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The Six Strings
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26
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
6.46€
The Old Balladeer
The Old Balladeer
#
Guitare
#
INTERMÉDIAIRE
#
Doug Smith
#
The Old Balladeer
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1249738 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk. Individual part. 5 pages. Doug Smith Guitar St...
(+)
Solo Guitar - Level 3 - SKU: A0.1249738 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk. Individual part. 5 pages. Doug Smith Guitar Studio #844129. Published by Doug Smith Guitar Studio (A0.1249738). An Old Balladeer expresses the mystery, beauty and joy of memories told about the times that came before us. The music uses a low D tuning.The piece uses arpeggios on the bass strings played with the thumb. Over the top of the arpeggios is woven a beautiful harmonized melody that is played with a soft touch. Half way through, a dance like groove in the bass adds motion and the music gently winds its way to an ending with a soft strum of a full D Chord across all six strings.
$1.99 ≈
1.84€
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00 ≈
6.46€
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00 ≈
6.46€
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00 ≈
6.46€
Asturias - Leyenda.
Asturias - Leyenda.
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Guitare
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AVANCÉ
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Classique
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Isaac Albeniz
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Daniel Clark
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Asturias - Leyenda.
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #64...
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Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99 ≈
2.76€
Four Short Single Focus Compositions for Guitar Solo
Four Short Single Focus Compositions for Guitar Solo
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Guitare
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FACILE
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Contemporain
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Scott A
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Four Short Single Focus Compos
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Ponticello Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. P...
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Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00 ≈
4.61€
Spanish Memories
Spanish Memories
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Guitare
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DÉBUTANT
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Doug Smith
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Spanish Memories
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1156064 Composed by Doug Smith. Children,Classical,Folk,Instructional,Latin. Individual part. 6 pages. Doug Smith Guitar...
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Solo Guitar - Level 1 - SKU: A0.1156064 Composed by Doug Smith. Children,Classical,Folk,Instructional,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #756375. Published by Doug Smith Guitar Studio (A0.1156064). Spanish Memories is a piece that helps students to develop reading skills in the first position. The piece uses the natural notes on all six strings. There is interplay between the treble and the bass strings, melodic phrasing, and a natural note scale melody across the whole range of the first position.
$1.99 ≈
1.84€
Monday Morning Blues
Monday Morning Blues
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Guitare
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DÉBUTANT
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Doug Smith
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Monday Morning Blues
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1156061 Composed by Doug Smith. Blues,Children,Classical,Instructional. Individual part. 5 pages. Doug Smith Guitar Stud...
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Solo Guitar - Level 1 - SKU: A0.1156061 Composed by Doug Smith. Blues,Children,Classical,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #756370. Published by Doug Smith Guitar Studio (A0.1156061). Music For Guitar Students Level 1: Monday Morning Blues is a piece for teaching students how to read music and master the notes in the first position. The music uses natural notes on all six strings with interplay between the treble and bass strings. There are optional note bends for introducing the blues style.
$1.99 ≈
1.84€
Fandango
Fandango
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Fandango
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1252007 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk,Latin. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 4 - SKU: A0.1252007 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk,Latin. Individual part. 7 pages. Doug Smith Guitar Studio #846189. Published by Doug Smith Guitar Studio (A0.1252007). Fandango is the first of a series of guitar solos that feature one of each of the six guitar strings. Fandango features the E or first string. The music starts with an extensive amount of slurs that then builds to an arpeggiated harmonic sequence and climaxes with strummed chords that end in a flourish. A fun piece to play!
$3.99 ≈
3.68€
Ten After
Ten After
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Guitare
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DÉBUTANT
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Doug Smith
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Ten After
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1159528 Composed by Doug Smith. Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studi...
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Solo Guitar - Level 1 - SKU: A0.1159528 Composed by Doug Smith. Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #759795. Published by Doug Smith Guitar Studio (A0.1159528). Ten After is a guitar solo that is good for developing the ability to read music in the first position. There are melodic lines and Pim arpeggios, dynamics and a final melody that crosses all six strings.
$1.99 ≈
1.84€
Pluck for guitar
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00 ≈
14.76€
Fingerpicking Guitar for the Young Beginner
Fingerpicking Guitar for the Young Beginner
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Guitare
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DÉBUTANT
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Methodes
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Enfant
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William Bay
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Fingerpicking Guitar for the Y
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Young Beginner. All Styles. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.20626BCDEB). - e-book ...
