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For Once in My Life
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Vous avez sélectionné:
For Once in My Life
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Orchestre d'harmonie
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1
Rhapsody for Concert Band
Rhapsody for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
July 16th, Clara noted in her
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Brock Lupton
#
Rhapsody for Concert Band
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Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.67€
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
way of an old Sousa concert pr
#
John Philip Sousa
#
Kevin R
#
Among My Souvenirs
#
Freedom Band Press
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
32.66€
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
way of an old Sousa concert pr
#
John Philip Sousa
#
Kevin R
#
Among My Souvenirs
#
Freedom Band Press
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band P...
(+)
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
32.66€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
46.65€
My Tears Have Been My Food (for concert band) - Score Only
My Tears Have Been My Food (for concert band) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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David M
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett...
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Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99 ≈
18.66€
My Tears Have Been My Food (for concert band)
My Tears Have Been My Food (for concert band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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David M
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1039859 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 57 pages. David Sterrett...
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Concert Band - Level 4 - SKU: A0.1039859 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 57 pages. David Sterrett Music #644717. Published by David Sterrett Music (A0.1039859). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$49.99 ≈
46.65€
Overcast - for Band
Overcast - for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britt Andrew Burns
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Overcast - for Band
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Indie Classical Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.971806 Composed by Britt Andrew Burns. Contemporary. Score and parts. 90 pages. Indie Classical Publications #2877673. ...
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Concert Band - Level 4 - SKU: A0.971806 Composed by Britt Andrew Burns. Contemporary. Score and parts. 90 pages. Indie Classical Publications #2877673. Published by Indie Classical Publications (A0.971806). OVERCAST was originally written as part of a three-movement work for solo trombone and piano. When I was composing the original work, I wanted to create an additional arrangement of the 3rd movement (DRIZZLE) for concert band. The work is inspired by the brief period of my life when I lived abroad in England. As many people are aware, it rains constantly in Great Britain, thus making it an easy inspiration for music. Even though I consider this work somewhat melancholic, it is meant to also reflect the warmth and comfort I felt while living in the country where I met so many wonderful people. Other inspiration for this movement came from Ralph Vaughan William's Pastoral Symphony, most notably, the 4th movement. Grade 4. Duration: 5:50
$40.00 ≈
37.33€
Requiem for the Pequod
Requiem for the Pequod
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jay Jordan
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Jay Jordan
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Requiem for the Pequod
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Pro Creations Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score a...
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Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.Â
$50.00 ≈
46.66€
The Fog Meets the Storm for small wind band and percussion
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00 ≈
46.66€
In The Name Of Pele (for Symphonic Band)
In The Name Of Pele (for Symphonic Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Becca Schack
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In The Name Of Pele
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Publishe...
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Concert Band - Level 4 - SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Published by Ingenue Music (A0.1028005). Commissioned by The Association for Music in International Schools AMIS. Premiered in Bangkok, Thailand in January 2011, conducted by Dimosthenis Dimitrakoulakos. Program Notes: The image of Pele, the Hawaiian goddess of fire and volcanoes, kept reappearing in my mind as the main focus for this piece. According to myth, the islands of Hawaii owe their existence to Pele who ran away from her jealous sister, a sea goddess, to these tiny islands. Her sister sent tidal waves and Pele answered by sending fiery lava into the ocean, making new land as it cooled. The spirit of Pele lives on in the craters of the volcano, watching over the islands, reminding us that fiery eruptions and emotional upheavals are followed by new life and change. Pele, unpredictable and powerful, makes her entrance with a loud bang of brass and percussion, followed by the entire ensemble joining in. As the trumpets trail off, words from the ancient Hawaiian chant E Pele, E Pele are heard moving between each section in contrasting rhythms, as the tuba and low brass unfold the main theme. This chant is performed in Hawaiian culture accompanied by hula kahiko, an ancient style of hula dancing. The vibraphone plays a tranquil melody reminiscent of a Hawaiian wind chime softly blowing in the wind. The congas and rainstick evokes a tribal element. The piece is meant to juxtapose the multi-faceted natures of Pele. Syncopated rhythms in the winds paired with big brass and percussion represent her passion and violent temper. The playful, quiet, lingering sections led by the flute and vibraphone represent her irresistible and enchanting mystery as she creates new land and the living things that inhabit these magnificent islands. Hawaiian Chant: E Pele e Pele ka`uka`ulï ana Ha`ina ka inoa no Pele la ea English Translation: O Pele o Pele, moving along In the name of Pele
$60.00 ≈
56.00€
Clarity - for Orchestra
Clarity - for Orchestra
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britt Andrew Burns
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Clarity - for Orchestra
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Indie Classical Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.971807 Composed by Britt Andrew Burns. Contemporary. Score and parts. 104 pages. Indie Classical Publications #2877707....
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Concert Band - Level 4 - SKU: A0.971807 Composed by Britt Andrew Burns. Contemporary. Score and parts. 104 pages. Indie Classical Publications #2877707. Published by Indie Classical Publications (A0.971807). CLARITY was composed in 2007 as the last movement for my first symphony. Also known as the third movement FINALE, the work was later revised in 2011. Like many of my compositions, it was not intentionally written to a specific form. My first symphony as a whole was loosely based on my dissatisfaction with the modern world's obsession with consumerism and the distractions of technology. A difficult idea to depict through music, the third movement was about breaking free from the norm and finding clarity through the simple joys in life. Level: grade 4.5Duration: About 7 minutes
$40.00 ≈
37.33€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.33€
Carry Me Back to Old Killarney
Carry Me Back to Old Killarney
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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John R
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Carry Me Back to Old Killarney
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John R. Daniels
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.503488 Composed by John R. Daniels. Celtic,Folk,Irish,Multicultural,Traditional,World. Score and parts. 43 pages. John ...
