Partitions Numériques de Fear pour Quatuor de cuivres: 4 trombones

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Fear
Non classifié 272

Piano & claviers
Piano seul 252
Piano, Voix et Guitare 152
Piano, Voix 148
Piano Facile 63
Orgue 18

Instruments en Do 18
Accordéon 5
Accompagnement Piano 4
Piano grosses notes 4
1 Piano, 4 mains 3
Piano Trio: piano, violon, violoncelle 3
Piano (partie séparée) 3
Orgue, Trompette (duo) 1
Ligne De Mélodie, Piano 1
2 Pianos, 4 mains 1
Clavecin 1

+ 11 instrumentations

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Guitares
Guitare notes et tablatures 89
Ligne De Mélodie, (Paroles) et Accords 39
Paroles et Accords 28
Guitare 17
Basse electrique 17

Ukulele 14
Guitare (partie séparée) 2
Mandoline 1
Basse électrique (partie séparée) 1
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Ensemble de guitares 1
Banjo 1

+ 8 instrumentations

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Voix
Chorale SATB 211
Chorale 3 parties 44
Chorale 2 parties 31
Chorale Unison 18
Voix duo, Piano 14

Chorale TTBB 11
Chorale SSAA 9
Voix Soprano, Piano 6
Chorale 5
Voix haute 4
Voix duo 4
Voix seule 3
Chorale SSAATTBB 2
Chorale SATBB 1
Voix moyenne, Piano 1
Voix Baryton, Piano 1
Chorale SSATB 1
Voix, Guitare 1
Voix basse, Piano 1

+ 14 instrumentations

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Vents
Flûte traversière 25
Saxophone (partie séparée) 23
Clarinette 22
Saxophone Alto 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 13

Clarinette (partie séparée) 10
Flûte traversière et Piano 10
Quatuor de Clarinettes: 4 clarinettes 8
Clarinette et Piano 7
2 Saxophones (duo) 7
Saxophone, Clarinette (duo) 6
Hautbois, Piano (duo) 6
Saxophone Tenor 6
Quatuor de Saxophones: 4 saxophones 6
2 Flûtes traversières (duo) 4
2 Clarinettes (duo) 4
Clarinette, Violon (duo) 4
Hautbois (partie séparée) 4
Quintette de Clarinettes: 5 clarinettes 3
Quatuor de Flûtes : 4 flûtes 3
Flûte, Hautbois, Clarinette, Basson 3
Hautbois, Basson (duo) 2
Clarinette, Trompette (duo) 2
Flûte et Guitare 2
Ensemble de saxophones 2
Hautbois 2
Quintette de Saxophone: 5 saxophones 2
Flûte, Alto (duo) 2
Flûte, Violon 2
Flûte, Saxophone (duo) 2
Saxophone Alto et Piano 2
Flûte, Clarinette (duo) 2
Hautbois, Flûte 2
Hautbois, Clarinette (duo) 2
Saxophone Tenor et Piano 2
Flute (partie séparée) 2
Flûte à Bec 2
2 Hautbois (duo) 1
Clarinette et Alto 1
Quintette de Flûte : 5 flûtes 1
Hautbois, Violon, Piano 1
Hautbois, Violoncelle et Piano 1
Flûte, Violoncelle 1
Clarinette, Guitare (duo) 1
Trio de Flûtes: 3 flûtes 1
Saxophone et Guitare 1
Instruments en Mib 1
Ensemble de Flûtes 1
2 Flûte à bec (duo) 1
Flûte, Trompette (duo) 1
Ensemble à vent 1
Clarinette, Alto et Piano (trio) 1
Quatuor de Flûtes à bec 1
Ensemble De Flûte à bec 1
Flûte, Basson et Piano 1
Flûte, Violon, Piano 1
Flûte à bec Soprano 1
Cor anglais, Piano 1
Hautbois, Basson et Piano 1
Clarinette, Violoncelle, Piano (trio) 1
Cor anglais, Guitare (duo) 1
Saxophone Baryton 1
Clarinette, Basson, Piano (trio) 1
Saxophone Soprano et Piano 1
Saxophone Baryton, Piano 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone et Orgue 1

+ 62 instrumentations

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Cuivres
Trompette (partie séparée) 16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 13
Trompette 12
Cor 11
Trombone 10

Quatuor de Cuivres : 2 trompettes, trombone, tuba 7
Trombone (partie séparée) 7
Trompette, Saxophone (duo) 4
Trompette, Piano 4
Trompette, Trombone (duo) 3
Tuba et Piano 3
2 Trompettes (duo) 2
2 Trombones (duo) 2
Trombone et Piano 2
Cor et Piano 2
Tuba (partie séparée) 2
2 Euphoniums et 2 Tubas 2
Tuba 2
Instruments en Sib 2
Ensemble de Trombones 1
Bass Clef Instruments 1
Tuba ou Euphonium ou Saxhorn 1
Trompette, Trombone, Piano 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Instruments en Fa 1
Quatuor de cuivres: 4 trombones 1

Cor (partie séparée) 1
Cor anglais, Piano 1
Cor anglais, Guitare (duo) 1
Euphonium, Piano (duo) 1

+ 25 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 37
Violon 28
Violon et Piano 28
Violoncelle (partie séparée) 9
Violoncelle 9

Alto seul 9
Alto, Piano 8
Violoncelle, Piano 7
Harpe 7
Contre Basse 4
Violon, Violoncelle (duo) 4
Contrebasse (partie séparée) 4
Violon, Alto (duo) 3
Alto (partie séparée) 3
Violon (partie séparée) 3
2 Violoncelles (duo) 2
Piano Trio: Violon, Alto, Piano 2
Violon, Clarinette, Piano (trio) 2
2 Violons (duo) 2
Alto et Harpe 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe, Voix 1
4 Violoncelles 1
Trio à Cordes: 3 violoncelles 1
Contrebasse, Piano (duo) 1
Harpe, Violoncelle (duo) 1
2 Altos (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1

+ 23 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 145
Batterie 41
Orchestre 34
Ensemble Jazz 23
Cloches 16

Orchestre à Cordes 13
Percussion (partie séparée) 7
Fanfare 5
Ensemble de cuivres 4
Orchestre de chambre 3
Ensemble de Percussions 3
Batterie (partie séparée) 3
Xylophone 2
Percussion 2
Vibraphone 2
Jazz combo 1
Xylophone, Piano 1
Timbales (partie séparée) 1
2 Marimbas 1

+ 14 instrumentations

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Fear

Quatuor de cuivres: 4 trombones

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Solage: Le basile for Trombone Quartet

Solage: Le basile for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Solage #James M #Solage: Le basile for Trombone #jmsgu3 #SheetMusicPlus

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...(+)

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

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