Partitions Numériques de Because I Love You pour Saxophone Tenor et Piano

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Because I Love You
Non classifié 107

Piano & claviers
Piano seul 77
Piano, Voix et Guitare 54
Piano, Voix 37
Piano Facile 11
Accompagnement Piano 7

Instruments en Do 7
Orgue 3
1 Piano, 4 mains 3
Piano grosses notes 2

+ 4 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 8
Guitare notes et tablatures 5
Guitare 3
2 Guitares (duo) 1

Voix
Chorale SATB 22
Chorale TTBB 4
Voix duo 3
Voix seule 3
Chorale 3 parties 3

Chorale Unison 1
Chorale SSAA 1

+ 2 instrumentations

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Vents
2 Flûtes traversières (duo) 14
Clarinette 11
Hautbois (partie séparée) 9
Quatuor de Saxophones: 4 saxophones 9
Flûte traversière et Piano 5

Hautbois, Piano (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Flûte traversière 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone Tenor et Piano 2

Saxophone Alto et Piano 2
Quatuor de Flûtes : 4 flûtes 2
Saxophone Tenor 2
Saxophone Alto 2
Saxophone Soprano et Piano 2
Flûte, Violon et Violoncelle 1
Clarinette Basse, Piano 1
Trio de Flûtes: 3 flûtes 1
Clarinette, Violon (duo) 1
Flûte, Violon 1
3 Clarinettes (trio) 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Baryton, Piano 1
2 Clarinettes (duo) 1

+ 19 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 8
Cor et Piano 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Ensemble de Trompettes 3
Trompette 3

Cor 2
Trombone et Piano 2
Trombone 2
Tuba 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trompette, Euphonium (duo) 1
Trompette, Piano 1
Ensemble de Tubas 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 26
2 Violons (duo) 7
Violon et Piano 6
Alto, Piano 5
Violoncelle (partie séparée) 4

Violoncelle 3
Violon 3
Harpe 2
Alto seul 2
2 Violoncelles (duo) 2
Contrebasse, Piano (duo) 1
2 Harpes (duo) 1
Alto et Harpe 1
Violon, Violoncelle (duo) 1
Violoncelle, Piano 1
Trio à cordes: 3 violins 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 36
Orchestre à Cordes 4
Orchestre 3
Ensemble Jazz 2
Ensemble de cuivres 1

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Vous avez sélectionné:

Because I Love You

Saxophone Tenor et Piano

Partitions à imprimer

2 partitions trouvées

Feast of Love - Tenor Saxophone/Piano

Feast of Love - Tenor Saxophone/Piano #Saxophone Tenor et Piano #FACILE #Robert Franz #Phil Beaman #Feast of Love - Tenor Saxophon #Phil Beaman #SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - SKU: A0.844550 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Sco...(+)

Piano,Tenor Saxophone - Level 2 - SKU: A0.844550 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517837. Published by Phil Beaman (A0.844550). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

$4.99 ≈ 4.60€

A Night In Tunisia

A Night In Tunisia #Saxophone Tenor et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...(+)

Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.28€

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