Partitions Numériques de No Me, No You, No More pour Guitare

Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Stan...(+)

Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.

$4.99 ≈ 4.59€

Larry Williams Compositions- The Guitar Book

Larry Williams Compositions- The Guitar Book #Guitare #INTERMÉDIAIRE/AVANCÉ #Larry Williams #Larry Williams Compositions- T #Larry Andrew Williams #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...(+)

Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSERÂ Is anyone interested in new reading material anymore?Â I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to Â nd those few that would resonate with me for a lifetime, but it was always fun trying them all out.Â It still is, in fact.Â Well, times change and people change, but Iâ€™d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or â€“ Heaven forbid- something that maybe we ourselves wrote?Â Or some â€œunknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive?Â Letâ€™s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying â€œthey donâ€™t write â€˜em like that anymore,â€ are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered?Â And isnâ€™t that pioneering spirit just plain olâ€™ curiosity when it comes right down to it?Â Well I believe the key lies within the carrying out of these notions that curiosity places in us. Itâ€™s climbing the mountain simply because it is there.Â So, for right now, Iâ€™m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity.Â Itâ€™s what makes the world a smaller neighborhood.Â Larry Williams.

$20.00 ≈ 18.38€

Edwin Culver: a bridge a-way, exits within (for solo guitar)

Edwin Culver: a bridge a-way, exits within (for solo guitar) #Guitare #INTERMÉDIAIRE #Contemporain #Edwin Culver #Edwin Culver: a bridge a-way, #Edwin Culver #SheetMusicPlus

Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...(+)

Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canâ€™t fully understand no matter how hard you try? Perhaps itâ€™s something from our past that we never invited...or something weâ€™ve missed in our closest relationships, maybe itâ€™s just the dread weâ€™ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâ€™re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâ€™s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâ€™re spinning our wheelsâ€¦But one of the interesting things about great minimalist music is that itâ€™s not merely about repetition. I donâ€™t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâ€™s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canâ€™t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâ€™s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnâ€™t feel like weâ€™re making headway whenever weâ€™re having to crawl out of our skin - until, suddenly, when itâ€™s all over. And you hear this towards the end of the piece, when thereâ€™s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâ€™ve put my trust in, because I canâ€™t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.

$11.99 ≈ 11.02€

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