Partitions Numériques de Mark pour Clarinette Basse, Piano

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Mark
Non classifié 702

Piano & claviers
Piano Facile 749
Piano seul 655
Piano, Voix 370
Orgue 312
Piano, Voix et Guitare 77

Instruments en Do 36
Piano Trio: piano, violon, violoncelle 11
Accompagnement Piano 10
1 Piano, 4 mains 10
Piano Quatuor: piano, 2 violons, violoncelle 6
Accordéon 3
Piano Quintette: piano, 2 violons, alto, violoncelle 2
Orgue, Piano (duo) 2
2 Pianos, 8 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1
2 Pianos, 4 mains 1
Orgue, Trompette (duo) 1
1 Piano, 6 mains 1

+ 13 instrumentations

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Guitares
Guitare notes et tablatures 423
2 Guitares (duo) 56
Ukulele 26
Ligne De Mélodie, (Paroles) et Accords 21
Basse electrique 17

Paroles et Accords 16
Guitare 16
3 Guitares (trio) 4
Mandoline 1
Ensemble de Ukulélés 1
Dulcimer 1
4 Guitares (Quatuor) 1
Banjo 1

+ 8 instrumentations

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Voix
Chorale SATB 221
Chorale 3 parties 133
Chorale TTBB 114
Chorale 2 parties 100
Voix duo, Piano 37

Chorale Unison 31
Chorale SSAA 21
Voix duo 10
Chorale 2
Chorale SSAB a cappella 1
Voix Soprano, Piano 1
Voix basse, Piano 1
Voix Alto, Piano 1
Voix Mezzo-Soprano, Piano 1
Voix, Guitare 1

+ 10 instrumentations

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Vents
2 Saxophones (duo) 140
2 Flûtes traversières (duo) 125
2 Clarinettes (duo) 111
Quatuor de Saxophones: 4 saxophones 95
Saxophone (partie séparée) 86

Flûte, Hautbois, Clarinette, Basson 67
Clarinette 52
Flûte traversière et Piano 49
Flûte traversière 46
Saxophone Tenor et Piano 44
Saxophone Alto et Piano 43
Saxophone Alto 41
Clarinette et Piano 41
Saxophone Soprano et Piano 41
Hautbois, Piano (duo) 30
Hautbois (partie séparée) 28
Flûte et Guitare 25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24
Quintette de Saxophone: 5 saxophones 19
Quatuor de Clarinettes: 4 clarinettes 16
Clarinette (partie séparée) 15
Saxophone 12
2 Hautbois (duo) 11
3 Flûtes à bec (trio) 9
Saxophone Baryton, Piano 9
Hautbois 8
3 Saxophones (trio) 8
Quatuor de Flûtes à bec 7
3 Clarinettes (trio) 7
Saxophone Tenor 6
Saxophone Soprano 5
Trio de Flûtes: 3 flûtes 5
Flûte, Clarinette (duo) 5
Ensemble de Clarinettes 5
Cor anglais, Piano 5
Quatuor de Flûtes : 4 flûtes 5
Saxophone Baryton 4
Ensemble de Flûtes 4
Quintette de Clarinettes: 5 clarinettes 4
2 Flûte à bec (duo) 4
Flûte, Violon 4
Ensemble De Flûte à bec 3
Flûte à bec Alto 3
Clarinette, Trompette (duo) 3
Hautbois, Flûte 3
Hautbois, Basson (duo) 3
Flûte, Hautbois, Clarinette (trio) 2
Ensemble de saxophones 2
Clarinette, Violon (duo) 2
Flûte à bec Alto, Piano 2
Saxophone et Orgue 2
Hautbois, Clarinette (duo) 2
Flûte, Clarinette et Basson 2
Clarinette Basse, Piano 2

Flûte à bec Soprano 2
Cornemuse 1
2 Cors Anglais Et Pianoforte 1
Cor Anglais 1
Flûte traversière, Orgue (duo) 1
Flûte, Hautbois (duo) 1
3 Hautbois 1
Clarinette, Violoncelle (duo) 1
Hautbois, violon (duo) 1
Flûte à bec, Harpe 1
Flûte, Alto (duo) 1
Clarinette, Guitare (duo) 1
Cor anglais et Harpe (duo) 1
Flûte à Bec 1
Clarinette, Harpe (duo) 1
Clarinette, Orgue 1

