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Revelations 5 (Mvt. II)
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00 ≈
45.88€
7 to 9
7 to 9
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ben Pritchard
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Ben Pritchard
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7 to 9
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Benjamin Pritchard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. B...
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Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99 ≈
45.87€
Killarney Carnivale
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00 ≈
55.06€
Mortals, Gods, and Heroes
Mortals, Gods, and Heroes
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Mortals, Gods, and Heroes
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837492 Composed by Brett L. Wery. Contemporary. Score and parts. 261 pages. Sonata Grendel Publishing #5722157. Publish...
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Concert Band - Level 4 - SKU: A0.837492 Composed by Brett L. Wery. Contemporary. Score and parts. 261 pages. Sonata Grendel Publishing #5722157. Published by Sonata Grendel Publishing (A0.837492). Mortals, Gods, and Heroes was commissioned by Andrew Janack for the Maple Avenue Middles School Select Band in Saratoga Springs, NY. The school was doing a curriculum-wide reading project on Greek mythology. It seemed natural to create a wind ensemble suite based on three stories from Greek mythology. Each movement creates a miniature tone poem with clear motifs for each character in the myths. The characters include Athena (who makes a return in the final movement), Arachne, Orpheus, Charon the ferryman, Cerberus the three-headed dog, Sisyphus, Persephone, Eurydice, Perseus, and Medusa. The eleven-minute piece is colorful and inventive with plenty of special techniques in the percussion especially designed for middle school students. Mortals, Gods, and Heroes is in three movements: I. Arachne’s Web II. The Passage of OrpheusIII. Perseus and the Gorgon The score is formatted for 8.5 X 14 (legal) size paper and is 57 pages. The parts are formatted for 8.5 X 11 (letter) size paper.
$225.00 ≈
206.46€
March-Scherzo from Symphony No. 1
March-Scherzo from Symphony No. 1
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Ted R
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March-Scherzo from Symphony No
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romant...
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Concert Band - Level 4 - SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romantic Period. Score and Parts. 109 pages. Ted R. Marcus #3088637. Published by Ted R. Marcus (A0.840481). Camille Saint-Saëns was only 17 when he wrote his first published symphony. But he already had a mature mastery of orchestral writing, along with the courage to defy convention: A march takes the place of the normal triple-meter scherzo movement. It's an unconventional march that starts with an elegant melody, surveys a wide range of emotions, and dissipates into a quiet ending. It's really neither a march nor a scherzo, but something all its own.This colorful concert band arrangement was written for an adult community band. It's appropriate for a college or community band, or an adventurous high school wind ensemble. It features two solo flutes, two solo clarinets, soprano saxophone, vibraphone, and marimba (the vibraphone part is cued to allow performance without the marimba). It also requires strong oboe and bassoon players. Extensive cues allow rehearsal and performance without oboes, bassoons, soprano saxophone, and/or mallet percussion.  Duration: approx. 5:00. The audio clip is a complete performance by the Peninsula Symphonic Winds. Instrumentation: Flute 1A and 1B (two solo players) / Flute 2 / Oboe 1-2 / Clarinet 1A and 1B (two solo players) / Clarinet 2-3 / Alto Clarinet / Bass Clarinet / E-flat Contra-alto clarinet (optional alternate for string bass) / B-flat Contrabass Clarinet (optional alternate for string bass) / Bassoon 1-2 / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Vibes / Marimba (Vibes part has cues for performance without marimba)  Please visit my Web site to explore more classics for adventurous concert bands.
$45.00 ≈
41.29€
The Poor Soldier Suite for Band
The Poor Soldier Suite for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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William Shield
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Brett L
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The Poor Soldier Suite for Ban
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837498 Composed by William Shield. Arranged by Brett L. Wery. Classical. Score and parts. 272 pages. Sonata Grendel Pub...
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Concert Band - Level 4 - SKU: A0.837498 Composed by William Shield. Arranged by Brett L. Wery. Classical. Score and parts. 272 pages. Sonata Grendel Publishing #5776765. Published by Sonata Grendel Publishing (A0.837498). The score is formatted for 8.5 X 14 (legal) size paper and is 67 pages. The parts are formatted for 8.5 X 11 (letter) size paper. Duration: 16 minutes Written in 1783 by English composer William Shield to a famous libretto by Irish playwright John O’Keeffe, The Poor Soldier was a hit at its premier in November 1783 at Covent Garden in London. Quickly reaching American theaters by the following year, it became a frequently performed American Colonial musical theater piece, remaining in the repertory for over fifty years. So popular were the tunes from The Poor Soldier that even as late as 1850, some of the opera’s songs were music hall staples. Apparently George Washington adored this work and had excerpts performed for him at Mount Vernon. In 2008 I was hired to reconstruct the opera the The Poor Soldier from a series of piano sketches and individually sold arias dating back to the late eighteen hundreds. The 2008 production was premiered at SUNY Schenectady County Community College by Musicians of Ma’alwyck. This band suite was created in 2010 and premiered by the Capital Region Wind Ensemble.
