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Vous avez sélectionné:
Take It Slow
Chorale SATB
Partitions à imprimer
14 partitions trouvées
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1
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
#
Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99 ≈
16.18€
Tribute to the Trail of Tears
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75 ≈
3.37€
Nunc Dimittis in F Major
Nunc Dimittis in F Major
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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James G
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Nunc Dimittis in F Major
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James G.R. Campbell
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.931008 Composed by James G.R. Campbell. Christmas,Contemporary,Sacred. Octavo. 5 pages. James G.R. Campbell #335...
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Choral Choir (SATB) - Level 4 - SKU: A0.931008 Composed by James G.R. Campbell. Christmas,Contemporary,Sacred. Octavo. 5 pages. James G.R. Campbell #3358773. Published by James G.R. Campbell (A0.931008). Nunc Dimittis in F majorWritten for the Licencing of of the priest in charge at the church where James was organist for 6 years. The setting was written to juxtapose Stainer's Magnificat in F and works very well as a short reflective setting of the Canticle for 4 part choir (with occasional divises in all parts).Despite being a very short setting of the Song of Simeon, it should not be taken too slowly, although a slower tempo than suggested may be adopted, one should be careful that it is not allowed to drag. Text taken from the Book of Common Prayer.
$4.50 ≈
4.05€
Jesus Loves Me (SATB, piano)
Jesus Loves Me (SATB, piano)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Bradley Sowash
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Bradley Sowash
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Jesus Loves Me
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Bradley Sowash
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1198518 By Bradley Sowash. By William B. Bradbury. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,R...
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Choral Choir (SATB) - Level 3 - SKU: A0.1198518 By Bradley Sowash. By William B. Bradbury. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Sacred. Octavo. 16 pages. Bradley Sowash #797661. Published by Bradley Sowash (A0.1198518). Classic hymn set to a contemporary groove SATB, pianoThis anthem begins with the piano and soloist laying out a quiet slow gospel waltz. However, when the choir joins in with an enthusiastic “Yes! Jesus loves me,†the congregation knows this is not your Grandma’s version of the Sunday school classic. The work continues in a jazz waltz feel until a sudden stop when the piano sets up a funky back beat feel and the music really starts to kick. A key change near the end moves the energy up again for a really big ending. It will take more than one rehearsal to put it together but it’s worth it to see their smiles of appreciation.
$1.99 ≈
1.79€
Jesus Loves Me - Jazz Quintet and Choir
Jesus Loves Me - Jazz Quintet and Choir
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Chorale SATB
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INTERMÉDIAIRE
#
Bradley Sowash
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Jesus Loves Me - Jazz Quintet
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Bradley Sowash
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.750121 Arranged by Bradley Sowash. Christian,Jazz,Sacred. Octavo. 36 pages. Bradley Sowash #24261. Published by ...
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Choral Choir (SATB) - Level 3 - SKU: A0.750121 Arranged by Bradley Sowash. Christian,Jazz,Sacred. Octavo. 36 pages. Bradley Sowash #24261. Published by Bradley Sowash (A0.750121). Classic hymn set to a contemporary grooveSATBIncludes a license to make as many copies as you like.This anthem begins with the piano and soloist laying out a quiet slow gospel waltz. However, when the choir joins in with an enthusiastic Yes! Jesus Loves Me, the congregation knows this is not your Grandma’s version of the Sunday school classic. The work continues in a jazz waltz feel until a sudden stop when the piano sets up a funky back beat feel and the music really starts to kick. A key change near the end moves the energy up again for a really big ending. It will take more than one rehearsal to put it together but it’s worth it to see their smiles of appreciation. (Includes a separate piano part for easy page turning.).
$14.99 ≈
13.48€
Stopping by Woods on a Snowy Evening
Stopping by Woods on a Snowy Evening
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Geoffrey Peterson
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Stopping by Woods on a Snowy E
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Geoffrey Peterson
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1303857 Composed by Geoffrey Peterson. 21st Century,A Cappella,Classical,Contemporary. 7 pages. Geoffrey ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1303857 Composed by Geoffrey Peterson. 21st Century,A Cappella,Classical,Contemporary. 7 pages. Geoffrey Peterson #893380. Published by Geoffrey Peterson (A0.1303857). Robert Frost wrote “Stopping by Woods on a Snowy Evening†in 1922. Frost referred to the poem as his “best bid for remembrance.†It was published, along with other celebrated poems, including “Fire and Ice†and “Nothing Gold Can Stay,†in his collection “New Hampshire†in 1923. I intended the slow repeating tone cluster chords in the last section as a solemn meditation on death. I wanted to be as deliberate as possible with the poem’s two concluding quintessential lines “And miles to go before I sleep, And miles to go before I sleep.â€Â Whose woods these are I think I know.His house is in the village though;He will not see me stopping hereTo watch his woods fill up with snow.My little horse must think it queerTo stop without a farmhouse nearBetween the woods and frozen lakeThe darkest evening of the year.He gives his harness bells a shakeTo ask if there is some mistake.The only other sound’s the sweepOf easy wind and downy flake.The woods are lovely, dark and deep,But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep.
