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Vous avez sélectionné:
Blow
intermédiaire
Orchestre d'harmonie
Partitions à imprimer
7 partitions trouvées
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1
Blow The Wind Southerly - Concert Band
Blow The Wind Southerly - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brendan James Elliget MAGA 5
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Blow The Wind Southerly - Conc
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BJE Music
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SheetMusicPlus
By Brendan James Elliget MAGA 537 NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Celtic, Folk, Irish....
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By Brendan James Elliget MAGA 537 NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Celtic, Folk, Irish. Score and parts. 57 pages. BJE Music #705630. Published by BJE Music
$25.00 ≈
22.94€
Symphonie Fantastique: IV. Marche au supplice
Symphonie Fantastique: IV. Marche au supplice
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Opera
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Classique
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Hector Berlioz
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Guilherme Ribeiro
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Symphonie Fantastique: IV. Mar
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Gui Ribeiro
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. ...
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Concert Band - Level 3 - SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.
$14.99 ≈
13.75€
Setting the Watch for Concert Band
Setting the Watch for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Boag
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Setting the Watch for Concert
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Graham Boag
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #6784...
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Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99 ≈
36.69€
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by ...
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Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99 ≈
5.50€
The Battle Eve Duet - Trombone and Euphonium with Concert Band Accompaniment Score and Parts PDF
The Battle Eve Duet - Trombone and Euphonium with Concert Band Accompaniment Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Music composed by Theo Bonheur
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Brendan Elliget MAGA 537
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The Battle Eve Duet - Trombone
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Ellige...
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Concert Band - Level 3 - SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 76 pages. BJE Music #4579953. Published by BJE Music (A0.750900). Originally a vocal duet entitled 'The Battle Eve' was composed by Theo Bonheur with lyrics written by GW Southey. The song had been written for performances by bass and tenor vocal duet.The song begins: Dark the shades of night are growing, keen and chill the wind is blowing, bright the watchfire lights are glowing, 'Tis the battle eve…The piece appears to have been composed in the early 1890s with the first recorded performance at the Athenaeum in Melbourne (Australia) in May 1893. ‘The Battle Eve’ was very popular during the First World War period with many performances at many concerts related to the war effort in Australia. This included patriotic concerts held across Australia during 1914. The first of these was a patriotic concert held at the School of Arts, South Grafton, New South Wales, on Tuesday 1 September 1914. Miss Eva Beatson performed the song with proceeds from the evening totaling 52 pounds. [https://www.awm.gov.au/collection/C230950]The arrangement here is for Trombone (Tenor) and Euphonium (Bass) Duet with Concert Band accompaniment. The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 5:30 mins.
$30.00 ≈
27.53€
Bob Dylan: Blowin' In The Wind (arr. Tim Allen) (COMPLETE) - orchestra/band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Bob Dylan
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Virtualsheetmusic
Instantly printable sheet music by Bob Dylan for orchestra/band of MEDIUM skill level. / folk,pop,rock
Instantly printable sheet music by Bob Dylan for orchestra/band of MEDIUM skill level. / folk,pop,rock
$3.99 ≈
3.66€
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