3 violoncelles 1
Piano Trio: Violon, Alto, Piano 1
Violon, Guitare (duo) 1
Alto (partie séparée) 1
Harpe, Violon (duo) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre à Cordes 28
Orchestre d'harmonie 7
Ensemble de cuivres 4
Cloches 3
Orchestre 3

Orchestre de chambre 2
Ensemble Jazz 2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 1
Vibraphone 1

+ 4 instrumentations

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3 partitions trouvées

Celtiberian Landscape For Harp And Orquestra

Celtiberian Landscape For Harp And Orquestra #Orchestre #FACILE #Luis Anjos Teixeira #Celtiberian Landscape For Harp #Luis Anjos Teixeira #SheetMusicPlus

Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...(+)

Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). â€žCeltiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, â€žGlockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo â€žoh and â€žah can be used â€žad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals â€žG, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my â€žgenetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.

$24.99 ≈ 23.39€

Hark! The Herald Angels Sing

Hark! The Herald Angels Sing #Orchestre #FACILE #Traditional #Luis Cardoso #Hark! The Herald Angels Sing #Luis Cardoso #SheetMusicPlus

Full Orchestra - Level 2 - SKU: A0.1121828 Composed by Traditional. Arranged by Luis Cardoso. Christmas,Classical. Score and parts. 51 pages. Luis Cardo...(+)

Full Orchestra - Level 2 - SKU: A0.1121828 Composed by Traditional. Arranged by Luis Cardoso. Christmas,Classical. Score and parts. 51 pages. Luis Cardoso #723021. Published by Luis Cardoso (A0.1121828). Arrangement of the well-known Christmas piece, Hark! The Herald Angels Sing, for voice - Alto, Bass or Baritone - and orchestra - 2222 2200 1Perc Strings (without divisi). Easy to perform, comfortable piece, ideal for sharing a beautiful Christmas moment with the public. 4m40s.

$49.99 ≈ 46.78€

Gnossienne No. 1

Gnossienne No. 1 #Orchestre #FACILE #Classique #Classique #Erik Satie #Hans Rudolf #Gnossienne No. 1 #Hans Rudolf #SheetMusicPlus

Full Orchestra - Level 2 - SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Part...(+)

Full Orchestra - Level 2 - SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.

$19.99 ≈ 18.71€

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