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Vous avez sélectionné:
Better When I
Orchestre d'harmonie
Partitions à imprimer
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1
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
18.37€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
22.97€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00 ≈
78.11€
Fragments of Life
Fragments of Life
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Orchestre d'harmonie
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Contemporain
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Moises Mendoza
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Fragments of Life
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Moises Mendoza
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SheetMusicPlus
Concert Band - SKU: A0.495192 Composed by Moises Mendoza. Contemporary. Score and parts. 67 pages. Published by Moises Mendoza (A0.495192). I ...
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Concert Band - SKU: A0.495192 Composed by Moises Mendoza. Contemporary. Score and parts. 67 pages. Published by Moises Mendoza (A0.495192). I composed this piece because I wanted to get myself used to composing for large ensembles, wind ensemble particularly. This composition took the most time and energy in creating the biggest work I have taken on thus far. This piece allowed me to get a better insight of my creativity as well as incorporate the lessons I have learned from my music professors. The experience was well worth it for I now know what I am capable of in my compositions and I look forward to working on more works in large ensembles in the future. During the time I composed this piece, I was expecting to have it performed around April 2020. However, that was around the time when COVID started spreading around the world and so that experience was lost to me. I hope someday it will be performed under better days.
$30.00 ≈
27.57€
HELP!
HELP!
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Orchestre d'harmonie
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FACILE
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Jonathan L Nelson
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HELP!
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelso...
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Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues†- sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better†- sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00 ≈
59.73€
A Train Through Yorkshire - for Band
A Train Through Yorkshire - for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Britt Andrew Burns
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A Train Through Yorkshire - fo
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Indie Classical Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. ...
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Concert Band - Level 3 - SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. Published by Indie Classical Publications (A0.971801). A TRAIN THROUGH YORKSHIRE is one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (medium) Duration: About 5 minutes, 15 seconds
$25.00 ≈
22.97€
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