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Vous avez sélectionné:
chopin Baroque
Piano seul
Partitions à imprimer
17 partitions trouvées
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1
Fantaisie Impromptu in C# Minor Chopin LARGE PRINT Original Theme
Fantaisie Impromptu in C# Minor Chopin LARGE PRINT Original Theme
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Frederic Chopin
#
Large Print Sheet Music
#
Fantaisie Impromptu in C# Mino
#
Large Print Sheet Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1394339 Composed by Frederic Chopin. Arranged by Large Print Sheet Music. Baroque,Classical,Film/TV,Instructional,Traditi...
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Piano Solo - Level 4 - SKU: A0.1394339 Composed by Frederic Chopin. Arranged by Large Print Sheet Music. Baroque,Classical,Film/TV,Instructional,Traditional. Score. 38 pages. Large Print Sheet Music #977816. Published by Large Print Sheet Music (A0.1394339). This is Chopin's original Fantaisie-Impromptu in C# Minor Theme in LARGE PRINT format for easy reading and to assist low vision musicians, senior citizens, and anyone who prefers to read from a large print music score. It features larger notes and wider staff spacing (Modified Stave Notation). Due to the large print, the score is 38 pages long. Best to print double sided, or use a digital score reader, if possible. Please check out all of our additional LARGE PRINT music arrangements here on Sheet Music Plus and Sheet Music Direct ➔ https://bit.ly/LARGEPRINTSHEETMUSIC
$7.99 ≈
7.48€
Chopin Scherzo Op. 31 No. 2 in Bb Minor
Chopin Scherzo Op. 31 No. 2 in Bb Minor
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Public Domain
#
Chopin Scherzo Op. 31 No. 2 in
#
John Travos
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1196719 Composed by Frederic Chopin. Arranged by Public Domain. Baroque. Score. 16 pages. John Travos #795882. Published ...
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Piano Solo - Level 4 - SKU: A0.1196719 Composed by Frederic Chopin. Arranged by Public Domain. Baroque. Score. 16 pages. John Travos #795882. Published by John Travos (A0.1196719). Chopin Scherzo Op. 31 No. 2 in Bb Minor including finger numbers.
$6.95 ≈
6.50€
Greatest Hits of Classical Piano
Greatest Hits of Classical Piano
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Pachelbel, Bach, Handel, Moza
#
Scott Camp
#
Greatest Hits of Classical Pia
#
Scott Camp
#
SheetMusicPlus
Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classic...
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Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. 203 pages. Published by Scott Camp
Best Collection for Adult Piano Students: 30 of the most important and beloved classical piano pieces
Why this collection?
These are the editions I created and use for myself and my adult piano students. They are not "arrangements" or simplifications in any way. They are better described as "clarifications" with clean page layouts and comprehensive fingering.
These editions enable students to encounter the composers "face to face" by stripping away antiquated publishing conventions. Traditional editions, especially the economical older ones, prevent students from being able to prepare and perform the beloved music, rather than enabling and supporting successful performance.
Traditional piano music publications suffer from two fatal flaws: (1) the economic need to "save paper" resulting in page layouts that are too dense, and which compound the problem by obfuscating the natural 2 and 4 bar structures of music, and (2) the absence of technical solutions (fingering).
The exception in this collection is the arrangement of the Pachelbel Canon in D, because it was not originally composed for keyboard.
