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Vous avez sélectionné:
Musica Nova USA
Piano seul
Partitions à imprimer
5 partitions trouvées
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1
A pedra e o mar
A pedra e o mar
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Piano seul
#
Sergio Roberto de Oliveira
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A pedra e o mar
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Piano Solo - SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira ...
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Piano Solo - SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira #3115357. Published by Sergio Roberto de Oliveira (A0.962317). Nominated for the 2011 Latin Grammy in the category of Best Contemporary Classical Composition and for the 2012 Latin Grammy for the CD Prelúdio 21 - String Quartets for which he participated as producer and composer, Sergio Roberto de Oliveira has been actively participating in the Brazilian and international music scenes over 17 years as a composer. His work has made an impact outside Brazil, particularly in the USA and England, with lectures, interviews, concerts and musical publications. He is one of the most active and most widely performed composers in Brazilian contemporary music. His work has been widely disseminated by groups such as Quarteto Radamés Gnattali, Duo Santoro, Música Nova, GNU, Quarteto Colonial, and many others.In England his performers included two of the leading British musicians: baroque flutist Stephen Preston and recorderist John Turner. His piece Expresso for solo alto recorder was published by the Peacock Press and was featured in concerts of The North West Composers' Association and The British Academy of Composers and Songwriters, and his CD Sem Espera was released in London (upon the invitation of the Brazilian Embassy) and in Manchester (at the University of Salford).In the United States the works of Oliveira have been part of the scene since 1999, with dozens of concerts and commissions by groups such as Mélomanie (who included Angico, by Oliveira, in their latest CD). Other American performers of his works include the Ciompi Quartet, Tracy Richardson, Susan Fancher, Tom Moore, and many others. Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.
$4.27 ≈
3.84€
Bambuco en Contrapunto - Piano
Bambuco en Contrapunto - Piano
#
Piano seul
#
INTERMÉDIAIRE
#
Javier MartÃnez Maya
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Bambuco en Contrapunto - Piano
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742489 Composed by Javier MartÃnez Maya. 20th Century,Concert,Instructional,World. Score. 5 pages. Arte Nova Music Lab...
(+)
Piano Solo - Level 3 - SKU: A0.742489 Composed by Javier MartÃnez Maya. 20th Century,Concert,Instructional,World. Score. 5 pages. Arte Nova Music Lab #4848203. Published by Arte Nova Music Lab (A0.742489). Javier MartÃnez is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Arte Nova Music Lab Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 9, Finale 2018, Musescore 3 and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$15.00 ≈
13.47€
Pasillo en Contrapunto - Piano
Pasillo en Contrapunto - Piano
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Piano seul
#
INTERMÉDIAIRE
#
Javier MartÃnez Maya
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Pasillo en Contrapunto - Piano
#
Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742490 Composed by Javier MartÃnez Maya. 20th Century,Instructional,World. Score. 5 pages. Arte Nova Music Lab #484821...
(+)
Piano Solo - Level 3 - SKU: A0.742490 Composed by Javier MartÃnez Maya. 20th Century,Instructional,World. Score. 5 pages. Arte Nova Music Lab #4848215. Published by Arte Nova Music Lab (A0.742490). Javier MartÃnez is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Arte Nova Music Lab Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 9, Logic Pro 9, Reason 6, Finale 2011, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$15.00 ≈
13.47€
Colombia en Contrapunto. Latin Music for Piano (Counterpoint)
Colombia en Contrapunto. Latin Music for Piano (Counterpoint)
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Piano seul
#
INTERMÉDIAIRE
#
Javier MartÃnez Maya
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Colombia en Contrapunto. Latin
#
Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742493 Composed by Javier MartÃnez Maya. 20th Century,Concert,Instructional,World. Score. 38 pages. Arte Nova Music La...
(+)
Piano Solo - Level 3 - SKU: A0.742493 Composed by Javier MartÃnez Maya. 20th Century,Concert,Instructional,World. Score. 38 pages. Arte Nova Music Lab #5042477. Published by Arte Nova Music Lab (A0.742493). Javier MartÃnez is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Arte Nova Music Lab Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 9, Finale 2018, Musescore 3 and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$40.00 ≈
35.93€
Consolation No. 3 in D Flat Major, S. 172
Consolation No. 3 in D Flat Major, S. 172
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Liszt
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Arte Nova Music Lab
#
Consolation No. 3 in D Flat Ma
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Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte ...
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Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte Nova Music Lab #4412089. Published by Arte Nova Music Lab (A0.742468). The Consolations are a set of six solo piano works by Franz Liszt. The compositions take the musical style of Nocturnes with each having its own distinctive style. Each Consolation is composed in either the key of E major or D-flat major. E major is a key regularly used by Liszt for religious themes. There exist two versions of the Consolations. The first (S.171a) was composed by Liszt between 1844 and 1849 and published in 1992 by G. Henle Verlag. The second (S.172) was composed between 1849 and 1850 and published in 1850 by Breitkopf & Härtel, containing the familiar Consolation No. 3, Lento placido, in D-flat Major. The third Consolation is in D-flat major and initially marked as Lento placido. It is the most popular of the Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. Notes taken from https://en.wikipedia.org/wiki/Consolations_(Liszt)#cite_note-
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