$1.99 ≈
1.79€
Pick Up a Crown
Pick Up a Crown
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Chorale SATB
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Musique Sacrée
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Heather Sorenson
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Pick Up a Crown
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi, Solo, a cappella - SKU: LX.10-5711L Composed by Heather Sorenson. Sacred Anthem. Octavo. 16 pages. Lorenz Publishing - Digital Sheet ...
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SATB choir divisi, Solo, a cappella - SKU: LX.10-5711L Composed by Heather Sorenson. Sacred Anthem. Octavo. 16 pages. Lorenz Publishing - Digital Sheet Music #e10/5711L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5711L). Heather Sorenson is a student of the traditional spiritual, and her skill shines brightly in this exciting new anthem. Starting with a slow, soulful solo accompanied by the choir, this dazzling selection quickly moves into an up-tempo groove that will keep feet tapping until the very end. Deftly featuring a wide variety of vocal textures, this contemporary spiritual will take some work, but the results will be worth it!
$2.75 ≈
2.47€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
8.99€
Toxic
Toxic
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Britney Spears
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Jason Howard
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Toxic
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Jason Howard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arra...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99 ≈
1.79€
Due South (Complete Collection) (Downloadable)
Due South (Complete Collection) (Downloadable)
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Chorale SATB
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Stephen Chatman
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Due South
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - D...
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SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - Digital #7.0720-E. Published by Galaxy Music Corporation - Digital (MQ.7.0720-E). English.Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman’s choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West.1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry.3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, Love shines on you, my only one.5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to My Old Kentucky Home, and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, ..a wild ride!
$4.50 ≈
4.05€
Oh Shenandoah (SATB choir and piano)
Oh Shenandoah (SATB choir and piano)
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Co...
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Choral Choir (SATB) - Level 3 - SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #849108. Published by Colin Kirkpatrick Publications (A0.1255595). Here’s a new arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries.  In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. John Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SATB arrangement for choir and piano is within easy technical reach of most amateur choirs. The top soprano note is G just above the treble staff. The highest alto note is the C above middle C and the tenor and bass parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.35 ≈
2.11€
Love, thricewise (Downloadable)
Love, thricewise (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Joseph Gregorio
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Love, thricewise
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3468-E Composed by Joseph Gregorio. National Collegiate Choral Organization Choral Series. ...
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SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3468-E Composed by Joseph Gregorio. National Collegiate Choral Organization Choral Series. Secular, 21st century. 21 pages. Duration 6 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3468-E. Published by Galaxy Music Corporation - Digital (MQ.1.3468-E). UPC: 600313134685.Love, thricewise was the winner of the 2009 Pacific Chorale Young Composers Competition. It was premiered in February 2010 under the baton of Robert Istad by the John Alexander Singers. The first movement, Liquor and lacquer, sets Witter Bynner's Opus 6 and depicts infatuation through flighty changes of meter and sudden shifts of mode. The second, entitled An amethyst remembrance and based on a poem by Emily Dickinson, is built around a false cadence on the words 'T will keep. It is regretful, slowly building to an anguished climax and wistfully fading away. Finally, Kinsfolk takes Sidney Lanier's A Song of Love as its text. It is both a lighthearted reflection on the paradoxical and complementary relationship between love and pain, and a pining for love. The first two stanzas of Kinsfolk pit the tenors and basses, who deliver the first stanza’s melody, against the sopranos and altos, who answer in the second stanza with the same melody in a key a tritone away from that of the first. The third stanza is a fugato on the same melody, culminating in a fervid fortissimo. Duration approx. 6:30.
$2.90 ≈
2.61€
Unto You We Sing
Unto You We Sing
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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M
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Unto You We Sing
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M. L. Daniels
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.834140 Composed by M. L. Daniels. 20th Century,A Cappella,Christian. Octavo. 4 pages. M. L. Daniels #12375. Publ...
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Choral Choir (SATB) - Level 4 - SKU: A0.834140 Composed by M. L. Daniels. 20th Century,A Cappella,Christian. Octavo. 4 pages. M. L. Daniels #12375. Published by M. L. Daniels (A0.834140). This sacred SATB choral may be sung a cappella or with piano accompaniment. It features a bass line which is in counterpoint with the upper voices, and has been popular with the composer's church choir. The accompanying mp3 recording is taken at a much slower tempo than intended by the composer.
$3.00 ≈
2.70€
Shockachi (Shortened Version)
Shockachi (Shortened Version)
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Chorale SATB
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AVANCÉ
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian ...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99 ≈
4.49€
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