Partitions Numériques de Ave Maria for cello pour Saxophone Tenor et Piano

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Ave Maria for cello
Non classifié 117

Piano & claviers
Piano Trio: piano, violon, violoncelle 13
Piano, Voix 8
Piano Quatuor: piano, 2 violons, violoncelle 5
Accompagnement Piano 3
Piano Quatuor: piano, violon, alto, violoncelle 3

Instruments en Do 2
Piano Facile 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2
Piano seul 2
1 Piano, 4 mains 1
Orgue 1
Piano, Voix et Guitare 1

+ 7 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 12
Voix duo 2
Chorale 2 parties 2
Chorale SSAA 1
Chorale 3 parties 1

Vents
Saxophone Alto et Piano 4
Ensemble de Flûtes 3
Flûte traversière et Piano 3
Flûte, Hautbois, Clarinette, Basson 2
Hautbois, Piano (duo) 2

Flûte, Violoncelle, Piano (trio) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Cor anglais, Piano 1
Flûte, Violon, Violoncelle et Piano 1
Clarinette 1
2 Flûtes traversières (duo) 1
Flûte, Violon, Piano 1
Clarinette et Piano 1
Saxophone Soprano et Piano 1
Saxophone Tenor et Piano 1

+ 10 instrumentations

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Cuivres
Trompette, Piano 2
Trombone et Piano 2
Cor anglais, Piano 1
Cor et Piano 1
Euphonium, Piano (duo) 1

Bass Clef Instruments 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 120
Violoncelle, Piano 93
Violoncelle (partie séparée) 41
Violon, Violoncelle (duo) 29
2 Violoncelles (duo) 18

Quintette à cordes: 2 violons, alto, violoncelle, basse 16
Trio à Cordes: violon, alto, violoncelle 16
Violoncelle 13
Violoncelle , Guitare (duo) 10
4 Violoncelles 9
Trio à Cordes: 2 violons, violoncelle 3
Violon et Piano 3
Alto, Violoncelle (duo) 3
Ensemble de Violoncelles 2
Violon 2
Harpe 2
Trio à cordes 2
Alto seul 2
2 Violoncelles, Piano 2
Violoncelle, Orgue 1
Contrebasse, Piano (duo) 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Alto, Piano 1
Contre Basse 1
Contrebasse (partie séparée) 1
Piano Trio: Violon, Alto, Piano 1
Trio à Cordes: 3 violoncelles 1
Violon (partie séparée) 1

+ 23 instrumentations

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Percussions & orchestre
Orchestre à Cordes 8
Orchestre de chambre 6
Orchestre 3
Ensemble Jazz 1

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Ave Maria for cello

Saxophone Tenor et Piano

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1 partition trouvée

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano #Saxophone Tenor et Piano #FACILE #Classique #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Ten #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn

ceremonial events. It has always been a favorite among instrumental players and often used in

recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his

own melody over a rippling keyboard accompaniment which was a slightly adapted version of the

Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,

published in 1722. The title of the ?combined? piece was M�ditation sur le Premier Pr�lude de

Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major

into F major and it was scored for violin (or cello), organ and piano. In 1859, the French

music publishing company Jacques-L�opold Heugel brought out a vocal version based on the

familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the

Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.

27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist

Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered

a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or

possibly an error in the manuscript) remains a matter of conjecture but the fact remains that

the most familiar-sounding version of this piece, recorded countless times by both singers and

instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This

arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859

edition.

$7.95 ≈ 7.33€

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