Partitions Numériques de jmsgu3 pour Quatuor de cuivres: 4 trombones

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jmsgu3
Non classifié 962

Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle 52
Piano seul 31
Piano Trio: piano, violon, violoncelle 28
Orgue 23
Piano Quintette: piano, 2 violons, alto, violoncelle 6

Piano Facile 4

+ 1 instrumentations

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Guitares
Piano, Guitare (duo) 7
Guitare 2
Guitare notes et tablatures 2

Voix
Chorale SATB 6

Vents
Flûte traversière et Piano 297
Clarinette et Piano 189
2 Saxophones (duo) 186
Hautbois, Piano (duo) 183
Saxophone Alto et Piano 157

Saxophone Soprano et Piano 147
2 Flûtes traversières (duo) 145
Saxophone Tenor et Piano 144
Saxophone Baryton, Piano 143
2 Clarinettes (duo) 117
Clarinette Basse, Piano 117
Cor anglais, Piano 99
Clarinette 88
2 Hautbois (duo) 58
Quatuor de Saxophones: 4 saxophones 43
3 Saxophones (trio) 28
3 Clarinettes (trio) 27
Quatuor de Clarinettes: 4 clarinettes 15
Ensemble de Flûtes 15
2 Cors Anglais Et Pianoforte 14
Trio de Flûtes: 3 flûtes 14
Clarinette, Violoncelle (duo) 13
Hautbois, Basson (duo) 13
Piccolo, Piano 12
Flûte, Violoncelle 12
Hautbois, Harpe 8
Clarinette, Harpe (duo) 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Ensemble de Clarinettes 7
Hautbois, Violoncelle 6
Quatuor de Flûtes : 4 flûtes 6
Flûte traversière 4
Flûte, Alto (duo) 4
Ensemble de saxophones 4
Flûte, Hautbois (duo) 4
Flûte, Hautbois, Clarinette, Basson 3
Flûte à bec Alto, Piano 3
Saxophone et violoncelle 3
Flûte, Clarinette (duo) 3
Flûte à Bec, Piano 3
Saxophone Alto 2
Saxophone, Basson (duo) 2
Saxophone et Harpe 2
Clarinette Basse 2
Flûte, Violon 2
Saxophone Baryton 2
Cor anglais et Harpe (duo) 2
Flûte, Violon et Violoncelle 2
2 Hautbois et Basson 1
2 Hautbois, Piano 1
Flûte, Violoncelle, Piano (trio) 1
Flûte et Trio à cordes 1
Hautbois et alto (duo) 1
Flûte à bec Soprano, Piano 1
Flûte, Basson et Piano 1
Clarinette, Violon (duo) 1
Clarinette, Basson (duo) 1
2 Flûtes traversières, Piano 1
Saxophone et Piano 1
Saxophone Soprano 1
Flûte, Clarinette, Piano (trio) 1
Saxophone Tenor 1
Quintette de Saxophone: 5 saxophones 1
Hautbois 1

+ 59 instrumentations

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Cuivres
Euphonium, Piano (duo) 135
Trombone et Piano 115
Cor et Piano 115
Cor anglais, Piano 99
Trompette, Piano 83

2 Cors (duo) 60
Tuba et Piano 56
Trompette 44
2 Trombones (duo) 41
2 Euphoniums (duo) 36
2 Trompettes (duo) 36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 28
2 Tubas (duo) 15
2 Cors Anglais Et Pianoforte 14
Trompette, Trombone (duo) 6
3 Trombones (trio) 5
Trio de Cuivres 5
Cor, Violoncelle (duo) 5
Cor 5
Euphonium, Tuba (duo) 4
Ensemble de Trombones 4
Tuba et Orgue 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Quatuor de cuivres: 4 trombones 3

Trombone, Tuba (duo) 2
Euphonium 2
Trombone basse et Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Cor anglais et Harpe (duo) 2
Tuba 2
Quatuor de cuivres: 4 cors 1
Trompette, Violoncelle (duo) 1
3 Cors (trio) 1
Trompette, Tuba (duo) 1
Trombone basse 1

+ 30 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 284
Violon et Piano 180
Violoncelle, Piano 163
Alto, Piano 155
Trio à Cordes: violon, alto, violoncelle 95

2 Violoncelles (duo) 66
2 Violons (duo) 62
2 Altos (duo) 61
Violon, Violoncelle (duo) 22
2 Contrebasses (duo) 16
Alto, Violoncelle (duo) 15
Harpe, Flûte (duo) 14
Violon, Alto (duo) 14
Harpe 13
Violoncelle (partie séparée) 12
Harpe, Violon (duo) 8
Violoncelle 8
Violon 7
Trio à cordes 5
4 Violoncelles 4
Trio à Cordes: 3 violoncelles 4
Harpe, Violoncelle (duo) 3
Violoncelle, Contrebasse (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Ensemble de Violoncelles 2
Alto et Harpe 2
Alto seul 2
Quatuor à cordes : 4 altos 2
Violoncelle, Orgue 1
Violon, Orgue 1
Trio à Cordes: 2 violons, alto 1
Alto (partie séparée) 1
Contrebasse, Piano (duo) 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre à Cordes 117
Ensemble de cuivres 23
Orchestre d'harmonie 13
Orchestre de chambre 9
Orchestre 8

Cloches 4
Vibraphone 1

+ 2 instrumentations

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jmsgu3

Quatuor de cuivres: 4 trombones

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3 partitions trouvées

Beethoven: Three Equali WoO 30 for Trombone Quartet

Beethoven: Three Equali WoO 30 for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Classique #Ludwig van Beethoven #James Guthrie, ASCAP #Beethoven: Three Equali WoO 30 #jmsgu3 #SheetMusicPlus

Brass Ensemble Trombone - Level 2 - SKU: A0.551794 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Conte...(+)

Brass Ensemble Trombone - Level 2 - SKU: A0.551794 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. Score and parts. 17 pages. Jmsgu3 #5721315. Published by jmsgu3 (A0.551794). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver GlÃ¶ggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet.

$29.95 ≈ 27.48€

Solage: Le basile for Trombone Quartet

Solage: Le basile for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Solage #James M #Solage: Le basile for Trombone #jmsgu3 #SheetMusicPlus

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...(+)

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

$32.95 ≈ 30.23€

Solage: Plusers gens voy for Trombone Quartet

Solage: Plusers gens voy for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Solage #James M #Solage: Plusers gens voy for T #jmsgu3 #SheetMusicPlus

Trombone Quartet Trombone - Level 2 - SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...(+)

Trombone Quartet Trombone - Level 2 - SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861565. Published by jmsgu3 (A0.1269033). Plusers gens voy is a ballade by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that no one can see her without failing. The song is a tribute to the lady's beauty and likely reflects the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.

$24.95 ≈ 22.89€

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