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Vous avez sélectionné:
Abundant Silence
avancé
Piano seul
Partitions à imprimer
5 partitions trouvées
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1
Nocturne
Nocturne
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Zach Gulaboff Davis
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Nocturne
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1259279 Composed by Zach Gulaboff Davis. 21st Century,Classical,Contemporary. Score. 14 pages. Abundant Silence #852552. ...
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Piano Solo - Level 4 - SKU: A0.1259279 Composed by Zach Gulaboff Davis. 21st Century,Classical,Contemporary. Score. 14 pages. Abundant Silence #852552. Published by Abundant Silence (A0.1259279). NOCTURNE, BY ZACH GULABOFF DAVISFOR SOLO PIANO, EARLY ADVANCED, 12 PAGESZach Gulaboff DavisDescribed as “beautiful, lyrical†and brimming with “unexpected harmonic shifts†(International Trumpet Guild), the music of Macedonian-American composer Zach Gulaboff Davis centers on the expressive and dramatic possibilities of compositional narrative. The winner of the 2019 American Prize in Composition (Vocal Chamber Music division) and Finalist for the 2020 ASCAP Morton Gould Young Composer Awards, Zach maintains an active schedule as a composer and collaborator across the globe. His works have been performed at venues including Carnegie Hall, Columbia University, University of Pennsylvania, Bulgaria’s National Palace of Culture, Norway’s Arctic Cathedral, Hamburg’s Zinnschmelze Cultural Center, New York University Steinhardt and Shanghai, the DiMenna Center, International Trumpet Guild and National Saxophone Alliance conferences, and at schools and conservatories throughout North America. Since beginning compositional studies in 2013, his works have garnered over 25 national and international awards. Zach is also active as a pianist and conductor, having appeared as concerto soloist, chamber musician, solo recitalist, and champion of young composers’ works at the keyboard and podium. He holds a B.A. in piano performance and composition/theory, summa cum laude, from Linfield College, an M.M. in composition from Mannes College of Music, and a D.M.A. in composition and M.M. in music theory pedagogy from the Peabody Institute of the Johns Hopkins University, where he studied under Pulitzer Prize-winning composer Kevin Puts. In his spare time, Zach is active in American Kennel Club dog sports, traveling the country as a licensed Dog Agility judge. Don’t ask him about the (countless) similarities between composing and designing Agility courses unless you have hours to spare! Born in Los Angeles and raised in Oregon, Zach currently resides in Jersey City, NJ.
$21.00 ≈
19.65€
Of shadows on the stars
Of shadows on the stars
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kurt M
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Of shadows on the stars
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1259272 Composed by Kurt M. Mehlenbacher. 21st Century,Classical,Contemporary. Score. 16 pages. Abundant Silence #852544....
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Piano Solo - Level 4 - SKU: A0.1259272 Composed by Kurt M. Mehlenbacher. 21st Century,Classical,Contemporary. Score. 16 pages. Abundant Silence #852544. Published by Abundant Silence (A0.1259272). OF SHADOWS ON THE STARS, BY KURT M. MEHLENBACHERFOR SOLO PIANO, EARLY ADVANCED, 14 PAGESOf shadows on the stars finds its name within the famed poem Sure On This Shining Night by James Agee. The poem receives a great deal of discussion on its meaning, contemplating if the words are hopeful, mourning, rife with humility, or a statement of resignation.My take on the poem is that it is of deep hope and contemplation, declaring that the world is held in the warm embrace of summer and that life if being kind. Most strikingly, though, is the last line of shadows on the stars, forming the crux of the text. It is the moment when the words change perspective from the stars casting shadows on the earth to the earth casting its shadows on the stars.Regardless of what that may mean exactly, its elegance caught me, and its inherent imagery helped guide the formation of this piece. Unlike Lauridsen or Barber–neither of whom I am claiming to bear resemblance–this work actually has no text, and is driven more from the diction and isolated events present in the text rather than an interpretation of the poem as a whole.
$22.00 ≈
20.58€
Spirals in the Sky
Spirals in the Sky
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Martha Hill Duncan
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Spirals in the Sky
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. P...
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Piano Solo - Level 4 - SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. Published by Abundant Silence (A0.1260605). SPIRALS IN THE SKY, BY MARTHA HILL DUNCANFOR SOLO PIANO, LATE INTERMEDIATE, 21 PAGES.....................................In this whimsical marriage of astronomy and music, my husband,  astrophysicist, Dr. Martin Duncan and I have combined our talents to celebrate the beauty of the night sky and the magic of music. M.H. DuncanMartha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. Martha was a member of the first graduating class of the Houston High School for Performing and Visual Arts and earned a Bachelor of Music degree in Composition from the University of Texas at Austin.Her piano works have been inspired, at least in part, by her long-time career as a piano teacher and some of these pieces, as well as her art songs, appear in educational publications and syllabi. Piano collection titles include The Sunken Garden, Isla Vista Suite, Precipitations, Angular Measures, Limestone Etchings, Rainy Days and Cottage Days. Since moving from the United States to Canada, many of her compositions have been inspired by Canadian landscapes and texts. In January 2014, her youth opera, Searching the Painted Sky, with poet/librettist Janet Windeler Ryan, was premiered at the National Opera Association Convention in New York City. She was named a finalist for the 2020 Louis Applebaum Award.A former piano examiner for the Royal Conservatory of Music, she is also a founding member of Red Leaf Pianoworks, a self-publishing composers’ collective. Originally from Houston, Texas, Martha and her husband Martin have lived in Kingston, Ontario since 1988. She also conducts the women’s choir She Sings! and has two grown children and two granddaughters. To explore more of her music, please visit www.marthahillduncan.comDr. Martin Duncan was born in London, England and was raised in Montreal, Canada. As a child, his biggest question was, “What would happen if...?†His first experiments involved creating foul-smelling concoctions with his chemistry set in hisparents’ basement. He survived and went on to complete an Honours Physics degree at McGill University, followed by graduate degrees in astronomy at the Universities of Toronto and Texas at Austin. Post-doctoral research was performed at Cornell University, the University of Toronto and the University of California, Santa Cruz. In 1988, he became a professor of astronomy and physics at Queen’s University in Kingston, Ontario.In his academic career he has co-authored over 120 scientific papers, which have been cited over 8,000 times. He has presented numerous invited talks at international scientific conferences and has been the guest speaker at many public lectures. His research has ranged from the study of black holes to simulations of the formation and orbital evolution of planets and comets. He is best known for the prediction of the existence of a disk of small icy bodies beyond Neptune, which he and his colleagues called the Kuiper Belt. In 1996, the International Astronomical Union named Asteroid 6115 “martinduncan†in honor of his contributions to planetary dynamics.
$19.50 ≈
18.24€
Mysterious Rose
Mysterious Rose
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Luke Rackers
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Mysterious Rose
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Abundant Silence Publishing
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SheetMusicPlus
By Luke Rackers. For Piano. 21st Century. Advanced Intermediate. Sheet Music Single. Abundant Silence Publishing #ASP12-923-01. Published by Abundant Silence Pu...
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By Luke Rackers. For Piano. 21st Century. Advanced Intermediate. Sheet Music Single. Abundant Silence Publishing #ASP12-923-01. Published by Abundant Silence Publishing
$4.99 ≈
4.67€
Bubbles, Floating Bubbles (piano solo)
Bubbles, Floating Bubbles (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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if not, 3 minutes)
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Bubbles, Floating Bubbles
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pag...
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Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan MarÃa Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan MarÃa Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
$3.00 ≈
2.81€
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