Partitions Numériques de We Can Work It Out pour Hautbois, Piano (duo)

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We Can Work It Out
Non classifié 162

Piano & claviers
Piano seul 67
Piano, Voix et Guitare 33
Piano, Voix 22
2 Pianos, 4 mains 22
Piano Facile 13

Instruments en Do 12
Orgue 4
Piano grosses notes 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 1
Orgue, Piano (duo) 1
Accompagnement Piano 1
1 Piano, 4 mains 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 24
Guitare 13
Ligne De Mélodie, (Paroles) et Accords 12
Basse electrique 6
Ukulele 6

Paroles et Accords 3
Banjo 1
4 Guitares (Quatuor) 1
Dulcimer 1

+ 4 instrumentations

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Voix
Chorale SATB 41
Chorale 3 parties 12
Chorale 2 parties 7
Chorale SSAA 5
Chorale TTBB 2

Voix duo, Piano 1
Chorale SSATTB 1

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 22
Quatuor de Clarinettes: 4 clarinettes 7
Saxophone (partie séparée) 6
Saxophone Alto 6
Clarinette 6

Quatuor de Saxophones: 4 saxophones 6
Saxophone Tenor 5
Saxophone Tenor et Piano 5
Clarinette et Piano 4
Flûte à bec Soprano 4
Flûte traversière 4
Flûte traversière et Piano 3
Saxophone Baryton, Piano 3
Ensemble de Clarinettes 3
Hautbois, Piano (duo) 3

Saxophone Alto et Piano 3
Saxophone Soprano et Piano 3
Saxophone Soprano 2
2 Flûtes traversières (duo) 2
Ensemble de Flûtes 2
Harmonica 2
Saxophone Baryton 2
Flûte, Hautbois, Clarinette, Basson 2
Quintette de Clarinettes: 5 clarinettes 1
Hautbois 1
Ocarina 1
Flûte à bec Alto, Piano 1
Clarinette, Harpe (duo) 1
Cor anglais et Harpe (duo) 1

+ 24 instrumentations

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Cuivres
Trompette 8
Trombone 5
Trompette (partie séparée) 4
Trombone (partie séparée) 4
Cor 3

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette, Trombone (duo) 3
Quatuor de cuivres: 4 trombones 2
Trompette, Piano 2
2 Trombones (duo) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
2 Trompettes (duo) 2
4 Tubas 2
Trombone et Piano 2
2 Tubas (duo) 2
Cor et Piano 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Euphonium, Piano (duo) 1
Ensemble de Trompettes 1
Trompette, Euphonium (duo) 1
Tuba et Piano 1
Cor anglais et Harpe (duo) 1

+ 17 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 25
Violon 6
Alto, Piano 6
Alto seul 6
Violoncelle 4

Violoncelle, Piano 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violon, Violoncelle (duo) 2
Violon, Alto (duo) 2
Violon et Piano 2
Harpe, Flûte (duo) 2
Violoncelle (partie séparée) 1
Trio à Cordes: violon, alto, violoncelle 1
4 Contrebasses 1
Contre Basse 1
Harpe 1
Trio à Cordes: 3 violoncelles 1
Contrebasse, Piano (duo) 1
Alto (partie séparée) 1

+ 14 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 17
Ensemble de cuivres 16
Orchestre à Cordes 8
Orchestre 7
Ensemble Jazz 5

Jazz combo 3
Ensemble de Percussions 3
Orchestre de chambre 3
Cloches 2
Batterie 2
Xylophone 2
Orchestre, Violon 1
Piano et Orchestre 1

+ 8 instrumentations

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We Can Work It Out

Hautbois, Piano (duo)

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3 partitions trouvées

O Come All Ye Faithful for Oboe & Piano

O Come All Ye Faithful for Oboe & Piano #Hautbois, Piano (duo) #DÉBUTANT #Wade #James M #O Come All Ye Faithful for Obo #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #33881...(+)

Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ 22.95€

Grandfather's Clock [Woodwind Quintet and Piano]

Grandfather's Clock [Woodwind Quintet and Piano] #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Henry Clay Work #Masakazu YAMAMOTO #Grandfather's Clock [Woodwind #Motch Music #SheetMusicPlus

Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1278918 Composed by Henry Clay Work. Arranged by Masakazu YAMAMOTO. Folk,Pop. 25 pages. Motch...(+)

Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1278918 Composed by Henry Clay Work. Arranged by Masakazu YAMAMOTO. Folk,Pop. 25 pages. Motch Music #870466. Published by Motch Music (A0.1278918). This arrangement is for woodwind quintet and Piano. When you purchase it, you get full score and each part score. Composed by Henry Clay Work, this song is famous for its opening lines, My grandfather's clock was too large for the shelf.... It is structured to be sung up to the third verse. The second verse takes on a canon-like style, and before the third verse, there is a long interlude featuring the phrase Ninety years without slumbering, tick, tock, tick, tock... at its core. You can also shorten the song by cutting from measure 66 to measure 97. In that case, please play the bassoon and piano at measure 65 the same way as in measure 63. (arr. Masakazu YAMAMOTO) [Instrumentation] Flute Oboe Clarinet in Bb Horn in F Bassoon Piano Works For Ensemble Original Composition (Sheet Music PlusÂ /Â Sheet Music Direct)â€‹ Arrangement (Sheet Music PlusÂ /Â Sheet Music Direct)â†’Christmas Arrangement (Sheet Music PlusÂ /Â Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english

$40.00 ≈ 36.79€

A Night In Tunisia

A Night In Tunisia #Hautbois, Piano (duo) #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...(+)

Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.27€

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