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Vous avez sélectionné:
Conversations
expert
Piano seul
Partitions à imprimer
13 partitions trouvées
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1
Conversations
Conversations
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Piano seul
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AVANCÉ
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Matt Johnson
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Conversations
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Dolce & Nuit Productions
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.909157 By Matt Johnson. By Matt Johnson. 20th Century,Jazz,New Age. Score. 16 pages. Dolce & Nuit Productions #3554657. P...
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Piano Solo - Level 5 - SKU: A0.909157 By Matt Johnson. By Matt Johnson. 20th Century,Jazz,New Age. Score. 16 pages. Dolce & Nuit Productions #3554657. Published by Dolce & Nuit Productions (A0.909157). Conversations…title track from the Conversations recording.www.MattJohnsonMusic.com.
$4.95 ≈
4.62€
Conversion!
Conversion!
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Piano seul
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AVANCÉ
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Gabriel Vinicius
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Conversion!
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Gabriel Vinicius
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.988806 Composed by Gabriel Vinicius. Christian,Contemporary,Gospel,Instructional,World. Score. 2 pages. Gabriel Vinicius ...
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Piano Solo - Level 5 - SKU: A0.988806 Composed by Gabriel Vinicius. Christian,Contemporary,Gospel,Instructional,World. Score. 2 pages. Gabriel Vinicius #6888415. Published by Gabriel Vinicius (A0.988806). I wrote on my own to spread the message and hymns of God around the world and raise funds for my church that needs help with the temple renovation.
$5.00 ≈
4.67€
MUSICHELP - Conversations [advanced] - (Digital Download)
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Piano seul
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AVANCÉ
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MUSICHELP - Conversations [adv
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Musicnotes
Performed by: MUSICHELP: Conversations [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: MUSICHELP: Conversations [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages --
$3.99 ≈
3.72€
Cafe Terrace I
Cafe Terrace I
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Piano seul
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AVANCÉ
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Contemporain
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Kevin Longley
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Cafe Terrace I
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Kevin Longley
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1019351 Composed by Kevin Longley. Contemporary. Score. 9 pages. Kevin Longley #3378573. Published by Kevin Longley (A0.1...
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Piano Solo - Level 5 - SKU: A0.1019351 Composed by Kevin Longley. Contemporary. Score. 9 pages. Kevin Longley #3378573. Published by Kevin Longley (A0.1019351). Cafe Terrace I for Piano, composed in August of 2006 was the first in a set of 3 pieces inspired by Vincent van Gogh's Café Terrace at Night. The music's underlying idea attempts to depict the laughing, the crying, the arguments and the quiet conversations van Gogh may have observed while conceiving his masterpiece. It begins in a flutter of excitement demonstrating the commotion of the Cafe at its busiest hour. As the piece progresses the musics character slowly changes. Moving towards a more agitated state it finally descends to the lower register of the piano, depicting a verbal conflict. This conflict eventually resolves and returns to the opening music which then leads to the exuberant ending.
$3.25 ≈
3.03€
Cafe Terrace II
Cafe Terrace II
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Piano seul
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AVANCÉ
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Contemporain
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Kevin Longley
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Cafe Terrace II
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Kevin Longley
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1019352 Composed by Kevin Longley. Contemporary. Score. 10 pages. Kevin Longley #3378575. Published by Kevin Longley (A0....
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Piano Solo - Level 5 - SKU: A0.1019352 Composed by Kevin Longley. Contemporary. Score. 10 pages. Kevin Longley #3378575. Published by Kevin Longley (A0.1019352). Cafe Terrace II for Piano, composed in June of 2007 was the second in a set of 3 pieces inspired by Vincent van Gogh's Café Terrace at Night. Like Cafe Terrace I it depicts the quiet conversations, the laughing, the crying, and the arguments, van Gogh may have observed while conceiving his masterpiece. The music begins with a very soft melancholy melody which slowly moves from its reserved beginning to a place of frenzy and intensity. This storm so to speak continues for a period of time and then finally reaches a reserved climax with the fury subsiding; ushering in a return to the opening melody which repeats in its entirety and then comes to a reverent ending.