Contents
1 Canon in D and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Pachelbel
2 Prelude No. 1 in C Major, BWV 846 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
3 Prelude No. 2 in C minor, BWV 847 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
4 Prelude No. 21 in Bb Major, BWV 866 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
5 Aria from the Goldberg Variations, BWV 988 and#8195;and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
6 Invention No. 1 in C Major, BWV 772 and#8195; and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
7 Menuet No. 2 from French Suite No. 1, BWV 812 and#8195;and#8195;and#8195; Johann Sebastian Bach
8 Menuet No. 2 from English Suite No. 4, BWV 809 and#8195;and#8195;and#8195;Johann Sebastian Bach
9 Menuet from French Suite No. 2, BWV 813 and#8195; and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
10 ?Jesu, Joy of Man?s Desiring?, from Cantata, BWV 147 and#8195;Johann Sebastian Bach
11 Sarabande from Suite in D minor, HWV 437 and#8195;and#8195;and#8195;and#8195;and#8195; George Frideric Handel
Sonata in A, K. 331 ?Rondo alla Turca? and#8195; and#8195; and#8195;and#8195;and#8195;and#8195; Wolfgang Amadeus Mozart
12and#8195;and#8195;III. Allegretto
Sonata in C, K. 545 and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Wolfgang Amadeus Mozart
13and#8195;and#8195;I. Allegro
14 II. Andante
15 Fr Elise and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
Sonata No. 14 ?Moonlight? Sonata and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Ludwig van Beethoven
16and#8195;and#8195;I. Adagio sostenuto (transposed to D minor)
and#8195;and#8195; I. Adagio sostenuto (original key C# minor)
Sonata Op. 13, No. 2 ?Pathetique? and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
17and#8195;and#8195;I. Grave/Allegro
18and#8195;and#8195;II. Adagio
19 Impromptu, Op. 90, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert
20 Prelude in E minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
21 Prelude in C minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
22 Nocturne No. 20 in C# minor and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
23 Nocturne in Eb, Op. 9, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
24 Trumerei Op. 15, No. 7 from ?Scenes from Childhood? Robert Schumann
25 Stndchen (?Serenade?) D. 957/S. 560 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert/Franz Liszt
26 Rverie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
27 La fille aux cheveux de lin (?The Girl with the Flaxen Hair?) Claude Debussy
28 Arabesque No. 1 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
29 Clair de Lune and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Claude Debussy
30 Gymnopedie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Erik Satie
$19.99 ≈
18.71€
Hybrid Study No. 1
Hybrid Study No. 1
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Piano seul
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FACILE
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Hakan Ali Toker
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Hybrid Study No. 1
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Hakan Ali Toker
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1406533 By Hakan Ali Toker. By Hakan Ali Toker. 19th Century,Baroque,Romantic Period. Score. 4 pages. Hakan Ali Toker #98...
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Piano Solo - Level 2 - SKU: A0.1406533 By Hakan Ali Toker. By Hakan Ali Toker. 19th Century,Baroque,Romantic Period. Score. 4 pages. Hakan Ali Toker #989298. Published by Hakan Ali Toker (A0.1406533). No. 1 from a set of 12 etudes called Hybrid Studies, created by cross-breeding music by Chopin with other composers. In this case, texture of J. S. Bach's C Major Prelude BWV 846 from book I of the Well-tempered Clavier has been applied to the harmony of F. F. Chopin's C Major Etude Op. 10 no. 1, upon the suggestion of Prof. Douglas Hofstadter.Complete set also available for pruchase:Â https://www.sheetmusicplus.com/en/product/hybrid-studies-after-chopin-22577288.html.
$2.00 ≈
1.87€
Hybrid Study No. 3
Hybrid Study No. 3
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Piano seul
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INTERMÉDIAIRE
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Hakan Ali Toker
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Hybrid Study No. 3
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Hakan Ali Toker
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1406540 By Hakan Ali Toker. By Hakan Ali Toker. 19th Century,A Cappella,Baroque,Romantic Period. Score. 7 pages. Hakan Al...
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Piano Solo - Level 3 - SKU: A0.1406540 By Hakan Ali Toker. By Hakan Ali Toker. 19th Century,A Cappella,Baroque,Romantic Period. Score. 7 pages. Hakan Ali Toker #989305. Published by Hakan Ali Toker (A0.1406540). No. 3 from a set of 12 etudes called Hybrid Studies, created by cross-breeding music by Chopin with other composers. In this case, texture of J. S. Bach's c minor Prelude BWV 847 from book I of the Well-tempered Clavier has been applied to the harmony of F. F. Chopin's c minor Etude, upon the suggestion of Prof. Douglas Hofstadter.Complete set also available for pruchase:Â https://www.sheetmusicplus.com/en/product/hybrid-studies-after-chopin-22577288.html.
$2.00 ≈
1.87€
Mazurka Op. 67 No. 4
Mazurka Op. 67 No. 4
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Piano seul
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Classique
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Antje Günther
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Antje Günther
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Mazurka Op. 67 No. 4
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Antje Guenther
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SheetMusicPlus
Piano Solo - SKU: A0.1105899 By Antje Günther. By Frederic Chopin. Arranged by Antje Günther. Baroque,Classical,Romantic Period. Score. 2 pages. A...
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Piano Solo - SKU: A0.1105899 By Antje Günther. By Frederic Chopin. Arranged by Antje Günther. Baroque,Classical,Romantic Period. Score. 2 pages. Antje Guenther #709096. Published by Antje Guenther (A0.1105899). I transcribed one of my favorite Mazurkas by F. Chopin.
