Partitions Numériques de Jesus is Here pour Clarinette, Harpe (duo)

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Jesus is Here
Non classifié 728

Piano & claviers
Piano seul 328
Piano, Voix 131
Piano, Voix et Guitare 124
Piano Facile 107
Orgue 66

Piano grosses notes 36
Accompagnement Piano 26
Piano Trio: piano, violon, violoncelle 14
Instruments en Do 7
2 Pianos, 4 mains 4
1 Piano, 4 mains 2
Piano (partie séparée) 1

+ 7 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 9
Guitare notes et tablatures 5
Guitare 4
Basse electrique 4
Ukulele 1

Paroles et Accords 1
2 Guitares (duo) 1

+ 2 instrumentations

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Voix
Chorale SATB 270
Chorale Unison 64
Chorale 3 parties 53
Chorale 2 parties 50
Chorale TTBB 32

Voix duo, Piano 25
Chorale SSAA 16
Voix Soprano, Piano 10
Voix Tenor, Piano 8
Voix Alto, Piano 6
Voix seule 4
Voix moyenne, Piano 4
Voix duo 2
Chorale SSATTB 2
Voix Baryton, Piano 2
Chorale 1

+ 11 instrumentations

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Vents
Hautbois, Piano (duo) 88
Saxophone Alto et Piano 70
Flûte traversière et Piano 64
Clarinette et Piano 63
2 Saxophones (duo) 53

Saxophone Tenor et Piano 47
Saxophone Baryton, Piano 45
Quatuor de Saxophones: 4 saxophones 38
Flûte, Hautbois, Clarinette, Basson 38
Clarinette 30
Cor anglais, Piano 29
Saxophone, Clarinette (duo) 23
Saxophone Soprano et Piano 23
2 Flûtes traversières (duo) 21
2 Clarinettes (duo) 21
Clarinette, Violon (duo) 18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
Flûte, Clarinette (duo) 16
Flûte traversière 14
Clarinette, Trompette (duo) 14
Quatuor de Clarinettes: 4 clarinettes 13
2 Hautbois (duo) 11
Hautbois, Clarinette (duo) 10
Clarinette et Alto 10
3 Saxophones (trio) 10
Quatuor de Flûtes : 4 flûtes 9
Flûte, Alto (duo) 8
Flûte à bec Soprano, Piano 8
Flûte, Trompette (duo) 7
Hautbois, Basson (duo) 7
Flûte, Violon 7
Hautbois (partie séparée) 6
2 Saxophones, Piano 6
Flûte à bec Alto, Piano 6
Quintette de Saxophone: 5 saxophones 6
Hautbois, Flûte 6
Flûte, Saxophone (duo) 5
Quintette de Clarinettes: 5 clarinettes 5
Saxophone Alto 5
Flûte, Clarinette, Piano (trio) 4
Saxophone (partie séparée) 4
Ensemble de Clarinettes 4
Clarinette, Basson (duo) 3
Flûte à bec Tenor 3
Saxophone Tenor 3
Hautbois 3
Flûte à bec Soprano 3
Clarinette Basse, Piano 3
3 Clarinettes (trio) 3
Trio de Flûtes: 3 flûtes 3
Flûte, Basson et Piano 3
Flûte, Hautbois, Clarinette (trio) 3
Quintette de Flûte : 5 flûtes 3
Saxophone Baryton 2
Flûte à bec Alto 2
Flûte irlandaise 2
2 Flûte à bec (duo) 2
Ensemble De Flûte à bec 2
Ensemble de Flûtes 2
Flûte, Clarinette et Basson 2
2 Flûtes traversières, Piano 2
Clarinette, Basson, Piano (trio) 2
Quatuor de Flûtes à bec 2
Flûte traversière, Orgue (duo) 1
Clarinette (partie séparée) 1
Piccolo, Piano 1
Flute, harpe et violon 1
4 Hautbois 1
Flûte, Violoncelle, Piano (trio) 1
Clarinette, Alto et Piano (trio) 1
Saxophone Soprano 1
2 Clarinettes, Piano 1
Flûte, Alto et Piano 1
Ensemble de Hautbois 1
3 Flûtes à bec (trio) 1
Ensemble de saxophones 1
Clarinette, Harpe (duo) 1

