Partitions Numériques de This Land is Your Land pour Ensemble de Trombones

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This Land is Your Land
Non classifié 157

Piano & claviers
Piano seul 159
Piano, Voix et Guitare 30
Piano, Voix 22
Orgue 11
Instruments en Do 7

Piano Trio: piano, violon, violoncelle 4
Piano Facile 3
Piano Quatuor: piano, 2 violons, violoncelle 1
1 Piano, 4 mains 1
2 Pianos, 4 mains 1

+ 5 instrumentations

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Guitares
Piano, Guitare (duo) 71
Guitare 34
Guitare notes et tablatures 12
Ukulele 6
Banjo 4

Ligne De Mélodie, (Paroles) et Accords 4
2 Guitares (duo) 3
Paroles et Accords 3
Basse electrique 1
4 Guitares (Quatuor) 1
Dulcimer 1
Ensemble de guitares 1
Mandoline 1

+ 8 instrumentations

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Voix
Chorale SATB 45
Chorale 3 parties 12
Chorale SSAA 11
Chorale TTBB 9
Chorale 7

Chorale 2 parties 2
Voix Alto, Piano 1

+ 2 instrumentations

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Vents
Hautbois, Piano (duo) 130
Clarinette et Piano 114
Flûte traversière et Piano 104
Saxophone Alto et Piano 87
Saxophone Tenor et Piano 86

2 Saxophones (duo) 37
2 Flûte à bec (duo) 18
Clarinette 15
Hautbois (partie séparée) 10
Flûte traversière 10
Quatuor de Clarinettes: 4 clarinettes 9
2 Flûtes traversières (duo) 9
Quintette de Saxophone: 5 saxophones 8
Saxophone Soprano et Piano 7
Saxophone Baryton, Piano 7
2 Clarinettes (duo) 7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Saxophone Alto 6
Quatuor de Flûtes : 4 flûtes 5
Flûte, Hautbois, Clarinette, Basson 5
2 Hautbois (duo) 5
Saxophone Tenor 5
Flûte à bec Soprano 4
Flûte à bec Alto 4
Flûte à Bec 4
Flûte à bec Tenor 4
Saxophone (partie séparée) 4
Quatuor de Saxophones: 4 saxophones 3
Trio de Flûtes: 3 flûtes 3
3 Saxophones (trio) 3
Flûte, Clarinette (duo) 3
Flûte irlandaise 3
Clarinette, Violon (duo) 2
Quintette de Flûte : 5 flûtes 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Ensemble de Clarinettes 2
Saxophone Baryton 2
3 Clarinettes (trio) 2
Saxophone Soprano 2
Harmonica 2
Saxophone, Clarinette (duo) 2
Ensemble de Flûtes 2
Hautbois, Flûte 1
Flûte, Harpe et Violoncelle 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte, Hautbois, Clarinette (trio) 1
Clarinette, Harpe (duo) 1
Saxophone et Harpe 1
Clarinette Basse, Piano 1
Piccolo, Piano 1
Clarinette et Alto 1
Cor anglais, Piano 1
Ocarina 1
Clarinette, Trompette (duo) 1
Hautbois, Clarinette (duo) 1
Hautbois, Basson (duo) 1
Flute, harpe et violon 1

+ 52 instrumentations

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Cuivres
Trombone et Piano 91
Trompette 43
Trompette, Piano 35
Trombone 13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9

Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Tuba et Piano 9
Cor et Piano 8
Cor 7
Tuba 6
2 Trompettes (duo) 5
2 Trombones (duo) 5
2 Cors (duo) 5
Trompette (partie séparée) 4
Trompette, Trombone (duo) 4
Ensemble de Trompettes 3
2 Tubas (duo) 2
Euphonium, Piano (duo) 2
Cor et Harpe 2
Ensemble de Trombones 2

Trompette, Cor (duo) 2
Quatuor de Cuivres 2
Trompette, Saxophone (duo) 2
Cor anglais, Piano 1
Trompette, Harpe 1

+ 20 instrumentations

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Cordes
Alto, Piano 122
Violon et Piano 94
Violoncelle, Piano 90
Quatuor à cordes: 2 violons, alto, violoncelle 47
Violoncelle 13

Trio à Cordes: 2 violons, violoncelle 12
Violon, Violoncelle (duo) 12
Violon 10
Alto seul 9
Alto (partie séparée) 7
2 Violoncelles (duo) 7
Contrebasse, Piano (duo) 6
2 Violons (duo) 6
Trio à Cordes: violon, alto, violoncelle 6
2 Altos (duo) 5
Contre Basse 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Harpe 3
Ensemble de Violons 2
Harpe, Voix 2
Alto et Harpe 2
2 Contrebasses (duo) 2
Piano Trio: Violon, Alto, Piano 2
Violon, Alto (duo) 2
Harpe, Flûte (duo) 1
Harpe, Violon (duo) 1
Violon, Guitare (duo) 1
Harpe, Violon, Violoncelle 1

+ 23 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 27
Ensemble Jazz 12
Orchestre à Cordes 9
Cloches 9
Fanfare 6

Ensemble de cuivres 6
Orchestre 3
Orchestre de chambre 2
Jazz combo 1
Ensemble de Percussions 1

+ 5 instrumentations

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This Land is Your Land

intermédiaire

Ensemble de Trombones

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2 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet) #Ensemble de Trombones #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...(+)

Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.

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