$225.00 ≈
206.46€
Green World
Green World
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Seymour
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Green World
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Brian Seymour
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1030711 Composed by Brian Seymour. Contemporary. Score and parts. 92 pages. Brian Seymour #2012029. Published by Brian ...
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Concert Band - Level 4 - SKU: A0.1030711 Composed by Brian Seymour. Contemporary. Score and parts. 92 pages. Brian Seymour #2012029. Published by Brian Seymour (A0.1030711). High Energy Piece for Wind Ensemble in an adventure game style! Recording is only midi for now.
$39.99 ≈
36.69€
Make America Great Again - Concert Band Arrangement
Make America Great Again - Concert Band Arrangement
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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R
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Roland Moralis
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Make America Great Again - Con
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Rosemary Neilson
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Oboe,Piccolo,Tenor Saxophone,Timpani,Trombone,Trumpet,Vio...
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Large Ensemble Alto Saxophone,Bassoon,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Oboe,Piccolo,Tenor Saxophone,Timpani,Trombone,Trumpet,Violin - Level 4 - SKU: A0.982981 Composed by R. Sepe Neilson. Arranged by Roland Moralis. Concert,Contemporary,Holiday,Jazz,Patriotic. Score and parts. 6 pages. Rosemary Neilson #5805835. Published by Rosemary Neilson (A0.982981). A rousing patriotic march appropriate for any national holiday or similar event with lyrics and full orchestration for concert band.
$1.99 ≈
1.83€
1776 Revisited
1776 Revisited
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Dennis Lester
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Dennis Lester
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1776 Revisited
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Dennis Lester
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1080677 By Dennis Lester. By Bruce & Emmet and others. Arranged by Dennis Lester. Instructional,Patriotic,Standards,Tra...
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Concert Band - Level 4 - SKU: A0.1080677 By Dennis Lester. By Bruce & Emmet and others. Arranged by Dennis Lester. Instructional,Patriotic,Standards,Traditional. Score and parts. 63 pages. Dennis Lester #684895. Published by Dennis Lester (A0.1080677). A Concert and History Lesson based on a day in the life of a soldier in George Washington's Army. Music signaled soldiers to report to events of the Camp Duty. Ensemble includes; Two Piccolos, Field Snare, Rudimental Bass Drum and Narator.
$30.00 ≈
27.53€
The First State - Set of Parts
The First State - Set of Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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The First State - Set of Parts
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755027 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 117 pages. Sy Brandon #3244215. Publ...
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Concert Band - Level 4 - SKU: A0.755027 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 117 pages. Sy Brandon #3244215. Published by Sy Brandon (A0.755027). This is the set of parts that print on letter size paper. The score that prints on legal size paper is available separately. This three movement composition is a musical portrait of Delaware up until its being the first state to ratify the constitution. It was composed for the University of Delaware Wind Ensemble, Dr. Robert J. Steckfuss, conductor as a result of a commission from the Xi Mu Chapter of Phi Mu Alpha Sinfonia. The work is in three movements: I. Stewards of the Land - This movement is a tribute to the Lenni Lenape Indians. It uses a melody from a Lenape Indian song that is first stated in the English Horn. This melody is then developed through adding counterpoint, harmony, orchestration, motivic variation, rhythmic and tempo changes, and the addition of original material. II. Settlement and Conflict - This movement reflects the European settlement of Delaware and the conflict with the indians. It begins with slow section representing serenity. A faster section using a melody from a Dutch dans represents the first European settlement in Delaware. A minor version of the dans combined with fragments of the Lenape Indian song from the first movement represents the conflict. This is followed by a return to the serenity section. A final fast section introduces a setting of the Swedish melody from Amerikabrev, representing the first permanent settlement in Delaware by Sweden. The movement ends with a section of Rule Britannia representing the colony falling under British rule. III. Forging A Nation - This movement portrays events leading towards being the first state to ratify the constitution. The movement begins with a section reflecting the anxious times of declaring independence, fighting for freedom, and forging a new government. The second section builds in confidence. After a slower section of reflection, the movement ends triumphantly in celebration of a new country.
$35.99 ≈
33.02€
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