Partitions Numériques de The End Of The World pour Clavecin

Harpsichord - Level 1 - SKU: A0.964508 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Scor...(+)

Harpsichord - Level 1 - SKU: A0.964508 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 2 pages. Leyandder Trustworthy #6331223. Published by Leyandder Trustworthy (A0.964508). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Harpsichord and chords. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.

$4.99 ≈ 4.64€

Invention in B Locrian from 9 Modal Inventions

Invention in B Locrian from 9 Modal Inventions #Clavecin #INTERMÉDIAIRE #Michael Bomier #Invention in B Locrian from 9 #Michael Butkus-Bomier #SheetMusicPlus

Harpsichord - Level 3 - SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023....(+)

Harpsichord - Level 3 - SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023. Published by Michael Butkus-Bomier (A0.862503). Thirds, seven-note scalar runs, and syncopation characterize this final entry in the series of Modal Inventions. The Locrian mode was not a true church mode. It was given that name by jazz musicians, who wanted a modal designation for each of the seven modes for every major scale. This piece uses cut-time, and a half-note figure as its subject. The countersubject is a scale. Each exposition and its reverse end with a syncopated series of thirds, like the E Major Invention of Bach. These elements mix and match themselves through the piece, which ends on a B7 chord without a 3rd or 5th degree, giving the finale its ambiguous, Locrian sound. All nine inventions make a nice program for the opening of a three-element recital. They also make an excellent introduction into the world of modern music, since the two-part invention format is familiar, and the scalar aspect is also a musical staple throughout the eras, even though the modal derivatives rather than the parent major scales are used. MBB.

$1.99 ≈ 1.85€

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