Partitions Numériques de No Other Way pour Quatuor de cuivres: 4 trombones

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No Other Way
Non classifié 220

Piano & claviers
Piano seul 147
Piano, Voix 98
Piano, Voix et Guitare 43
Piano Facile 39
Instruments en Do 22

Orgue 10
Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 2
Piano grosses notes 2
Orgue, Piano (duo) 1
Piano (partie séparée) 1
1 Piano, 4 mains 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 30
Ligne De Mélodie, (Paroles) et Accords 21
Guitare 10
Paroles et Accords 4
2 Guitares (duo) 4

Ukulele 3
Piano, Guitare (duo) 3
Dulcimer 2
Banjo 2
Mandoline 1
Ensemble de guitares 1
Basse electrique 1

+ 7 instrumentations

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Voix
Chorale SATB 55
Chorale 3 parties 12
Chorale 2 parties 9
Chorale TTBB 7
Chorale SSAA 6

Chorale Unison 5
Voix seule 4
Voix haute 3
Voix Tenor, Piano 1
Voix Tenor 1
Voix Soprano, Piano 1
Voix duo, Piano 1

+ 7 instrumentations

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Vents
Flûte traversière et Piano 30
Clarinette et Piano 20
Hautbois, Piano (duo) 18
Saxophone Tenor et Piano 17
Saxophone Alto et Piano 16

Saxophone Soprano et Piano 14
2 Saxophones (duo) 14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
Saxophone Baryton, Piano 12
Cor anglais, Piano 10
Flûte traversière 9
Clarinette 8
Flûte, Hautbois, Clarinette, Basson 8
Clarinette Basse, Piano 8
Quatuor de Saxophones: 4 saxophones 8
Saxophone, Clarinette (duo) 6
Saxophone (partie séparée) 5
2 Flûtes traversières (duo) 5
Clarinette, Trompette (duo) 4
Clarinette, Violon (duo) 4
Saxophone Alto 4
Hautbois (partie séparée) 4
2 Clarinettes (duo) 3
Clarinette (partie séparée) 3
Hautbois, Basson (duo) 3
Ensemble de Flûtes 3
Quatuor de Clarinettes: 4 clarinettes 3
Flûte et Guitare 3
Quintette de Saxophone: 5 saxophones 3
Flûte, Clarinette (duo) 2
2 Hautbois (duo) 2
Clarinette et Alto 2
Flûte, Trompette (duo) 2
Flûte, Alto (duo) 2
Flûte, trombone et piano 2
Hautbois, Flûte 2
Flûte à Bec 2
Flûte, Violon 2
Hautbois, Clarinette (duo) 2
Flûte, Saxophone (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Ensemble de Clarinettes 2
Instruments en Mib 2
Piccolo, Piano 2
3 Saxophones (trio) 1
3 Clarinettes (trio) 1
Flûte à bec Soprano 1
Flute (partie séparée) 1
Hautbois, Guitare (duo) 1
Ensemble De Flûte à bec 1
Flûte à bec Tenor 1
2 Clarinettes, Piano 1
5 Flûtes à bec 1
Clarinette Basse 1
Saxophone et Orgue 1

+ 50 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Cor et Piano 15
Trombone et Piano 15
Trompette, Piano 12
Euphonium, Piano (duo) 12

Cor anglais, Piano 10
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trompette 8
Trombone 6
Bass Clef Instruments 4
Trompette, Saxophone (duo) 4
Tuba 4
Tuba et Piano 4
Quatuor de Cuivres 4
2 Trombones (duo) 3
Trombone (partie séparée) 3
Trompette (partie séparée) 3
Cor (partie séparée) 2
Cor 2
Quatuor de cuivres: 4 trombones 2

Instruments en Sib 2
Trompette, Trombone (duo) 2
2 Cors (duo) 2
2 Trompettes (duo) 1
Tuba (partie séparée) 1
2 Euphoniums et 2 Tubas 1
Ensemble de Tubas 1
2 Tubas (duo) 1
3 Trombones (trio) 1

+ 24 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 73
Violoncelle, Piano 28
Violon et Piano 27
Alto, Piano 14
Harpe 11

Violon 9
2 Violons (duo) 7
Violoncelle (partie séparée) 5
Trio à Cordes: 2 violons, violoncelle 5
Violon, Violoncelle (duo) 4
Alto seul 3
2 Altos (duo) 2
Violon, Alto (duo) 2
2 Violoncelles (duo) 2
Violon (partie séparée) 2
Trio à Cordes: 3 violoncelles 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe, Flûte (duo) 1
Contrebasse, Piano (duo) 1
Alto (partie séparée) 1
4 Violoncelles 1
Contrebasse (partie séparée) 1
Harpe, Violon (duo) 1
Alto, Violoncelle (duo) 1
Quatuor à cordes: 4 violons 1

+ 21 instrumentations

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Percussions & orchestre
Orchestre 31
Orchestre d'harmonie 24
Orchestre à Cordes 17
Ensemble de cuivres 16
Orchestre de chambre 13

Ensemble Jazz 9
Cloches 6
Quintette de Cuivres: autres combinaisons 2
Jazz combo 2
Percussion (partie séparée) 2
Fanfare 1
Batterie 1
2 Marimbas 1

+ 8 instrumentations

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No Other Way

Quatuor de cuivres: 4 trombones

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2 partitions trouvées

Solage: Le basile for Trombone Quartet

Solage: Le basile for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Solage #James M #Solage: Le basile for Trombone #jmsgu3 #SheetMusicPlus

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...(+)

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

$32.95 ≈ 30.33€

Three Studies for Trombone Quartet

Three Studies for Trombone Quartet #Quatuor de cuivres: 4 trombones #AVANCÉ #Methodes Etudes #Vladislav Blazhevich #Karl Lyden #Three Studies for Trombone Qua #Cherry Classics Music #SheetMusicPlus

Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exerci...(+)

Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.

Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.

Here is a description of the Three Studies by arranger Karl Lynden:

"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.

Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.

No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."

$27.50 ≈ 25.31€

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