$4.99 ≈
4.67€
Feu follet
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.55€
Piano solo pieces of 19th Century II
Piano solo pieces of 19th Century II
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Piano seul
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Contemporain
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Mozart, Beethoven, Chopin, Hum
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PianoSheetNow
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Piano solo pieces of 19th Cent
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PianoSheetNow
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SheetMusicPlus
Composed by Mozart, Beethoven, Chopin, Hummel, Rameu and more. Arranged by PianoSheetNow. 20th Century, Romantic Period, Classical Period, Baroque Period, Renai...
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Composed by Mozart, Beethoven, Chopin, Hummel, Rameu and more. Arranged by PianoSheetNow. 20th Century, Romantic Period, Classical Period, Baroque Period, Renaissance. Sheet Music Single. 37 pages. Published by PianoSheetNow (S0.87135). - Sheet Music Single - 20th Century,Romantic Period,Classical Period,Baroque Period,Renaissance - PianoSheetNow
$9.99 ≈
9.35€
Mazurka O. 33 No. 2
Mazurka O. 33 No. 2
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Piano seul
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Classique
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Frederic Chopin
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Antje Günther
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Mazurka O. 33 No. 2
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Antje Guenther
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SheetMusicPlus
Piano Solo - SKU: A0.1108798 Composed by Frederic Chopin. Arranged by Antje Günther. 19th Century,Baroque,Classical,Romantic Period. Score. 4 pages. ...
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Piano Solo - SKU: A0.1108798 Composed by Frederic Chopin. Arranged by Antje Günther. 19th Century,Baroque,Classical,Romantic Period. Score. 4 pages. Antje Guenther #711447. Published by Antje Guenther (A0.1108798). I transcribed this Mazurka for piano.
$7.99 ≈
7.48€
Happy Birthday Variations
Happy Birthday Variations
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Piano seul
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INTERMÉDIAIRE
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Henning Wölk
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Henning Wölk
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#
Happy Birthday Variations
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Henning Wölk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.893814 Composed by Henning Wölk. Arranged by Henning Wölk. Baroque,Classical,Contemporary,Romantic Period. Score. 4...
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Piano Solo - Level 3 - SKU: A0.893814 Composed by Henning Wölk. Arranged by Henning Wölk. Baroque,Classical,Contemporary,Romantic Period. Score. 4 pages. Henning Wölk #4824103. Published by Henning Wölk (A0.893814). Happy Birthday Variations is an entertaining piece for intermediate to advanced pianists. It contains seven variations on the tune of Happy Birthday, that are written in the style of various classical composers. The composers are: J. S. Bach, W. A. Mozart, F. Chopin, R. Schumann and J. Brahms.
$2.99 ≈
2.80€
Mazurka, Op. 68, No. 2
Mazurka, Op. 68, No. 2
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Piano seul
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Classique
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Frederic Chopin
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Mazurka, Op. 68, No. 2
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Hal Leonard - Digital
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SheetMusicPlus
Piano Solo,Piano and Keyboard - SKU: HX.1311685 Composed by Frederic Chopin. Edited by Blake Neely and Richard Walters. This edition: scorch. Baroque,Cl...
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Piano Solo,Piano and Keyboard - SKU: HX.1311685 Composed by Frederic Chopin. Edited by Blake Neely and Richard Walters. This edition: scorch. Baroque,Classical. Score. 3 pages. Hal Leonard - Digital #988314. Published by Hal Leonard - Digital (HX.1311685).
$4.99 ≈
4.67€
Waltz In D-flat Major (Minute Waltz), Op. 64, No. 1
Waltz In D-flat Major (Minute Waltz), Op. 64, No. 1
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Piano seul
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Classique
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Frederic Chopin
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Waltz In D-flat Major
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Hal Leonard - Digital
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SheetMusicPlus
Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.305411 Composed by Frederic Chopin. This edition: Interactive Download,scorch. Baroque,Class...
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Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.305411 Composed by Frederic Chopin. This edition: Interactive Download,scorch. Baroque,Classical. Score. 6 pages. Hal Leonard - Digital #991072. Published by Hal Leonard - Digital (HX.305411).
$4.99 ≈
4.67€
Mazurka Op. 17 No. 4
Mazurka Op. 17 No. 4
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Piano seul
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Classique
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Classique
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Frederic Chopin
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Antje Günther
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Mazurka Op. 17 No. 4
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Antje Guenther
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SheetMusicPlus
Piano Solo - SKU: A0.1108795 Composed by Frederic Chopin. Arranged by Antje Günther. Baroque,Classical,Opera,Romantic Period. Score. 4 pages. Antje G...
