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Vous avez sélectionné:
The Other Side
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Ensemble de Clarinettes
Partitions à imprimer
6 partitions trouvées
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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
(+)
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Simple Gifts ('Tis the Gift to Be Simple) (F) (Clarinet Quintet)
Simple Gifts ('Tis the Gift to Be Simple) (F) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Shaker Song
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Regis Bookshar
#
Simple Gifts
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813507 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacre...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813507 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacred,Standards,Wedding. 11 pages. Regis Bookshar #6349753. Published by Regis Bookshar (A0.813507). Clarinet Quintet - Intermediate - . Simple Gifts ('Tis the Gift to Be Simple), an American Shaker Song, written in 1848 and attributed to Elder Joseph Brackett, Jr. of Alfred, Maine, would be a great addition to any music library. The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. Simple Gifts has now been arranged for a Clarinet Quintet by Regis Bookshar. It is suitable for high school and college students, and, depending upon their ability, even elementary school students. Professional musicians would also enjoy playing this selection. It could be performed for concerts and church services. The Regis Bookshar Trumpet Ensemble has often performed it for Weddings. Included are a score and a complete set of parts (11 pages). In addition to this arrangement of Simple Gifts for a Clarinet Quintet, other arrangements of this tune are also available. There are Quintets and Octets readily available for a wide variety of instrumental ensembles. Please feel free to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might also interest you. Please continue to check periodically because I continue to add new arrangements as often as I can. I'm certain that this arrangement of Simple Gifts will continue to entertain both performers and audiences alike for years to come.
$15.00
Simple Gifts ('Tis the Gift to Be Simple) (F) (Clarinet Octet)
Simple Gifts ('Tis the Gift to Be Simple) (F) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Shaker Song
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Regis Bookshar
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Simple Gifts
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813536 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacre...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813536 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacred,Standards,Wedding. 13 pages. Regis Bookshar #6352509. Published by Regis Bookshar (A0.813536). Clarinet Octet - Intermediate - . Simple Gifts ('Tis the Gift to Be Simple), an American Shaker Song, written in 1848 and attributed to Elder Joseph Brackett, Jr. of Alfred, Maine, would be a great addition to any music library. The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. Simple Gifts has now been arranged for a Clarinet Octet by Regis Bookshar. It is suitable for high school and college students, and, depending upon their ability, even elementary school students. Professional musicians would also enjoy playing this selection. It could be performed for concerts and church services. The Regis Bookshar Trumpet Ensemble has often performed it for Weddings. Included are a score and a complete set of parts (13 pages). In addition to this arrangement of Simple Gifts for a Clarinet Octet, other arrangements of this tune are also available. There are Quintets and Octets readily available for a wide variety of instrumental ensembles. Please feel free to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might also interest you. Please continue to check periodically because I continue to add new arrangements as often as I can. I'm certain that this arrangement of Simple Gifts will continue to entertain both performers and audiences alike for years to come.
$18.00
Baby, It's Cold Outside
Baby, It's Cold Outside
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Dean Martin & Martina Mcbride
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Kenneth Abeling
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Baby, It's Cold Outside
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.515107 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Kenneth Abeling. Christmas,Contemp...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.515107 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Kenneth Abeling. Christmas,Contemporary,Film/TV. 14 pages. LINCOLN MUSIC PUBLICATIONS #4822225. Published by LINCOLN MUSIC PUBLICATIONS (A0.515107). Baby, It’s Cold Outside, Lyrics & Music by Frank Loesser arranged for Clarinet Quartet by Kenneth Abeling. This playful Academy Award-winning song was first featured in the movie Neptune’s Daughter and has since become Christmas time favorite. This is a moderate level arrangement your audiences will love. Playing Time 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$15.99
"The Hunky Punks" for Clarinet Choir.
"The Hunky Punks" for Clarinet Choir.
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"The Hunky Punks" fo
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,Contemporary,Cont...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 47 pages. Grant Horsley #1009768. Published by Grant Horsley (A0.1428951). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for E flat Clarinet, 4 B flat Clarinets, Alto, Bass and Contrabass Clarinet. This piece is in concert G minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
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