Flûte, Trombone (duo) 1
Clarinette, Guitare (duo) 1
2 Flûtes traversières, Harpe 1

+ 75 instrumentations

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Cuivres
Trombone et Piano 74
Trompette, Piano 36
Cor et Piano 35
Cor anglais, Piano 29
Trompette 24

Quatuor de cuivres: 4 trombones 21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 21
Euphonium, Piano (duo) 17
Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Trompette, Trombone (duo) 14
Quatuor de Cuivres 14
Trompette, Saxophone (duo) 13
2 Cors (duo) 12
2 Trombones (duo) 10
Trombone 8
Tuba 7
2 Trompettes (duo) 6
3 Trompettes (trio) 6
Quatuor de cuivres: 4 trompettes 5
Cor 5
Trio de Cuivres 4
Tuba et Piano 3
Quatuor de cuivres: 4 cors 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Trompette, Trombone, Piano 2
2 Trompettes, Clavier (piano ou orgue) 2
4 Tubas 1
Ensemble de Cors 1
2 Tubas (duo) 1
Tuba et Orgue 1
3 Trombones (trio) 1
3 Tubas (trio) 1
Trombone, Violon (duo) 1
4 Euphoniums 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Trompette (partie séparée) 1
Trombone (partie séparée) 1
Trombone, Cor (duo) 1
Trompette, Cor (duo) 1
3 Cors (trio) 1

+ 35 instrumentations

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Cordes
Violon et Piano 86
Quatuor à cordes: 2 violons, alto, violoncelle 67
Alto, Piano 64
Violoncelle, Piano 58
Violon, Violoncelle (duo) 24

Violon, Alto (duo) 21
2 Violons (duo) 21
2 Altos (duo) 16
Violon 13
2 Violoncelles (duo) 13
Harpe 11
Trio à Cordes: violon, alto, violoncelle 11
Alto seul 8
Violoncelle (partie séparée) 7
Trio à Cordes: 2 violons, violoncelle 5
2 Violons, Piano 5
Piano Trio: Violon, Alto, Piano 5
Contre Basse 4
Harpe, Voix 4
Violoncelle 3
2 Harpes (duo) 3
Alto, Violoncelle (duo) 2
Harpe, Flûte (duo) 2
Quatuor à cordes: 4 violons 2
Quatuor à cordes : 4 altos 2
Alto (partie séparée) 2
Contrebasse, Piano (duo) 2
Trio à cordes: 3 altos 1
Violon, Basson (duo) 1
Harpe, Violon (duo) 1
4 Violoncelles 1
Trio à Cordes: 3 violoncelles 1
Trio à cordes: 3 violins 1
Violoncelle, Orgue 1

+ 29 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 46
Cloches 46
Orchestre 24
Orchestre à Cordes 13
Ensemble de cuivres 12

Orchestre de chambre 3
Jazz combo 3
Ensemble de Percussions 2
Ensemble Jazz 1
Fanfare 1
Marimba 1
Batterie 1

+ 7 instrumentations

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Jesus is Here

Clarinette, Harpe (duo)

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1 partition trouvée

Bach-Gounod: Ave Maria for Clarinet & Harp

Bach-Gounod: Ave Maria for Clarinet & Harp #Clarinette, Harpe (duo) #INTERMÉDIAIRE #Bach-Gounod #James M #Bach-Gounod: Ave Maria for Cla #jmsgu3 #SheetMusicPlus

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...(+)

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long.Â This version features the Schwencke measure.Â Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.Â Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.Â Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

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