+ 65 instrumentations

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Cuivres
2 Trompettes (duo) 107
Trompette 50
Trompette, Piano 47
Trombone et Piano 42
Trombone 36

Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Cor et Piano 32
Trompette (partie séparée) 31
Cor 30
Trombone (partie séparée) 28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 27
Tuba 19
2 Trombones (duo) 19
Quatuor de Cuivres: 2 trompettes, Cor, trombone 17
Tuba et Piano 13
2 Cors (duo) 8
Trompette, Trombone (duo) 8
Euphonium 5
Cor anglais, Piano 5
Quatuor de Cuivres 4
2 Tubas (duo) 4
Trio de Cuivres 3
Trompette, Saxophone (duo) 2
Quatuor de cuivres: 2 trompettes, 2 trombones 2
Euphonium, Piano (duo) 2
Trombone, Orgue 2
Trombone basse 2
2 Cors Anglais Et Pianoforte 1
Trompette, Violoncelle (duo) 1
Cor Anglais 1
Cor et Harpe 1
Cor (partie séparée) 1
2 Euphoniums et 2 Tubas 1
Trompette, Harpe 1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 1
Quatuor de cuivres: 4 trombones 1
Cor anglais et Harpe (duo) 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 159
2 Violons (duo) 109
Violon 77
Violon et Piano 67
Harpe 62

Violoncelle, Piano 58
Alto, Piano 57
Violoncelle (partie séparée) 39
Alto seul 35
Contre Basse 25
2 Harpes (duo) 20
2 Violoncelles (duo) 18
Contrebasse, Piano (duo) 16
Quintette à cordes: 2 violons, alto, violoncelle, basse 15
Violon, Violoncelle (duo) 14
Violoncelle 14
Trio à Cordes: violon, alto, violoncelle 13
Alto (partie séparée) 10
2 Altos (duo) 10
Piano Trio: Violon, Alto, Piano 9
Violon, Alto (duo) 5
2 Contrebasses (duo) 4
Violoncelle , Guitare (duo) 2
4 Violoncelles 2
Violon, Guitare (duo) 2
Trio à cordes: 3 violins 2
Trio à Cordes: 2 violons, violoncelle 1
Trio à Cordes: 2 violons, alto 1
Trio à Cordes: 3 violoncelles 1
Alto et Harpe 1
Alto et Basson 1
Violoncelle, Orgue 1
Harpe, Violoncelle (duo) 1
Violoncelle, Contrebasse (duo) 1
Alto, Guitare (duo) 1
Harpe, Flûte (duo) 1
Trio à cordes: 3 altos 1
Alto, Orgue 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 189
Orchestre à Cordes 91
Ensemble Jazz 77
Ensemble de cuivres 49
Cloches 34

Fanfare 19
Batterie 18
Orchestre 17
Jazz combo 14
Ensemble de Percussions 11
Orchestre de chambre 5
Xylophone 4
Vibraphone 3
Batterie (partie séparée) 2
Percussion (partie séparée) 2
Marimba 1
Vibraphone et Marimba 1

+ 12 instrumentations

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Artistes :
• Knopfler, Mark
• Snow, Mark
• Wills, Mark

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Mark

facile

Clarinette Basse, Piano

Partitions à imprimer

2 partitions trouvées

Feast of Love - Bass Clarinet/Piano

Feast of Love - Bass Clarinet/Piano #Clarinette Basse, Piano #FACILE #Robert Franz #Phil Beaman #Feast of Love - Bass Clarinet/ #Phil Beaman #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score...(+)

Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

$4.99 ≈ 4.64€

DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano

DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano #Clarinette Basse, Piano #FACILE #Classique #Antonin Dvorak #James M #dynamic control #DvoÅ™ák: Largo from #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...(+)

Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅ™Ã¡k Background AntonÃn DvoÅ™Ã¡k (1841 â€“1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Â DvoÅ™Ã¡k relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅ™Ã¡k was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅ™Ã¡k in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅ™Ã¡k to the publisher Simrock. Later, the publisher commissioned DvoÅ™Ã¡k to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅ™Ã¡k's worldwide status was launched. International Status DvoÅ™Ã¡k visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅ™Ã¡k as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅ™Ã¡k composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

$32.95 ≈ 30.65€

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