Partitions Numériques de So Long pour Clarinette Basse

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So Long
Non classifié 1 150

Piano & claviers
Piano seul 453
Piano, Voix 220
Piano Facile 200
Piano, Voix et Guitare 165
Instruments en Do 76

Accompagnement Piano 49
Orgue 16
1 Piano, 4 mains 9
Piano grosses notes 5
2 Pianos, 4 mains 3
Piano Trio: piano, violon, violoncelle 3
Accordéon 3
Clavecin 2
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano (partie séparée) 1
Orgue, Trompette (duo) 1

+ 13 instrumentations

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Guitares
Guitare notes et tablatures 71
Guitare 71
Ukulele 33
Ligne De Mélodie, (Paroles) et Accords 27
Paroles et Accords 19

Basse electrique 8
Mandoline 8
Piano, Guitare (duo) 4
Banjo 3
3 Guitares (trio) 2
Guitare (partie séparée) 2
2 Guitares (duo) 2
4 Guitares (Quatuor) 2
Mandoline, Guitare (duo) 1
Ensemble de guitares 1

+ 10 instrumentations

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Voix
Chorale SATB 192
Chorale 2 parties 63
Chorale 3 parties 41
Chorale TTBB 21
Chorale Unison 20

Voix Soprano, Piano 13
Chorale SSAA 11
Voix Alto, Piano 6
Voix seule 4
Voix Tenor, Piano 4
Chorale 4
Voix duo 3
Voix haute 3
Voix, Guitare 1
Voix Tenor 1
Soli, choeur mixte et accompagnement 1
Voix duo, Piano 1
Voix Baryton, Piano 1
Voix basse, Piano 1

+ 14 instrumentations

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Vents
Clarinette 96
Flûte traversière et Piano 51
Clarinette et Piano 35
Ensemble de saxophones 33
Saxophone Tenor et Piano 31

Flûte traversière 28
Saxophone Alto et Piano 28
Hautbois, Piano (duo) 25
Quintette de Saxophone: 5 saxophones 24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24
Quatuor de Saxophones: 4 saxophones 22
Saxophone Alto 21
Quatuor de Clarinettes: 4 clarinettes 21
Saxophone Tenor 18
Flûte, Hautbois, Clarinette, Basson 17
Ensemble de Clarinettes 15
Saxophone (partie séparée) 14
Ensemble de Flûtes 14
3 Saxophones (trio) 13
2 Flûtes traversières (duo) 11
Hautbois (partie séparée) 10
2 Saxophones (duo) 9
Saxophone Soprano et Piano 8
2 Clarinettes (duo) 7
Flûte, Clarinette (duo) 6
Cor anglais, Piano 5
Quintette de Clarinettes: 5 clarinettes 5
Clarinette Basse, Piano 5
Saxophone Baryton, Piano 5
3 Clarinettes (trio) 5
Trio de Flûtes: 3 flûtes 5
Flûte à bec Soprano 5
Quintette de Flûte : 5 flûtes 5
Quatuor de Flûtes : 4 flûtes 4
Flûte à bec Alto, Piano 3
Hautbois 3
Harmonica 3
Saxophone, Clarinette (duo) 3
Flûte, Hautbois, Clarinette (trio) 2
Clarinette, Trompette (duo) 2
2 Cors Anglais Et Pianoforte 2
Clarinette, Basson (duo) 2
Hautbois, Violoncelle 2
Hautbois, Basson (duo) 2
Hautbois, Guitare (duo) 2
Flûte, Violon 2
Saxophone Soprano 2
Clarinette, Harpe (duo) 2
Flûte à bec Soprano, Piano 2
Piccolo, Piano 2
5 Flûtes à bec 2
Flûte à Bec 1
Saxophone Baryton 1
Flûte à bec Tenor 1
Flûte à bec Alto 1
Flûte, Violoncelle, Piano (trio) 1
Flûte, Alto (duo) 1
Clarinette Basse 1

Hautbois, Clarinette (duo) 1
Clarinette (partie séparée) 1
2 Hautbois (duo) 1
Hautbois, Harpe 1
Flûte, Saxophone (duo) 1
Flûte, Violoncelle 1
Quatuor de Flûtes à bec 1
Ensemble de Hautbois 1
Flûte et Guitare 1
Hautbois, Flûte 1
Clarinette, Violon (duo) 1
Flute (partie séparée) 1

+ 65 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 42
Trompette 38
Trombone et Piano 28
Trompette, Piano 27
Cor et Piano 24

Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Trombone 16
Quatuor de Cuivres 15
Tuba 12
Euphonium, Piano (duo) 9
Tuba et Piano 8
Cor 7
Ensemble de Trompettes 6
Trompette (partie séparée) 6
Ensemble de Trombones 5
Cor anglais, Piano 5
Ensemble de Cors 5
2 Trompettes (duo) 5
Trombone (partie séparée) 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
2 Cors Anglais Et Pianoforte 2
Trompette, Saxophone (duo) 2
Tuba (partie séparée) 2
2 Trombones (duo) 2
Ensemble de Tubas 1
Euphonium 1
Quatuor de cuivres: 4 trombones 1
2 Tubas (duo) 1
Cor, Trompette, Trombone (trio) 1
Trompette, Trombone (duo) 1
Cor (partie séparée) 1
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 cors 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Trombone, Tuba (duo) 1
Cor, Violoncelle (duo) 1
Trombone et orchestre 1
Bass Clef Instruments 1
Tuba et Orgue 1
Trombone, Orgue 1

+ 35 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 126
Violon 100
Violon et Piano 54
Violoncelle 45
Harpe 39

Alto, Piano 35
Violoncelle, Piano 32
Violon, Violoncelle (duo) 28
Alto seul 17
2 Violons (duo) 15
Trio à Cordes: 2 violons, violoncelle 15
Trio à Cordes: violon, alto, violoncelle 13
2 Violoncelles (duo) 11
Alto (partie séparée) 8
Violon, Alto (duo) 7
Harpe, Flûte (duo) 6
Contrebasse, Piano (duo) 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Contre Basse 5
Harpe, Voix 4
Trio à cordes: 3 violins 4
2 Harpes (duo) 3
Contrebasse (partie séparée) 3
Violoncelle , Guitare (duo) 2
Alto et Basson 1
Violon (partie séparée) 1
2 Altos (duo) 1
Harpe, Violon (duo) 1
Autoharp 1
Violoncelle (partie séparée) 1
Violon, Basson (duo) 1
Alto, Violoncelle (duo) 1
4 Violoncelles 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violon, Clarinette, Piano (trio) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 123
Orchestre 55
Ensemble de cuivres 37
Batterie 29
Ensemble Jazz 25

Orchestre à Cordes 22
Orchestre de chambre 18
Cloches 14
Jazz combo 11
Ensemble de Percussions 11
Fanfare 6
Vibraphone 2
Ensemble d'École 1
Batterie (partie séparée) 1
Xylophone 1
Xylophone, Piano 1
Piano et Orchestre 1

+ 12 instrumentations

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So Long

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

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