Partitions Numériques de Canon pour Quatuor de cuivres: 4 trombones

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Canon
Non classifié 200

Piano & claviers
Piano seul 86
Piano Facile 73
Piano, Voix 29
Orgue 13
1 Piano, 4 mains 12

Accompagnement Piano 5
Piano Trio: piano, violon, violoncelle 4
Instruments en Do 3
Piano, Voix et Guitare 2
Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Clavecin 1

+ 7 instrumentations

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Guitares
Guitare 6
Guitare notes et tablatures 3
Ligne De Mélodie, (Paroles) et Accords 3
4 Guitares (Quatuor) 1
3 Guitares (trio) 1

Ukulele 1
2 Guitares (duo) 1
3 Dulcimers (trio) 1

+ 3 instrumentations

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Voix
Chorale SATB 94
Chorale 3 parties 44
Chorale 2 parties 38
Chorale Unison 8
Voix duo, Piano 7

Chorale TTBB 5
Chorale 4
Chorale SSAA 2
Voix moyenne, Piano 1
Voix duo 1

+ 5 instrumentations

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Vents
Flûte, Hautbois, Clarinette, Basson 29
Quatuor de Saxophones: 4 saxophones 24
Flûte traversière 18
Clarinette et Piano 15
2 Clarinettes (duo) 15

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 14
Quatuor de Clarinettes: 4 clarinettes 14
Flûte traversière et Piano 13
2 Flûtes traversières (duo) 11
Hautbois, Piano (duo) 8
Saxophone Tenor et Piano 8
Quatuor de Flûtes : 4 flûtes 8
Clarinette 7
Saxophone Alto et Piano 6
Saxophone 6
Trio de Flûtes: 3 flûtes 6
2 Saxophones (duo) 5
Flûte, Hautbois, Basson 5
2 Hautbois (duo) 5
Quintette de Saxophone: 5 saxophones 5
3 Saxophones (trio) 4
Hautbois (partie séparée) 4
Saxophone Alto 4
Flûte, Clarinette et Basson 3
3 Clarinettes (trio) 3
Hautbois 3
Saxophone (partie séparée) 3
2 Flûte à bec (duo) 3
Flûte, Clarinette (duo) 3
Hautbois, Harpe 2
Cor anglais, Piano 2
Clarinette, Harpe (duo) 2
Hautbois, Basson (duo) 2
Flûte à Bec 2
Flûte, Violoncelle, Piano (trio) 2
Flûte, Hautbois, Clarinette (trio) 2
Ensemble de Clarinettes 2
Flûte à bec Soprano 2
Saxophone Soprano et Piano 2
Clarinette Basse, Piano 1
Saxophone Soprano 1
3 Flûtes à bec (trio) 1
Flûte à bec Alto 1
Ensemble de Flûtes 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte, Violon 1
Quatuor de Flûtes à bec 1
Clarinette, Violoncelle (duo) 1
Cor Anglais 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, Violon, Violoncelle et Piano 1
Cor anglais et Harpe (duo) 1
2 Hautbois, Piano 1
Hautbois, Violoncelle 1
2 Saxophones, Piano 1

+ 50 instrumentations

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Cuivres
Trompette, Piano 10
Trompette 9
Trombone et Piano 8
Cor et Piano 8
2 Trompettes (duo) 7

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trombone 7
Tuba et Piano 7
Quatuor de Cuivres 7
2 Cors (duo) 6
2 Trombones (duo) 6
Tuba 6
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Cor 5
2 Tubas (duo) 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Cor anglais, Piano 2
Trompette, Trombone (duo) 2
Euphonium 2
Quatuor de cuivres: 4 cors 1
Trombone, Tuba (duo) 1
2 Trompettes, Clavier (piano ou orgue) 1
Ensemble de Trompettes 1
3 Trombones (trio) 1
2 Trombones, Piano 1
Euphonium, Piano (duo) 1
Trompette, Cor (duo) 1
Ensemble de Trombones 1
3 Cors (trio) 1
2 Cors, Piano 1
Cor Anglais 1
Cor anglais et Harpe (duo) 1
Trompette, Tuba (duo) 1
Quatuor de cuivres: 4 trombones 1

+ 29 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 62
Violon et Piano 25
Violon 14
Trio à Cordes: violon, alto, violoncelle 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 13

Violon, Violoncelle (duo) 12
2 Violons (duo) 12
Violoncelle, Piano 12
Alto, Piano 11
2 Violoncelles (duo) 11
2 Altos (duo) 9
Violoncelle (partie séparée) 9
Alto seul 8
Harpe 8
Contre Basse 5
Trio à Cordes: 2 violons, violoncelle 5
Violoncelle 5
Contrebasse, Piano (duo) 3
4 Violoncelles 3
Alto, Violoncelle (duo) 2
2 Contrebasses (duo) 2
Trio à Cordes: 3 violoncelles 2
Violon, Alto (duo) 2
Harpe, Flûte (duo) 2
Harpe, Violon (duo) 1
Harpe, Violoncelle (duo) 1
Piano Trio: Violon, Alto, Piano 1
Trio à cordes: 3 violins 1
Violon, Guitare (duo) 1
2 Altos, Piano 1
2 Harpes (duo) 1
Alto (partie séparée) 1
Violoncelle, Contrebasse (duo) 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre à Cordes 14
Orchestre d'harmonie 13
Ensemble de cuivres 6
Orchestre de chambre 2
Cloches 2

Orchestre 1

+ 1 instrumentations

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Quatuor de cuivres: 4 trombones

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Solage: Le basile for Trombone Quartet

Solage: Le basile for Trombone Quartet #Quatuor de cuivres: 4 trombones #FACILE #Solage #James M #Solage: Le basile for Trombone #jmsgu3 #SheetMusicPlus

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...(+)

Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

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