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Composed by William Bay. Young Beginner. All Styles. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.20626BCDEB). - e-book and online audio - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781610652032. This beginner's approach to playing fingerstyle guitar uses well-known folk songs to develop left and right-hand techniques. The tunes are first introduced with simplified chords and accompaniment provided by an easy downward strum of the thumb. Next, the thumb and three fingers pluck simultaneously to produce block chords, and finally render more complex arpeggiated patterns. While barre chords are judiciously avoided throughout, the alternating bass concept is presented with full-strength chords using all six strings where applicable. While the melodies are shown in standard notation, the lyrics and companion audio serve as rhythmic guides to the student; neither note nor tablature reading ability is required to complete this enjoyable course. Includes access to online audio.
$9.99 ≈
9.22€
Hurry Up
Hurry Up
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Guitare
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DÉBUTANT
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Doug Smith
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Hurry Up
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1157098 Composed by Doug Smith. Children,Classical,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #75...
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Solo Guitar - Level 1 - SKU: A0.1157098 Composed by Doug Smith. Children,Classical,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #757427. Published by Doug Smith Guitar Studio (A0.1157098). Hurry Up is a piece for teaching students how to read music in the first position. The melody involves interlay between all six strings.
$1.99 ≈
1.84€
Diatonic Note Practice
Diatonic Note Practice
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Guitare
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DÉBUTANT
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Amy Warmenhoven
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Diatonic Note Practice
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Amy Warmenhoven
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1212356 Composed by Amy Warmenhoven. Blues,Children,Classical,Folk,Rock. Individual part. 2 pages. Amy Warmenhoven #8098...
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Solo Guitar - Level 1 - SKU: A0.1212356 Composed by Amy Warmenhoven. Blues,Children,Classical,Folk,Rock. Individual part. 2 pages. Amy Warmenhoven #809858. Published by Amy Warmenhoven (A0.1212356). Introduction to notes on all six strings of the guitar in standard tuning, beginning with the low E-String.
$1.99 ≈
1.84€
Rain in May
Rain in May
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jozsef Ludvig
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Rain in May
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Koncert 1234 Kft
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041317 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646057. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041317 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646057. Published by Koncert 1234 Kft (A0.1041317). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Meditation
Meditation
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Guitare
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INTERMÉDIAIRE
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Classique
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Jozsef Ludvig
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Meditation
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041314 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646054. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1041314 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646054. Published by Koncert 1234 Kft (A0.1041314). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Argentine tango
Argentine tango
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jozsef Ludvig
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Argentine tango
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041305 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646045. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041305 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646045. Published by Koncert 1234 Kft (A0.1041305). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Ultima volta
Ultima volta
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
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Jozsef Ludvig
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Ultima volta
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041320 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646060. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041320 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646060. Published by Koncert 1234 Kft (A0.1041320). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$6.00 ≈
5.54€
Adult pieces
Adult pieces
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jozsef Ludvig
#
Adult pieces
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041306 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646046. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041306 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646046. Published by Koncert 1234 Kft (A0.1041306). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Ecco la chitarra
Ecco la chitarra
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Guitare
#
INTERMÉDIAIRE
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Classique
#
Jozsef Ludvig
#
Ecco la chitarra
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041315 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646055. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1041315 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646055. Published by Koncert 1234 Kft (A0.1041315). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Message
Message
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Guitare
#
AVANCÉ
#
Classique
#
Jozsef Ludvig
#
Message
#
Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1041318 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646058. Published by ...
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Solo Guitar - Level 5 - SKU: A0.1041318 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646058. Published by Koncert 1234 Kft (A0.1041318). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
Children joy
Children joy
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jozsef Ludvig
#
Children joy
#
Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041308 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646048. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041308 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 2 pages. Koncert 1234 Kft #646048. Published by Koncert 1234 Kft (A0.1041308). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
E-major etude III
E-major etude III
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jozsef Ludvig
#
E-major etude III
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Koncert 1234 Kft
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1041310 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646051. Published by ...
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Solo Guitar - Level 4 - SKU: A0.1041310 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646051. Published by Koncert 1234 Kft (A0.1041310). This is a performance piece written for classical guitar. It was published in Hungary in 2019 in the publication Six Strings of My Life - sheet music and CD. Composer: Jozsef Ludvig.
$10.00 ≈
9.23€
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