Partitions Numériques de Violin pour Ensemble de Percussions

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Violin
Non classifié 1 460

Piano & claviers
Piano seul 124
Piano Trio: piano, violon, violoncelle 108
Piano Quatuor: piano, violon, alto, violoncelle 37
Piano Quintette: piano, 2 violons, alto, violoncelle 27
Piano Quatuor: piano, 2 violons, violoncelle 10

Piano, Voix 9
Clavecin 4
Piano, Voix et Guitare 4
Accordéon et Orchestre 3
1 Piano, 4 mains 3
Orgue 2
2 Pianos, 4 mains 1
Orgue, Piano (duo) 1

+ 8 instrumentations

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Guitares
Guitare 37
Guitare notes et tablatures 16
2 Guitares (duo) 2
Ligne De Mélodie, (Paroles) et Accords 1
Guitare, Violon, Violoncelle (trio) 1

4 Guitares (Quatuor) 1

+ 1 instrumentations

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Voix
Chorale SATB 16
Chorale SSAATTBB 3
Voix duo, Piano 3
Voix duo 2
Chorale 2 parties 2

Chorale 3 parties 1
Chorale TTBB 1
Chorale SSAA 1

+ 3 instrumentations

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Vents
Flûte traversière et Piano 28
Flûte traversière 20
Clarinette et Piano 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 11
Quatuor de Clarinettes: 4 clarinettes 10

Flûte, Violon 10
Quintette de Saxophone: 5 saxophones 10
Hautbois, Piano (duo) 9
Flûte, Hautbois, Clarinette, Basson 9
Saxophone Tenor et Piano 8
Clarinette 8
Quatuor de Saxophones: 4 saxophones 8
Flûte, Violon, Piano 8
Saxophone Alto et Piano 7
Ensemble de Clarinettes 6
Clarinette, Violon (duo) 6
2 Flûtes traversières (duo) 6
3 Clarinettes (trio) 5
3 Saxophones (trio) 4
Flûte et Guitare 4
Flûte, Violon, Violoncelle et Piano 4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 3
Quintette de Flûte : 5 flûtes 3
Quatuor de Flûtes : 4 flûtes 3
Quintette de Clarinette: Clarinette, Quatuor à Cordes 2
Hautbois 2
Quintette de Clarinettes: 5 clarinettes 2
2 Saxophones (duo) 2
Flûte et Trio à cordes 2
Saxophone 2
Saxophone Alto 2
Saxophone Soprano et Piano 2
Flûte, Violon et Violoncelle 2
4 Hautbois 1
Saxophone Baryton, Piano 1
Ensemble de saxophones 1
Hautbois, Basson et Piano 1
Flute, harpe et violon 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Hautbois, Orgue 1
Ensemble de Flûtes 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Clarinette, Violon (trio) 1
Flûte, Violoncelle, Piano (trio) 1
Hautbois (partie séparée) 1
Flûte, Clarinette (duo) 1
Flûte à bec Alto 1
Flûte à bec Alto, Piano 1
5 Flûtes à bec 1
2 Clarinettes (duo) 1
Flûte, Violoncelle 1
Harmonica 1
3 Flûtes à bec (trio) 1
Flûte, Violon, Guitare 1
Saxophone et violoncelle 1

+ 50 instrumentations

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Cuivres
Trombone et Piano 20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Euphonium, Piano (duo) 8
Trompette, Piano 8
Cor 6

Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Cor et Piano 4
Tuba et Piano 4
Ensemble de Trompettes 4
Trompette, violon (duo) 3
Ensemble de Trombones 2
Trompette 2
Trombone 2
2 Trombones (duo) 2
Tuba 2
Quatuor de cuivres: 4 cors 1
2 Tubas (duo) 1
Euphonium 1
Trombone, Violon (duo) 1
Ensemble de Cors 1
Trombone basse 1
3 Trombones (trio) 1
Trompette, Trombone (duo) 1
Quatuor de cuivres: 4 trombones 1

+ 19 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 1 544
Violon 1 061
Violon et Piano 741
Violon, Violoncelle (duo) 201
Trio à Cordes: violon, alto, violoncelle 153

