Partitions Numériques de Symphony pour Clarinette Basse, Piano

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Symphony
Non classifié 247

Piano & claviers
Piano seul 255
Orgue 26
Piano, Voix et Guitare 19
Piano, Voix 17
1 Piano, 4 mains 16

Piano Facile 14
Instruments en Do 6
Accordéon 2
1 Piano, 6 mains 2
Piano Trio: piano, violon, violoncelle 2
Orgue, Trompette (duo) 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 17
Guitare 16
Ligne De Mélodie, (Paroles) et Accords 7
Basse electrique 5
2 Guitares (duo) 4

Guitare, Violon, Violoncelle (trio) 2
Piano, Guitare (duo) 2
Mandoline 2
Ukulele 2
Partitions De Groupes 2
4 Guitares (Quatuor) 1
Ensemble de guitares 1

+ 7 instrumentations

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Voix
Chorale SATB 25
Chorale 2 parties 5
Chorale 3 parties 5
Chorale Unison 4
Chorale TTBB 3

Voix duo, Piano 1
Chorale SSAA 1

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30
Flûte, Hautbois, Clarinette, Basson 26
Quatuor de Saxophones: 4 saxophones 25
2 Saxophones (duo) 24
Clarinette 23

Flûte traversière 22
2 Clarinettes (duo) 22
Flûte traversière et Piano 22
2 Flûtes traversières (duo) 22
Quatuor de Clarinettes: 4 clarinettes 21
Quatuor de Flûtes : 4 flûtes 20
Saxophone Alto et Piano 19
Clarinette et Piano 18
Saxophone Alto 18
Quintette de Saxophone: 5 saxophones 15
Hautbois, Piano (duo) 14
Ensemble de Clarinettes 13
Saxophone Tenor 13
Saxophone Soprano et Piano 12
Ensemble de saxophones 11
Saxophone Tenor et Piano 9
Ensemble de Flûtes 8
Flûte et Guitare 8
2 Hautbois (duo) 8
Cor anglais, Piano 7
3 Saxophones (trio) 6
Saxophone (partie séparée) 6
Quintette de Clarinettes: 5 clarinettes 6
Quintette de Flûte : 5 flûtes 4
Trio de Flûtes: 3 flûtes 4
Hautbois (partie séparée) 4
Saxophone Baryton, Piano 4
Hautbois, Basson (duo) 4
Flûte, Clarinette (duo) 3
3 Clarinettes (trio) 3
Hautbois 3
Flûte, Clarinette et Basson 2
Saxophone et Harpe 2
Clarinette, Guitare (duo) 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Clarinette Basse, Piano 2

2 Saxophones, Piano 2
Flûte, Hautbois (duo) 2
5 Flûtes à bec 1
Flûte, Hautbois, Clarinette (trio) 1
3 Hautbois 1
4 Hautbois 1
Saxophone 1
Clarinette Basse 1
Clarinette, Basson (duo) 1
Flûte, Hautbois, Basson 1
Flûte à bec Alto 1
Ensemble De Flûte à bec 1
Flûte à Bec 1
Ensemble de Hautbois 1
Hautbois, Harpe 1
Hautbois, Clarinette (duo) 1
Quatuor de Flûtes à bec 1

+ 53 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 23
Trompette 22
Trombone 18
Cor 17

2 Trompettes (duo) 14
Trompette, Piano 12
Cor et Piano 10
Trombone et Piano 9
Quatuor de Cuivres: 2 trompettes, Cor, trombone 8
Cor anglais, Piano 7
2 Cors (duo) 7
2 Trombones (duo) 6
Quatuor de cuivres: 4 cors 5
Ensemble de Trompettes 5
Trompette, Trombone (duo) 4
Trompette (partie séparée) 4
Quatuor de cuivres: 4 trombones 4
Quatuor de cuivres: 4 trompettes 4
3 Trompettes (trio) 3
Ensemble de Cors 3
4 Tubas 3
2 Euphoniums (duo) 3
Euphonium, Tuba (duo) 2
3 Trombones (trio) 2
Tuba 2
Ensemble de Trombones 2
Euphonium, Piano (duo) 2
3 Cors (trio) 1
3 Tubas (trio) 1
Trombone, Orgue 1
Trio de Cuivres 1
Trompette, Cor (duo) 1
Cor et Harpe 1
Cor, Tuba (duo) 1
2 Tubas (duo) 1
Tuba et Piano 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 84
Violon 31
Violon et Piano 29
Alto, Piano 18
Violoncelle, Piano 18

Violon, Violoncelle (duo) 17
2 Violons (duo) 16
Alto seul 15
Trio à Cordes: violon, alto, violoncelle 13
Violoncelle 13
Harpe 12
Violon (partie séparée) 9
Violon, Alto (duo) 7
2 Harpes (duo) 7
2 Violoncelles (duo) 7
Violoncelle (partie séparée) 7
4 Violoncelles 6
2 Altos (duo) 4
Flûte, Contrebasse (duo) 3
Trio à cordes 3
Ensemble de Violoncelles 2
Harpe, Violon (duo) 2
Trio à Cordes: 3 violoncelles 2
Ensemble de Violons 2
Alto, Guitare (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Trio à cordes: 3 violins 1
Harpe, Flûte (duo) 1
Quatuor à cordes: 4 violons 1
Contrebasse, Piano (duo) 1
Harpe, Violoncelle (duo) 1
Contre Basse 1
Trio à cordes: 3 altos 1
Violoncelle , Guitare (duo) 1
Alto (partie séparée) 1
Violon, Guitare (duo) 1
Alto, Violoncelle (duo) 1
Trio à Cordes: 2 violons, alto 1

+ 34 instrumentations

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Percussions & orchestre
Orchestre 364
Orchestre à Cordes 132
Orchestre d'harmonie 103
Orchestre de chambre 34
Ensemble de cuivres 19

Cloches 10
Ensemble Jazz 5
Batterie 3
Orchestre Symphonique 1
Ensemble de Percussions 1
Fanfare 1
Vibraphone 1
Xylophone 1

+ 8 instrumentations

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Symphony

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Clarinette Basse, Piano

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2 partitions trouvées

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 30.71€

Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano

Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com

$24.95 ≈ 23.25€

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