Partitions Numériques de 5 pages (parts) pour Quatuor de Flûtes à bec

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5 pages (parts)
Non classifié 1 087

Piano & claviers
Piano Trio: piano, violon, violoncelle 58
1 Piano, 4 mains 39
Piano, Voix 24
Piano Quatuor: piano, 2 violons, violoncelle 22
2 Pianos, 4 mains 20

Accompagnement Piano 18
Piano Facile 14
Piano seul 12
Piano, Voix et Guitare 11
Orgue 6
Orgue, Piano (duo) 3
Instruments en Do 3
Ensemble d'Accordéons 3
Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 8 mains 2
Orgue, Trompette (duo) 2
2 Accordéons 1
1 Piano, 6 mains 1

+ 13 instrumentations

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Guitares
2 Guitares (duo) 33
Guitare notes et tablatures 9
3 Guitares (trio) 9
Guitare 7
2 Dulcimers (duo) 4

4 Guitares (Quatuor) 3
Ensemble de guitares 3
Basse electrique 3
Ukulele 2
Mandoline 1
Piano, Guitare (duo) 1

+ 6 instrumentations

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Voix
Chorale SATB 69
Chorale 3 parties 34
Chorale 2 parties 19
Chorale SSAA 18
Chorale TTBB 17

Chorale Unison 11
Male Voice 5
Voix duo, Piano 2
Voix duo 1
Chorale 1

+ 5 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 97
2 Saxophones (duo) 96
2 Flûtes traversières (duo) 88
Saxophone Tenor et Piano 79
2 Clarinettes (duo) 64

Flûte traversière et Piano 59
Clarinette et Piano 53
Quintette de Clarinettes: 5 clarinettes 51
Saxophone Alto et Piano 41
Flûte, Clarinette (duo) 38
Hautbois, Piano (duo) 35
Quatuor de Saxophones: 4 saxophones 32
Saxophone Soprano et Piano 31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29
2 Saxophones, Piano 27
Quatuor de Clarinettes: 4 clarinettes 26
3 Clarinettes (trio) 22
Flûte, Hautbois, Clarinette, Basson 18
Trio de Flûtes: 3 flûtes 17
3 Saxophones (trio) 16
Flûte et Guitare 15
Hautbois, Basson (duo) 13
Quatuor de Flûtes : 4 flûtes 12
Flûte, Violon 12
Saxophone et Guitare 12
Saxophone Baryton, Piano 12
3 Flûtes à bec (trio) 11
Hautbois, Flûte 11
Quintette de Flûte : 5 flûtes 8
Flûte, Violoncelle 7
Clarinette, Violon (duo) 6
Hautbois, Clarinette (duo) 6
Flûte, Violon et Violoncelle 6
Flûte traversière 6
Saxophone (partie séparée) 6
5 Flûtes à bec 5
Ensemble de Flûtes 5
Clarinette (partie séparée) 5
Hautbois, Clarinette, Basson (trio d'anches) 5
Clarinette et Alto 4
2 Flûtes traversières, Piano 4
Ensemble de saxophones 4
2 Cors Anglais Et Pianoforte 4
Clarinette 4
2 Clarinettes, Piano 4
Clarinette, Basson (duo) 4
Saxophone, Clarinette (duo) 3
Flûte, Hautbois, Clarinette (trio) 3
Flûte, Clarinette et Basson 3
Flûte, Alto (duo) 3
Clarinette, Guitare (duo) 3
2 Flûte à bec (duo) 3
Flûte, Clarinette, Piano (trio) 3
Cor anglais, Piano 2
Hautbois (partie séparée) 2
Flûte, Saxophone (duo) 2
Flûte, Violon, Violoncelle et Piano 2
Saxophone et Orgue 2
Flûte à bec Soprano 2
2 Hautbois (duo) 2
Flûte, Basson et Piano 2
Flûte, Hautbois, Piano (trio) 2
Flûte, Violon, Piano 2
Saxophone, Violon (duo) 1
Hautbois, Guitare (duo) 1
Flûte à bec Soprano, Piano 1
Flûte, Hautbois, Basson 1
Flûte traversière, Orgue (duo) 1
Flûte, Clarinette, Cor, Basson (Quartet) 1
Clarinette, Orgue 1
Flûte à bec Tenor 1
Flûte, Trompette (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Ensemble de Clarinettes 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Clarinette Basse, Piano 1
Flûte, Hautbois (duo) 1
Clarinette, Harpe (duo) 1
Flûte à bec Alto 1
Clarinette, Violoncelle (duo) 1
Flute (partie séparée) 1
Clarinette, Trompette (duo) 1
Flûte à bec Alto, Piano 1
Flûte à bec, Harpe 1
Flûte, Trombone (duo) 1
Quatuor de Flûtes à bec 1

