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Vous avez sélectionné:
Bach Modern classical
expert
Piano seul
Partitions à imprimer
5 partitions trouvées
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1
Wait (Verbs 1)
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25 ≈
4.84€
Passacaglia
Passacaglia
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Piano seul
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AVANCÉ
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Classique
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Gary D
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Passacaglia
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score. 10 pages. DR GA...
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Piano Solo - Level 5 - SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score. 10 pages. DR GARY D BELSHAW #3451141. Published by DR GARY D BELSHAW (A0.796677). An advanced work for solo piano, Passacaglia adheres to traditions established for works in this genre, including the Passacaglia in C Minor (BWV582) by Johann Sebastian Bach and contemporary works by Walter Piston and Samuel Barber. The main subject is an ostinato bass built on a 12-tone row. Two freely chromatic counter-subjects mark the first and second of the variations which follow. In spite of its classical traditions, a great deal of expressiveness is intended for performance for this work. Duration is approximately six minutes. There are 8 pages of score. The audio examples were excerpted from Richard Fountain's recorded performance on his debut CD, American Ivory. Richard's performance is also available on the album Modern Music for Piano, Vol. 2, on the RMN Classical Label. This 2021 edition corrects minor errors in layout, and fixes an issue with printing. PLEASE let us know if you have issues printing this edition. Follow us on Facebook and Twitter; your comments are welcome and deeply appreciated. We would also welcome your written review right here on sheetmusicplus.com.
$8.00 ≈
7.37€
Happy Birthday Three Variations for Advanced piano solo
Happy Birthday Three Variations for Advanced piano solo
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Piano seul
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AVANCÉ
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Gene Roberson
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Gene Roberson
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Happy Birthday Three Variation
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Gene Roberson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1416860 By Gene Roberson. By Traditional. Arranged by Gene Roberson. 21st Century,Chamber,Classical,Holiday,Jazz. Score. ...
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Piano Solo - Level 5 - SKU: A0.1416860 By Gene Roberson. By Traditional. Arranged by Gene Roberson. 21st Century,Chamber,Classical,Holiday,Jazz. Score. 4 pages. Gene Roberson #998456. Published by Gene Roberson (A0.1416860). Here are three fun variations of the Birthday song.First is Modern Jazz chords Second is a Mozart feel followed by a triplet feel like JS Bach's Jesu Joy of Man's Desiring.Recital.
$4.99 ≈
4.60€
Two-Part Jazz Invention
Two-Part Jazz Invention
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Piano seul
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AVANCÉ
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Peter Saltzman
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Two-Part Jazz Invention
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.480872 Composed by Peter Saltzman. This edition: Interactive Download. Clas...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.480872 Composed by Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. 5 pages. Duration 114. Salt Muse, Inc #Ld7bY4ogf95fZ0MlqFFX7. Published by Salt Muse, Inc (A0.480872). Key: D minor.In the spirit of J.S. Bach, this two-part invention in D minor is authentically in a jazz language. Not only does is swing, but it draws upon everything from bebop to modern outside-the-changes jazz techniques while hueing very closely to the opening motif.
$2.99 ≈
2.76€
Feu follet
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.49€
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