2 Violons (duo) 106
Violon, Alto (duo) 88
Violon, Guitare (duo) 72
Trio à Cordes: 2 violons, violoncelle 68
Violon (partie séparée) 44
Violoncelle, Piano 37
Quintette à cordes: 2 violons, alto, violoncelle, basse 30
Harpe, Violon (duo) 23
Alto, Piano 18
Alto seul 17
Trio à cordes: 3 violins 14
Trio à Cordes: 2 violons, alto 13
Quatuor à cordes: 4 violons 12
Violoncelle, Contrebasse (duo) 11
Violoncelle 8
Violon, Orgue 6
Harpe, Flûte (duo) 5
Violoncelle (partie séparée) 5
Piano Trio: Violon, Alto, Piano 5
Alto et Harpe 4
Violon, Clarinette, Piano (trio) 4
Trio à cordes 4
4 Violoncelles 4
Harpe 3
Harpe, Quatuor à cordes 3
Contre Basse 3
Harpe, Violoncelle (duo) 3
2 Altos (duo) 2
Alto, Violoncelle (duo) 2
Violon, Violoncelle, Clarinette 2
Ensemble de Violons 2
Ensemble d'Altos 2
2 Violons, Piano 2
Violoncelle , Guitare (duo) 2
Harpe, Violon, Violoncelle 2
Alto (partie séparée) 1
Trio à Cordes: 3 violoncelles 1
Violon, Basson (duo) 1
Violon, Clarinette et Guitare 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violon, Basse continue 1

+ 41 instrumentations

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Percussions & orchestre
Orchestre 236
Orchestre à Cordes 128
Orchestre de chambre 92
Ensemble Jazz 7
Orchestre, Violon 7

Orchestre d'harmonie 5
Big band 3
Piano et Orchestre 3
Ensemble de Percussions 3

Ensemble de cuivres 2
Cloches 2

+ 6 instrumentations

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Violin

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Ensemble de Percussions

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Concerto for Violin and Percussions Op.110

Concerto for Violin and Percussions Op.110 #Ensemble de Percussions #AVANCÉ #Kohei KONDO #Concerto for Violin and Percus #Kohei KONDO #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. ...(+)

Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. Published by Kohei KONDO (A0.885973). Composed by Japanese composer Kohei KONDOConcerto for Violin and Percussions Op.110 Solo Violin and 3 percussion players Premiered at Tokyo Opera City Recital Hall on 10th Nov. 2010 Violinï¼Kumi NAKAJIMA Percussionï¼Dotten Hakubutsukan 2nd performance at Xebec Hall (Kobe, Hyogo Pref. Japan) Violinï¼Kumi NAKAJIMA Percussionï¼Makoto NOMURA. Chika SURUTA. Yusuke KATAOKA European Premiere:Budapest (BFO Rehearsal Hall in Selmeci utca ) Budapest Festival Orchestraã€€The Sunday chamber music concerts Violinï¼Levente Szabo Percussionï¼Istvan Kurcsak, Boglarka Fabry, Gabor Pusztai (Members of Budapest Festival Orchestra) Duration : 12 min.YouTube: https://youtu.be/6cdsVtS37Bg Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin/ Kumi NAKAJIMA Percussion/ Dotten Hakubutsukan This concerto is for violin solo and 3 percussion players. The concept is Portable concerto. Small percussion instruments and violin are portable. You can perform this portable violin concerto with original instrumentation in concert hall, salon, street, cafÃ©, outdoor and various places. For performance or other use and more information. please visit koheikondo.com. http://koheikondo.com/

$8.00 ≈ 7.46€

Four Forces (First movement) I. Strong Forces

Four Forces (First movement) I. Strong Forces #Ensemble de Percussions #AVANCÉ #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...(+)

Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$300.00 ≈ 279.59€

Four Forces (Second movement) II. Weak Forces

Four Forces (Second movement) II. Weak Forces #Ensemble de Percussions #AVANCÉ #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...(+)

Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$150.00 ≈ 139.79€

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