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Vous avez sélectionné:
Free At Last
Hautbois, Piano (duo)
Partitions à imprimer
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Vocalise (Rachmaninoff) - oboe and piano with FREE BACKING TRACK
Vocalise (Rachmaninoff) - oboe and piano with FREE BACKING TRACK
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Hautbois, Piano (duo)
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AVANCÉ
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Sergei Rachmaninoff
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Austin Ralphson
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Vocalise
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.564152 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. Score and p...
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Oboe,Piano - Level 5 - SKU: A0.564152 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. Score and part. 10 pages. Austin Ralphson #6261091. Published by Austin Ralphson (A0.564152). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9LUEuP7bfkk (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/tULwE
$3.99 ≈
3.73€
Saint-Saëns: The Swan for Oboe & Piano
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.83€
Corpse Flower, for oboe and piano
Corpse Flower, for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Martin J
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Corpse Flower, for oboe and pi
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Martin J. Van Klompenberg
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1430123 Composed by Martin J. Van Klompenberg. 21st Century,Classical. Score and part. 44 pages. Martin J. Van Klompenber...
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Oboe,Piano - Level 4 - SKU: A0.1430123 Composed by Martin J. Van Klompenberg. 21st Century,Classical. Score and part. 44 pages. Martin J. Van Klompenberg #1010798. Published by Martin J. Van Klompenberg (A0.1430123). The Corpse Flower is not only one of the largest free-standing blossoming plants in the world, it also it also highly unique in that it requires 7 – 10 years to bloom for the first time. The plant must go through several germination cycles, moving through a single leaf phase multiple times prior to the first bloom.This work tells the story of a corpse flower, beginning with the initial single leaf. This leaf returns to the corm, the 100-pound bulb from which the plant stems. When the bloom finally arrives, it can be as tall as ten feet tall, but only lasts about 48 hours until it begins to wilt. The withering can take much longer, as the bloom decays and the single leaf stage begins anew.I had the good fortune to get to see a corpse flower in full bloom in the fall of 2020 (The cover art was taken from this flower), and the opportunity to see this marvel in person was the primary motivation behind writing this work.This work was made possible by the following consortium of musicians:Erin Webber, The University of Texas at San Antonio, San Antonio, TexasStephanie Carlson, Murray State University, Murray, KentuckyAmy Collins, The University of South Florida, Tampa, FloridaHeather Killmeyer, East Tennessee State University, Johnson City, TennesseeTheo-Hans Kuijvenhoven, Ridderkerk, NetherlandsKelly McElrath Vaneman, Converse College, Spartanburg, SC
$25.00 ≈
23.39€
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