+ 81 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 81
Trompette, Trombone (duo) 61
Trompette, Piano 42
Quatuor de cuivres: 4 cors 40
2 Trompettes (duo) 36

2 Trombones (duo) 36
Quatuor de Cuivres: 2 trompettes, Cor, trombone 28
Trombone et Piano 27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24
Cor et Piano 12
2 Tubas (duo) 12
Tuba et Piano 11
2 Cors (duo) 9
Trompette, Cor (duo) 8
3 Trombones (trio) 7
2 Euphoniums (duo) 7
Cor, Trompette, Trombone (trio) 6
Trompette, Saxophone (duo) 6
2 Trompettes, Clavier (piano ou orgue) 6
Quatuor de Cuivres 5
Trompette 5
2 Cors Anglais Et Pianoforte 4
3 Trompettes (trio) 4
Trompette, Tuba (duo) 3
Tuba (partie séparée) 3
Trombone (partie séparée) 3
Trompette (partie séparée) 3
Trombone, Tuba (duo) 3
Quatuor de cuivres: 4 trombones 2
Cor anglais, Piano 2
Trio de Cuivres 2
Quatuor de cuivres: 4 trompettes 2
Ensemble de Cors 2
Euphonium, Piano (duo) 2
4 Tubas 1
Euphonium, Tuba (duo) 1
Trombone, Orgue 1
Ensemble de Trombones 1
2 Cors, Piano 1
Trompette, Euphonium (duo) 1
Cor (partie séparée) 1

+ 36 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 225
Violon et Piano 144
Violoncelle, Piano 88
Violon, Violoncelle (duo) 81
2 Violons (duo) 78

Trio à Cordes: violon, alto, violoncelle 73
Alto, Piano 59
2 Violoncelles (duo) 48
Violon, Alto (duo) 41
2 Altos (duo) 38
Piano Trio: Violon, Alto, Piano 32
Trio à Cordes: 2 violons, violoncelle 32
Alto, Violoncelle (duo) 30
Violoncelle, Contrebasse (duo) 15
Violon 15
2 Contrebasses (duo) 14
2 Harpes (duo) 13
Trio à Cordes: 2 violons, alto 12
Trio à Cordes: 3 violoncelles 10
Quintette à cordes: 2 violons, alto, violoncelle, basse 8
Contrebasse, Piano (duo) 8
Harpe, Flûte (duo) 7
4 Violoncelles 7
Violoncelle (partie séparée) 7
Violon, Guitare (duo) 7
Trio à cordes: 3 violins 7
Violoncelle , Guitare (duo) 6
2 Violons, Piano 5
Trio à cordes: 3 altos 4
Harpe, Voix 4
Violoncelle 4
Alto, Orgue 3
Harpe 3
Violoncelle, Orgue 3
2 Violoncelles, Piano 3
Alto et Basson 2
Violon, Orgue 2
Violon, Basson (duo) 2
Alto, Guitare (duo) 2
Quatuor à cordes: 4 violons 2
Violon, Violoncelle, Clarinette 2
Harpe, Violoncelle (duo) 2
Quatuor à cordes : 4 altos 1
Alto seul 1
3 Contrebasses 1
Ensemble de Violoncelles 1

+ 41 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 252
Orchestre à Cordes 77
Ensemble Jazz 69
Cloches 40
Ensemble de cuivres 40

Orchestre 16
Jazz combo 14
Orchestre de chambre 14
Ensemble de Percussions 13
Fanfare 11
Percussion (partie séparée) 4
Batterie 2
Xylophone, Piano 1
Ensemble d'École 1
Piano et Orchestre 1

+ 10 instrumentations

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Quatuor de Flûtes à bec

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5 Famous Songs by Bach for Recorder Quartet

5 Famous Songs by Bach for Recorder Quartet #Quatuor de Flûtes à bec #FACILE #Classique #Christian Petzold, Johann Seba #Ander #5 Famous Songs by Bach for Rec #Woods Only, Arrangements #SheetMusicPlus

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin...(+)

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. Recorder Ensemble. 44 pages. Woods Only, Arrangements #738086. Published by Woods Only, Arrangements (A0.1137832). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of CÃ¶then, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein sÃ¼ss, o Jesulein mild - The Jesulein sÃ¼ÃŸ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein sÃ¼ss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

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