$3.25 ≈
3.03€
Four Inventions
Four Inventions
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Piano seul
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AVANCÉ
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Huw Watkins
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Four Inventions
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q7154 For solo piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Mu...
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Piano - difficult - SKU: S9.Q7154 For solo piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q7154. Published by Schott Music - Digital (S9.Q7154). English.Watkins’ 'Four Inventions' evolved from the composer’s conversations with writer Rhett Griffiths who commissioned the work about his poem “The Sibling Solutionâ€. The poem is included with the publication and may be read aloud before the music. Each of the inventions deals with an aspect of the “siblingness†of things with the titles Declamatory, Hesitant, Breathless and Serene. Watkins’ 'Four Inventions' were recently broadcast on BBC Radio 3 as part of a portrait concert prior to the world premiere of his Violin Concerto at the 2010 BBC Proms. An ideal work for aspiring pianists and suitable for both recitals and auditions.
$12.99 ≈
12.13€
Beneath the Surface (Sam Hartley)
Beneath the Surface (Sam Hartley)
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Piano seul
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AVANCÉ
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Sam Hartley
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Beneath the Surface
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Sam Hartley
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1021422 Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 7 pages. Sam Hartley #5996077. Published by Sam H...
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Piano Solo - Level 5 - SKU: A0.1021422 Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 7 pages. Sam Hartley #5996077. Published by Sam Hartley (A0.1021422). Contemporary classical piano solo piece in E minor. Repetitive inner voice acts as a driving force in the work, juxtaposed with a (at times mysterious) conversation between the two outer voices. Duration: 3 minutesFor more information on composer, see https://samhartleymusic.com .
$4.99 ≈
4.66€
Ravel - "Mother Goose" (Ma Mère l’Oye), arranged for Piano solo
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
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Piano seul
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AVANCÉ
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Maurice Ravel
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Len Rhodes
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Ravel - "Mother Goose&quo
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Len Rhodes Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhode...
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Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99 ≈
5.59€
Three Contemporary Rags, Op. 224
Three Contemporary Rags, Op. 224
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Piano seul
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AVANCÉ
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Ragtime
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Samuel Wellman
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Three Contemporary Rags, Op. 2
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882093 Composed by Samuel Wellman. Contemporary,Ragtime. Score. 12 pages. Samuel Wellman #1942605. Published by Samuel We...
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Piano Solo - Level 5 - SKU: A0.882093 Composed by Samuel Wellman. Contemporary,Ragtime. Score. 12 pages. Samuel Wellman #1942605. Published by Samuel Wellman (A0.882093). The contemporary nature of these pieces comes partly from the individual titles. How many times have we heard on the phone, 'This conversation will be recorded for quality control'? So the first rag is 'This Piece May Be Recorded for Quality Control.' Why? Because the main sections are in seven sharps. Best of luck to you. The second rag refers to the modern computer age: 'Press Any Key to Continue,' and the beginning is indeed a seemingly random series of notes, which are then gathered together for a chord. This chord then forms basic material for the rest of the piece. The final rag borrows from merchants who may, for instance, have circulated an ad with a misprint. Correcting the misprint, the merchant then invariably offers this: 'We Apologize for Any Inconvenience.' So how inconvenient is the rag I have written? Haha: play through it and you will discover quite a few inconveniences. But I apologize for them in advance.
$10.00 ≈
9.34€
Canoe for solo piano
Canoe for solo piano
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Piano seul
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AVANCÉ
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrien...
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Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99 ≈
9.33€
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
5.59€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
5.59€
Homeless Spirit Suite
Homeless Spirit Suite
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Piano seul
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AVANCÉ
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New Age
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Ann Ruane
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Homeless Spirit Suite
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux...
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Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50 ≈
6.07€
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