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Vous avez sélectionné:
Student or a Parent
Piano seul
Partitions à imprimer
9 partitions trouvées
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1
All Things Bright and Beautiful
All Things Bright and Beautiful
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Piano seul
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INTERMÉDIAIRE
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Music: W,H
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Thomas Quigley
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All Things Bright and Beautifu
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Thomas Quigley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.732200 Composed by Music: W,H. Monk/ Lyrics C.F. Alexander. Arranged by Thomas Quigley. Christian,Concert,Holiday,Sacred....
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Piano Solo - Level 3 - SKU: A0.732200 Composed by Music: W,H. Monk/ Lyrics C.F. Alexander. Arranged by Thomas Quigley. Christian,Concert,Holiday,Sacred. Score. 3 pages. Thomas Quigley #5741627. Published by Thomas Quigley (A0.732200). An elegant arrangement! In a classical style, this is delightful to play and is suitable for the student or amateur pianist. The beauty of the Hymn is apparent even in this piano version. Impressive-a joy to hear!
$2.99 ≈
2.78€
Latté On My Carpé
Latté On My Carpé
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Piano seul
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INTERMÉDIAIRE
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Methodes
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Joy Gilmore, Hsin Hui Gilmore
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Latté On My Carpé
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.906719 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 4 pages. Joyful Sound Music #21745. Published by ...
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Piano Solo - Level 3 - SKU: A0.906719 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 4 pages. Joyful Sound Music #21745. Published by Joyful Sound Music (A0.906719). Latté On My Carpé for Late Intermediate LevelThis is a Storyteller Piano Solo.Storyteller songs normally use the sound to describe an action or tell a story. They sometimes use sound to describe a feeling or a sound.Carpé is a made-up word for Carpet. A piano teacher posted a thread on Facebook in November 2013. She mentioned that one of her student’s parents spilled coffee on her white carpet while she was giving piano lessons. I thought this might be a good subject to write about because I spill coffee all the time. One time, I spilled a pot of chicken soup in my car……. A friend of mine spilled a crock pot of chili in her car transporting it to a graduation party.How to use this song at the recitalThis is a very good song for the recital. You will need to have a slideshow of the words to accompany the song. You can download the slideshow after purchasing the song.This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99 ≈
2.78€
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.64€
Photograph
Photograph
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Piano seul
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DÉBUTANT
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Pop musique
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Ed Sheeran
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Fernando Ramos
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Photograph
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1104301 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Fernando Ramos...
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Piano Solo - Level 1 - SKU: A0.1104301 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Fernando Ramos. Contemporary,Country,Folk,Pop,Singer/Songwriter. Score. 3 pages. Fernando Ramos #707512. Published by Fernando Ramos (A0.1104301). Hear it on YouTube: https://youtu.be/kIcIfneZv_Y I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a late beginner working in Level 1-2 of the Alfred's Masterwork Classics series. This is also a great exercise for counting tied eighth notes. Root position Alberti patterns in the left hand. There are also blocked and broken fifths--one of my favorite patterns to give students because I insist on forearm rotations rather than finger-work, which usually takes a while to develop properly. Very sweet rendition that will please students and parents. Pedal and fingering suggestions are included.
$4.99 ≈
4.64€
Four Calm Interludes
Four Calm Interludes
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Piano seul
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FACILE
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New Age
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Contemporain
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Nick Norton
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Four Calm Interludes
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Bathysphere Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Publ...
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Piano Solo - Level 2 - SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Published by Bathysphere Music (A0.1160855). The four calm interludes (should that be capitalized?) are Four One, On Nothing, About Sixths, and On Sol. They are intended as simple, meditative pieces, perhaps good for student pianists to attempt.In spring of 2020, as the COVID-19 pandemic took hold, I suffered a massive manic episode followed by a debilitating depression that lasted over a year. During this time I found my relationship with music fraught—I could not compose, and could barely even listen to music for enjoyment, relaxation, or whatever other reasons people listen to music. It was terrifying, thinking my life’s work was over.The shift to being unable to compose or listen, however, was a gradual, like the shift from mania to depression. I found my listening habits following what seemed like a massive ritardando, as they moved away from the upbeat music I was used to toward more and more ambient, very slow music. Hiroshi Yoshimura’s album Music For Nine Postcards was on repeat for a long while before the total break. Its calm repetitions must have influenced what I was doing, because I sometimes found myself at the piano playing the same note or chord over and over again, just listening to the details in the resonance. Out of this came the first of these four pieces, On Nothing.Eight months later I found myself doing it again, the result of which is Four One. Another eight months went by before About Sixths, and then, as my recovery became more and more apparent, only two months passed until On Sol. I am grateful to say I am now composing every day again, though my music has, without conscious intention, taken on a far more introspective feel than ever before.I have not given the pieces numbers, because I don’t mind if they are played in a different order, alone, or—as the title suggests—as interludes between other pieces. I do like the printed order though.
$20.00 ≈
18.58€
Two-Part Inventions
Two-Part Inventions
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Piano seul
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INTERMÉDIAIRE
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #99...
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Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99 ≈
20.43€
Missing Ariana
Missing Ariana
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Piano seul
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FACILE
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Contemporain
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Elizabeth Borowsky
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Missing Ariana
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1212677 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #809997. Pub...
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Piano Solo - Level 2 - SKU: A0.1212677 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #809997. Published by Piano Prodigies (A0.1212677). Nostalgia is a bittersweet emotion, allowing us to reflect on meaningful experiences from our past with equal parts appreciation and wistful longing. “Missing Ariana†was written for and dedicated to students who have discontinued lessons for any reason, be it due a cross-country move or parental divorce. The piece explores the relationship between minor and major keys, with rays of hope and optimism coming through the clouds.
$7.00 ≈
6.50€
Russian Lullaby for Violin Open Strings
Russian Lullaby for Violin Open Strings
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Piano seul
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DÉBUTANT
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Enfant
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Irina Tsernikova
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Russian Lullaby for Violin Ope
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Irina Tsernikova
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SheetMusicPlus
Instrumental Solo,Piano - Level 1 - SKU: A0.1236330 Composed by Irina Tsernikova. Children. Score and individual part. 4 pages. Irina Tsernikova #831835...
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Instrumental Solo,Piano - Level 1 - SKU: A0.1236330 Composed by Irina Tsernikova. Children. Score and individual part. 4 pages. Irina Tsernikova #831835. Published by Irina Tsernikova (A0.1236330). This song is an excellent choice for Violin beginner students/parents/teachers. It is easy and enjoyable. A simple tune is a perfect way to practice alone or with an instructor during the lesson. This gentle music can be a part of the Recital or Summer Camp. The violin part is based on Open Strings and has the lyrics which makes this composition more meaningful. The simple piano accompaniment supports a peaceful tranquil scene with rich colorful harmony.
$3.99 ≈
3.71€
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