Partitions Numériques de jmsgu3 pour Clarinette Basse

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jmsgu3
Non classifié 962

Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle 52
Piano seul 31
Piano Trio: piano, violon, violoncelle 28
Orgue 23
Piano Quintette: piano, 2 violons, alto, violoncelle 6

Piano Facile 4

+ 1 instrumentations

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Guitares
Piano, Guitare (duo) 7
Guitare 2
Guitare notes et tablatures 2

Voix
Chorale SATB 6

Vents
Flûte traversière et Piano 297
Clarinette et Piano 189
2 Saxophones (duo) 186
Hautbois, Piano (duo) 183
Saxophone Alto et Piano 157

Saxophone Soprano et Piano 147
2 Flûtes traversières (duo) 145
Saxophone Tenor et Piano 144
Saxophone Baryton, Piano 143
2 Clarinettes (duo) 117
Clarinette Basse, Piano 117
Cor anglais, Piano 99
Clarinette 88
2 Hautbois (duo) 58
Quatuor de Saxophones: 4 saxophones 43
3 Saxophones (trio) 28
3 Clarinettes (trio) 27
Quatuor de Clarinettes: 4 clarinettes 15
Ensemble de Flûtes 15
2 Cors Anglais Et Pianoforte 14
Trio de Flûtes: 3 flûtes 14
Clarinette, Violoncelle (duo) 13
Hautbois, Basson (duo) 13
Piccolo, Piano 12
Flûte, Violoncelle 12
Hautbois, Harpe 8
Clarinette, Harpe (duo) 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Ensemble de Clarinettes 7
Hautbois, Violoncelle 6
Quatuor de Flûtes : 4 flûtes 6
Flûte traversière 4
Flûte, Alto (duo) 4
Ensemble de saxophones 4
Flûte, Hautbois (duo) 4
Flûte, Hautbois, Clarinette, Basson 3
Flûte à bec Alto, Piano 3
Saxophone et violoncelle 3
Flûte, Clarinette (duo) 3
Flûte à Bec, Piano 3
Saxophone Alto 2
Saxophone, Basson (duo) 2
Saxophone et Harpe 2
Clarinette Basse 2

Flûte, Violon 2
Saxophone Baryton 2
Cor anglais et Harpe (duo) 2
Flûte, Violon et Violoncelle 2
2 Hautbois et Basson 1
2 Hautbois, Piano 1
Flûte, Violoncelle, Piano (trio) 1
Flûte et Trio à cordes 1
Hautbois et alto (duo) 1
Flûte à bec Soprano, Piano 1
Flûte, Basson et Piano 1
Clarinette, Violon (duo) 1
Clarinette, Basson (duo) 1
2 Flûtes traversières, Piano 1
Saxophone et Piano 1
Saxophone Soprano 1
Flûte, Clarinette, Piano (trio) 1
Saxophone Tenor 1
Quintette de Saxophone: 5 saxophones 1
Hautbois 1

+ 59 instrumentations

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Cuivres
Euphonium, Piano (duo) 135
Trombone et Piano 115
Cor et Piano 115
Cor anglais, Piano 99
Trompette, Piano 83

2 Cors (duo) 60
Tuba et Piano 56
Trompette 44
2 Trombones (duo) 41
2 Euphoniums (duo) 36
2 Trompettes (duo) 36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 28
2 Tubas (duo) 15
2 Cors Anglais Et Pianoforte 14
Trompette, Trombone (duo) 6
3 Trombones (trio) 5
Trio de Cuivres 5
Cor, Violoncelle (duo) 5
Cor 5
Euphonium, Tuba (duo) 4
Ensemble de Trombones 4
Tuba et Orgue 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Quatuor de cuivres: 4 trombones 3
Trombone, Tuba (duo) 2
Euphonium 2
Trombone basse et Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Cor anglais et Harpe (duo) 2
Tuba 2
Quatuor de cuivres: 4 cors 1
Trompette, Violoncelle (duo) 1
3 Cors (trio) 1
Trompette, Tuba (duo) 1
Trombone basse 1

+ 30 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 284
Violon et Piano 180
Violoncelle, Piano 163
Alto, Piano 155
Trio à Cordes: violon, alto, violoncelle 95

2 Violoncelles (duo) 66
2 Violons (duo) 62
2 Altos (duo) 61
Violon, Violoncelle (duo) 22
2 Contrebasses (duo) 16
Alto, Violoncelle (duo) 15
Harpe, Flûte (duo) 14
Violon, Alto (duo) 14
Harpe 13
Violoncelle (partie séparée) 12
Harpe, Violon (duo) 8
Violoncelle 8
Violon 7
Trio à cordes 5
4 Violoncelles 4
Trio à Cordes: 3 violoncelles 4
Harpe, Violoncelle (duo) 3
Violoncelle, Contrebasse (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Ensemble de Violoncelles 2
Alto et Harpe 2
Alto seul 2
Quatuor à cordes : 4 altos 2
Violoncelle, Orgue 1
Violon, Orgue 1
Trio à Cordes: 2 violons, alto 1
Alto (partie séparée) 1
Contrebasse, Piano (duo) 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre à Cordes 117
Ensemble de cuivres 23
Orchestre d'harmonie 13
Orchestre de chambre 9
Orchestre 8

Cloches 4
Vibraphone 1

+ 2 instrumentations

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jmsgu3

Clarinette Basse

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2 partitions trouvées

Vivaldi - The Four Seasons: Spring for Solo Bass Clarinet

Vivaldi - The Four Seasons: Spring for Solo Bass Clarinet #Clarinette Basse #Classique #Antonio Vivaldi #James M #Vivaldi - The Four Seasons: Sp #jmsgu3 #SheetMusicPlus

Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 7 pages. Published...(+)

Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 7 pages. Published by jmsgu3 (S0.292603). - Score,Solo Part - Baroque Period,Repertoire,Wedding,Recital - jmsgu3

$32.95 ≈ 30.23€

Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 30.23€

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