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At Last: 1st B flat Trumpet
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Vous avez sélectionné:
At Last: 1st B flat Trumpet
Orchestre d'harmonie
Partitions à imprimer
3 partitions trouvées
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At Last: 1st B-flat Trumpet
At Last: 1st B-flat Trumpet
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Orchestre d'harmonie
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Pop musique
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Beyonce
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At Last: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014281_T1 1st B-flat Trumpet. By Beyonce. By Mack Gordon. Instructional. Part. 1 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0014281_T1 1st B-flat Trumpet. By Beyonce. By Mack Gordon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014281_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014281_T1). UPC: 038081373966.BeyoncA(c) first breathed new life into this beloved Etta James jazz classic in the hit movie Cadillac Records. At the 2009 Inaugural Ball, BeyoncA(c) was honored to sing At Last as Barack and Michelle Obama danced together for the first time as the President and First Lady.
$3.00 ≈
2.77€
The Magic of Harry Potter: 1st B-flat Trumpet
The Magic of Harry Potter: 1st B-flat Trumpet
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Orchestre d'harmonie
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Methodes
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Michael Story
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The Magic of Harry Potter: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015848_T1 1st B-flat Trumpet. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet...
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Concert Band - SKU: AX.00-PC-0015848_T1 1st B-flat Trumpet. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015848_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015848_T1). UPC: 038081453156.Relive the magic of all eight films! This composite medley represents each of the exciting film scores. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows, Part 1, Showdown from Harry Potter and the Deathly Hallows, Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. Charismatically scored and arranged by Michael Story, featuring a variety of solo/soli segments to feature your best players and provide ample rests, this medley will ensure that Harry's conjuring enchantment lives on for generations to come. (6:00) This title is available in SmartMusic.
$3.00 ≈
2.77€
Variations on a Theme in D Flat
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00 ≈
9.22€
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