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Piano Solo - SKU: A0.1108795 Composed by Frederic Chopin. Arranged by Antje Günther. Baroque,Classical,Opera,Romantic Period. Score. 4 pages. Antje Guenther #711444. Published by Antje Guenther (A0.1108795). I transcribed this Mazurka.
$9.99 ≈
9.35€
The Merry Peasant
The Merry Peasant
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Piano seul
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Peter Wittrich and Robert Schu
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The Merry Peasant
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - SKU: S9.Q7268 Humorous variations on a theme by Robert Schumann in barious styles from Bach to Liszt. Composed...
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Piano - intermediate to advanced - SKU: S9.Q7268 Humorous variations on a theme by Robert Schumann in barious styles from Bach to Liszt. Composed by Peter Wittrich and Robert Schumann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7268. Published by Schott Music - Digital (S9.Q7268). The fun and fascination with disguising oneself to be someone else for a moment has been expressed many times in music through compositions such as Un ballo in maschera, Masquerade or Carnaval. In the humorous variations on a theme of Robert Schumann, Peter Wittrich lets the Fröhliche Landmann [Happy Peasant] slip into different roles and sets out with him on a journey through time from the Baroque to the modern era. In ten variations, Wittrich makes the Landmann familiar with the different styles and famous themes of the music epochs by treating Robert Schumann's popular theme contrapuntally in the sense of Bach, imposing Mozart's sonata form on it or letting the Landmann dance a proud polonaise with Frédéric Chopin. Der fröhliche Landmann also becomes a jazz pianist and improvises with Ella Fitzgerald and Oscar Petersen in a blues sound before he indulges, in a Grand finale, in the brilliant virtuosity of the 19th century together with Tchaikovsky, Liszt and Rachmaninov. Apart from performing the entire work, individual variations can be arranged in small cycles according to preferences in style, e.g. for Jugend musiziert, or counter-posed against the original work. A fresh and entertaining contribution to the Schumann Year 2010.
$13.99 ≈
13.09€
24 Christmas Carols Coupled with Classic Composers
24 Christmas Carols Coupled with Classic Composers
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Praetorious, STRAUSS, Alessa
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Ron Di Salvio
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24 Christmas Carols Coupled wi
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Meadow Run Music ASCAP
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SheetMusicPlus
Composed by Praetorious, STRAUSS, Alessandro Scarlatti (1660-1725), Jean-Philippe Rameau (1683-1764), Johann Sebastian Bach (1685-1750), Wolfgang Amad...
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Composed by Praetorious, STRAUSS, Alessandro Scarlatti (1660-1725), Jean-Philippe Rameau (1683-1764), Johann Sebastian Bach (1685-1750), Wolfgang Amadeus Mozart (1756- 1791), Ludwig van Beethoven (1770-1827), Frederic Chopin (1810-1849), Franz Liszt (1811-1886), Johannes Brahms (1833-1897), Gustav Holst (1874-1934), Bela Bartok (1881-1945), and George Frideric Handel (1685-1759). Arranged by Ron Di Salvio. Baroque, Christian, Christmas, Classical, Sacred. Score. 79 pages. Meadow Run Music ASCAP #4855289. Published by Meadow Run Music ASCAP
24 Solo Piano Couplings of Classics and Carols.Total Performance time 47:00 minutes.. Intermediate - Advanced. Level. See page two for a list of the Carols and their classical coupling. The Mp3 and accompanied sheet music PDF is The Wassail Song with Scarlatti \'s Sonata in D K278. L.S.15
$35.00 ≈
32.75€
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.68€
Classical Piano Gems
Classical Piano Gems
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Piano seul
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FACILE
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Classique
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Bach/Gounod, Pachelbel, Vivald
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Beverly Cashin
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Classical Piano Gems
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Beverly Cas
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SheetMusicPlus
Composed by Bach/Gounod, Pachelbel, Vivaldi, Beethoven, E. Satie, Chopin, Mozart. Arranged by Beverly Cashin. For Piano,Piano Solo. Romantic Period,Classical Pe...
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Composed by Bach/Gounod, Pachelbel, Vivaldi, Beethoven, E. Satie, Chopin, Mozart. Arranged by Beverly Cashin. For Piano,Piano Solo. Romantic Period,Classical Period,Baroque Period. Early Intermediate. Sheet Music Single. 24 pages. Published by Beverly Cas
$6.99 ≈
6.54€
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