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Concert Band - Level 4 - SKU: A0.503488 Composed by John R. Daniels. Celtic,Folk,Irish,Multicultural,Traditional,World. Score and parts. 43 pages. John R. Daniels #115597. Published by John R. Daniels (A0.503488). “Carry Me Back to Old Killarney†summons images of life in Ireland - peaceful villages, dancing on the green, or formal processions. Full of emotion and energy, drama and action, it’s ambitious enough to be challenging without being too difficult. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$60.00 ≈
56.00€
Christmas Cantata (sinfonia Sacra)
Christmas Cantata (sinfonia Sacra)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Daniel Pinkham
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John Ivor Holland
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Christmas Cantata
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1314536 Composed by Daniel Pinkham. Arranged by John Ivor Holland. 20th Century,Christmas,Holiday,Religious,Sacred. 131...
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Concert Band - Level 4 - SKU: A0.1314536 Composed by Daniel Pinkham. Arranged by John Ivor Holland. 20th Century,Christmas,Holiday,Religious,Sacred. 131 pages. John Ivor Holland #903289. Published by John Ivor Holland (A0.1314536). American composer, organist and harpsichordist, Daniel Pinkham (1923-2006) studied the Organ and music theory at Phillips Academy in Andover before studying at Harvard. He was famously moved by a concert in Andover given by the Trapp family singers in 1939, soon after they had escaped Austria. He quoted, 'Here, suddenly, I was hearing clarity, simplicity. It shaped my whole outlook.' Pinkham's career saw him teach at the Boston Conservatory and the New England Conservatory of Music, as well as being organist of King's Chapel in Boston for 42 years. His compositions varied from symphonies to art songs, although predominantly his music was religious in nature, frequently incorporating a choir and Organ. Christmas Cantata represents Pinkham's influence of 20th century trends, often embracing plainchant, joining Stravinsky and Hindemith's revival of early music. Full of rhythmic life and complex harmonies, this classic work is sure to be a standout contribution to any holiday concert.
$69.99 ≈
65.32€
Moro Lasso
Moro Lasso
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Carlo Gesualdo da Venosa
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Kyle Skrivanek
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Moro Lasso
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Kyle Skrivanek
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.980056 Composed by Carlo Gesualdo da Venosa. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renai...
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Concert Band - Level 4 - SKU: A0.980056 Composed by Carlo Gesualdo da Venosa. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 38 pages. Kyle Skrivanek #2891019. Published by Kyle Skrivanek (A0.980056). Moro Lasso is a prime example of the advanced chromaticism employed by the late Italian Renaissance composer, Carlo Gesualdo. Gesualdo, a prince of Venosa, is infamously remembered for murdering his first wife and her lover. However, his legacy to the world of music is undeniable. His six books of madrigals employ harmonies which the world would not witness again until Wagner, some 200 years later. During the later part of his life it was rumored Gesualdo suffered from a deep depression, perhaps from guilt. This is reflected in the first line of this madrigal which translates to, I am dying, wretched, in my grief. This arrangement maintains all of the original material with some repetition for length and musical effect. It is playable by high school level bands.
$40.00 ≈
37.33€
Mystery
Mystery
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jennifer Lucy Cook
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John Ivor Holland
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Mystery
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1446801 Composed by Jennifer Lucy Cook. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary,Contest,Fest...
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Concert Band - Level 4 - SKU: A0.1446801 Composed by Jennifer Lucy Cook. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary,Contest,Festival. 76 pages. John Ivor Holland #1026566. Published by John Ivor Holland (A0.1446801). Jennifer Lucy Cook is a composer and lyricist based in Los Angeles, specialising in music for the stage and screen, choral work, and pop songwriting. Of 'Mystery', she writes: Nothing has brought me nearer to the brink of insanity more than my futile grip on life. Controlling, planning, and carefully crafting the next step continues to be virtually pointless, and yet I persist. *sigh* Letting go is beautiful but elusive, like hanging onto smoke, and impatience is always at my heels. 'Mystery' is the musical ravings of a slightly deranged person reminding themselves to trust the process – after all, what good is a life without surprises? “Once you tell a secret, there’s no secret left to tell”, and thus, life keeps her mystery guarded. This arrangement has been created as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$69.99 ≈
65.32€
Chamber of Destiny
Chamber of Destiny
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Wesley Besancon
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Wesley Besancon
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Chamber of Destiny
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1247130 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. 21st Century,Contemporary,Contest,Festival...
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Concert Band - Level 4 - SKU: A0.1247130 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. 21st Century,Contemporary,Contest,Festival,New Age. Score and Parts. 82 pages. Wesley Besancon #841685. Published by Wesley Besancon (A0.1247130). Have you ever wondered about why we are impulsive, why we make descisions, and why they are always somehow the correct decision for character? Well, this piece is a programatic piece about a person that is in a forest. This person will find a hidden cabin, and will enter it. And he will discover the true meaning of life. This piece is also a dedication piece to some of my closest friends. DECICATIONS: The Allmans, Lauren Johnson, Parker Peterson, Jaxson Salter.
$8.99 ≈
8.39€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00 ≈
11.20€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00 ≈
74.66€
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