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I Just Want To Be With You
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Vous avez sélectionné:
I Just Want To Be With You
Orchestre d'harmonie
Partitions à imprimer
5 partitions trouvées
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1
In Your Slumber
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00 ≈
14.04€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00 ≈
79.54€
Great Optimism!
Great Optimism!
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Orchestre d'harmonie
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AVANCÉ
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Caiden Christensen
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Great Optimism!
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Caiden Christensen
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pages. Caiden Chri...
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Concert Band - Level 5 - SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pages. Caiden Christensen #1021705. Published by Caiden Christensen (A0.1441681). I came up with this song by answering one simple question: “What do I really want to do with my music?” The answer came very quickly: “I want people to feel strong emotions of happiness when they listen to my music!” Soon after, I started composing a very simple outline of the piece.My biggest hope when you listen to this song is that it brings you much joy and happiness! I believe Optimism is a truly important view to have on life. Sometimes, you just have to look on the bright side! Unfortunately, there cannot always be happiness. If there was no sadness, you would not recognize or appreciate the happiness. There has to be opposition in order to feel anything. Without sadness and pain there would be no joy and happiness. That's why I wrote this song the way I did. In the beginning, it starts fairly happy and exciting! But then, sadness enters and even a bit of anger. It adds great contrast to the end which feels even more exciting and elated! I hope this song helps you feel optimistic, excited, and happy!
$49.99 ≈
46.78€
KANGAROO HOP
KANGAROO HOP
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Orchestre d'harmonie
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FACILE
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Contemporain
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Ron Flintjer
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KANGAROO HOP
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Ron Flintjer
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1005105 Composed by Ron Flintjer. Contemporary. Score and parts. 22 pages. Ron Flintjer #5045451. Published by Ron Flin...
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Concert Band - Level 2 - SKU: A0.1005105 Composed by Ron Flintjer. Contemporary. Score and parts. 22 pages. Ron Flintjer #5045451. Published by Ron Flintjer (A0.1005105). Danny and the Juniors had a #1 hit with a At the Hop in the 1950's. For those too young to remember that great piece of rock and roll fun, here's a contemporary take on the way they do it down under, The Kangaroo Hop. So, put on your dancing shoes for a lively, bouncy tune with an easy-to-remember melody and some rousing lower brass to keep it moving. Get out on the floor and have fun! Can't dance? Then just hop! Your audience will be snapping their fingers to this one, and your group will want to play it again and again!All parts are written within the range of young elementary grade musicians. To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.Includes: Full score, flute, oboe, bells, Bb clarinet, Eb alto sax, tenor sax, (baritone horn), bass clarinet, French horn, Bb cornet, trombone (baritone horn), tuba, percussion.Should you have any questions, feel free to contact the composer ronflintjer@gmail.com
$16.00 ≈
14.97€
Rhythms of the Spirit
Rhythms of the Spirit
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Orchestre d'harmonie
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Contemporain
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
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Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00 ≈
131.01€
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