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Vous avez sélectionné:
Brian Streckfus
Guitare
Partitions à imprimer
10 partitions trouvées
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1
My Old Kentucky Home
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99 ≈
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Frère Jacques
Frère Jacques
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Guitare
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DÉBUTANT
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Traditional Anon
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Brian Streckfus
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Frère Jacques
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1125213 Composed by Traditional Anon. Arranged by Brian Streckfus. Children,Classical,Early Music,Traditional. Individua...
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Solo Guitar - Level 1 - SKU: A0.1125213 Composed by Traditional Anon. Arranged by Brian Streckfus. Children,Classical,Early Music,Traditional. Individual part. 1 pages. Brian Streckfus #725994. Published by Brian Streckfus (A0.1125213). 1. Guitar Arrangement ~ 2. Beginner ~ 3. Guitar Tab ~ 4. Less stereotypical chords ~ 5. Tonic, subdominant and dominant scale degrees are color coded.
$1.99 ≈
1.86€
Gnossienne No. 3
Gnossienne No. 3
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Guitare
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Brian Streckfus
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1156459 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Individual part. 3 ...
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Solo Guitar - Level 3 - SKU: A0.1156459 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Individual part. 3 pages. Brian Streckfus #756777. Published by Brian Streckfus (A0.1156459). 1. Arranged for guitar 2. Guitar tablature added 3. Measures and time signatures removed to reflect the ethos of the original composer 4. Original composer indications added.
$1.99 ≈
1.86€
The Entertainer (Excerpt)
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
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1.86€
Prelude No. 1 "Expectations"
Prelude No. 1 "Expectations"
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Guitare
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AVANCÉ
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Brian Streckfus
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Prelude No. 1 "Expectatio
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1167192 Composed by Brian Streckfus. Classical,Contemporary,Romantic Period. Individual part. 4 pages. Brian Streckfus #...
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Solo Guitar - Level 5 - SKU: A0.1167192 Composed by Brian Streckfus. Classical,Contemporary,Romantic Period. Individual part. 4 pages. Brian Streckfus #767569. Published by Brian Streckfus (A0.1167192). Romantic classical guitar piece with adventerous harmonies. I wrote this cinematic sounding piece before I really knew how to engrave well, so I am not charging much until I make it look cleaner, though I figured I would upload the draft for now. It's in a bizarre tuning with the thickest string tuned to F (or down tune everything except E down a halfstep).
$1.99 ≈
1.86€
Study: Secondary Dominance
Study: Secondary Dominance
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Guitare
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DÉBUTANT
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Bria...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
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Greensleeves (Finger-style Guitar Version)
Greensleeves (Finger-style Guitar Version)
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Guitare
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FACILE
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Traditional Folk Anon
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Brian Streckfus
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Greensleeves
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1162994 Composed by Traditional Folk Anon. Arranged by Brian Streckfus. Early Music,Instructional,Medieval,Renaissance,T...
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Solo Guitar - Level 2 - SKU: A0.1162994 Composed by Traditional Folk Anon. Arranged by Brian Streckfus. Early Music,Instructional,Medieval,Renaissance,Traditional. Individual part. 1 pages. Brian Streckfus #763346. Published by Brian Streckfus (A0.1162994). 1. Arranged for guitar. 2. Guitar TAB w/ rhythms added. 3. Left and Right hand fingerings added 4. Chord nomenclature added to roughly summarize the harmony and to aid in improvising.5. Fonts made larger and more attractive.6. Mordent added.I added quite a bit of fingerings to this. Ideally performers should do this themselves but adding them also solidifies the arrangement and saves the performer some time.
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2.79€
Gnossienne No. 1 (Tablature + Sheet Music)
Gnossienne No. 1 (Tablature +)
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Guitare
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Brian Streckfus
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Gnossienne No. 1
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Individual part. 5 pages. Brian Streckfus #756774. Published by Brian Streckfus (A0.1156456). IMPORTANT NOTE: You get both tablature version and sheet music version in one 5 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Just be careful with your printer settings if you don't want two versions!1. Arranged for guitar2. Tablature added3. Measures and times signature removed reflecting the original composer's ethos. 4. Form simplified so that the piece fits on three pages. D.S. in retrograde is a strange navigation indication, but it seems the most elegant way to save a lot of paper and ink. 5. Slurs added.6. Some left hand fingerings added. I didn't want to add too many to the point where it becomes cumbersome or confusing.
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