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Vous avez sélectionné:
Alexander Scriabin century Intermediate
Piano seul
Partitions à imprimer
3 partitions trouvées
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Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Socit de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
11.16€
Sagitta
Sagitta
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Piano seul
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Heather Cattanach
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Sagitta
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Heather Cattanach
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SheetMusicPlus
Piano Solo - SKU: A0.507446 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattan...
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Piano Solo - SKU: A0.507446 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507446). Sagitta, the Arrow was catalogued by Ptolemy in the second century. There are several myths associated with this arrow. One is the tale of Prometheus, who created people out of clay and gave them fire. This angered Zeus, who chained Prometheus to a rock on Mount Kazbegi in the Caucasus. Daily an eagle feasted on his liver, which regrew each night. Heracles (Hercules) killed the eagle, freeing Prometheus from this torture. The composer Alexander Scriabin created a synthetic scale later known as the Prometheus scale and its related chord, also called the Mystic Chord, which feature in this short piece for the third smallest constellation in the night sky. Players love this Intermediate Piano Solo commenting, “Tasty chords†and “Very interesting and unexpected harmoniesâ€. From “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 minute. 2 pages. (General Instructional, Modern, 20th Century, Repertoire, Recital).
$3.99 ≈
3.71€
A mazurka by Alexander Scriabin
A mazurka by Alexander Scriabin
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Alexander Scriabin
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Museus
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A mazurka by Alexander Scriabi
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PianoSheetNow
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SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Century, Romantic Period, Classical Period, World, Folk. Intermediate. Publ...
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Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Century, Romantic Period, Classical Period, World, Folk. Intermediate. Published by PianoSheetNow
$1.99 ≈
1.85€
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