Partitions Numériques de I Hear Your Voice pour Saxophone Alto et Piano

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I Hear Your Voice
Non classifié 374

Piano & claviers
Piano, Voix et Guitare 427
Piano, Voix 285
Piano seul 19
Piano Facile 5
Instruments en Do 4

Orgue 1

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 8
Ligne De Mélodie, (Paroles) et Accords 2
Ukulele 2
Paroles et Accords 2
Mandoline 1

Voix
Chorale SATB 106
Chorale TTBB 75
Voix Tenor 26
Voix Alto, Piano 24
Voix Soprano 23

Chorale 3 parties 23
Voix duo, Piano 12
Chorale 2 parties 5
Chorale SSAA 5
Voix duo 5
Voix Soprano, Piano 4
Voix Tenor, Piano 3
Voix haute 2
Chorale Unison 2
Chorale SSATTB 1
Voix Mezzo-Soprano, Piano 1

+ 11 instrumentations

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Vents
Hautbois, Piano (duo) 3
Flûte traversière et Piano 3
Saxophone Alto et Piano 2

Flûte traversière 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Clarinette Basse, Piano 1
Hautbois (partie séparée) 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone Baryton, Piano 1
Saxophone Soprano et Piano 1
Flûte et Guitare 1
Saxophone Tenor et Piano 1
Cor anglais, Piano 1
2 Flûtes traversières (duo) 1
Clarinette et Piano 1

+ 10 instrumentations

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Cuivres
Trombone et Piano 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trompette 1
Euphonium, Piano (duo) 1
Trombone 1

Tuba 1
2 Trompettes (duo) 1
Cor anglais, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Violon et Piano 4
Violon, Violoncelle (duo) 4
Harpe, Voix 3
Trio à Cordes: violon, alto, violoncelle 2

Violoncelle, Piano 2
Alto, Piano 2
Violon 1
2 Violoncelles (duo) 1
2 Violons (duo) 1
Trio à Cordes: 3 violoncelles 1
Harpe 1
Contre Basse 1

+ 8 instrumentations

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Percussions & orchestre
Orchestre à Cordes 9
Orchestre de chambre 5
Orchestre d'harmonie 5
Cloches 4
Ensemble Jazz 2

Orchestre 2
Ensemble de Percussions 1
Ensemble de cuivres 1

+ 3 instrumentations

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I Hear Your Voice

Saxophone Alto et Piano

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2 partitions trouvées

Alto Sax - "And Can It Be?" Theme and Variations

Alto Sax - "And Can It Be?" Theme and Variations #Saxophone Alto et Piano #INTERMÉDIAIRE #Musique Sacrée #Lyrics: Charles Wesley, Music: #Dan Cutchen #Alto Sax - "And Can It Be #Dan Cutchen Music #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...(+)

Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

$7.00 ≈ 6.49€

Bach: Bist du bei mir BWV 508 for Alto Sax & Piano

Bach: Bist du bei mir BWV 508 for Alto Sax & Piano #Saxophone Alto et Piano #FACILE #Classique #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...(+)

Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508.Â Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. RevivalÂ Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

$32.95 ≈ 30.55€

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