Partitions Numériques de Instrumental no Artist pour Chorale SATB

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Instrumental no Artist
Non classifié 71

Piano & claviers
Instruments en Do 19
Accompagnement Piano 16
Piano seul 13
Piano Facile 9
Piano, Voix 5

Piano Quatuor: piano, 2 violons, violoncelle 3
Piano Trio: piano, violon, violoncelle 3
Piano, Voix et Guitare 2
1 Piano, 4 mains 2
Orgue 1
2 Pianos, 4 mains 1

+ 6 instrumentations

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Guitares
2 Guitares (duo) 9
Ligne De Mélodie, (Paroles) et Accords 3
Guitare notes et tablatures 1
Dulcimer 1

Voix
Chorale SATB 3

Vents
2 Flûtes traversières (duo) 15
Quatuor de Saxophones: 4 saxophones 11
Flûte traversière et Piano 11
Clarinette 10
Hautbois (partie séparée) 9

2 Saxophones (duo) 6
Flûte, Clarinette (duo) 6
Clarinette et Piano 6
Hautbois, Piano (duo) 5
Saxophone Soprano et Piano 4
Saxophone Tenor et Piano 4
Cor anglais, Piano 4
Saxophone Alto et Piano 4
Clarinette Basse, Piano 3
Saxophone, Clarinette (duo) 3
Saxophone Baryton, Piano 3
2 Clarinettes (duo) 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Clarinette, Violon (duo) 2
Quatuor de Clarinettes: 4 clarinettes 2
Clarinette, Trompette (duo) 2
Hautbois, Basson (duo) 2
Hautbois, Clarinette (duo) 2
Hautbois, Flûte 1
Piccolo, Piano 1
Flûte, Violoncelle 1
Clarinette, Basson (duo) 1
Flûte, Saxophone (duo) 1
2 Clarinettes, Piano 1
Clarinette, Violoncelle (duo) 1
Clarinette, Guitare (duo) 1
Flûte, Alto (duo) 1
Clarinette et Alto 1
Ensemble de Flûtes 1
2 Hautbois (duo) 1
Saxophone et Orgue 1
Flûte, Violon 1
Quintette de Saxophone: 5 saxophones 1

+ 33 instrumentations

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Cuivres
Euphonium, Piano (duo) 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Trombone et Piano 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trompette, Trombone (duo) 4

Cor anglais, Piano 4
Cor et Piano 4
Trompette, Cor (duo) 3
Trompette, Saxophone (duo) 2
Trompette 2
2 Cors (duo) 2
2 Trompettes (duo) 1
Trombone, Cor (duo) 1
2 Trombones (duo) 1
2 Tubas (duo) 1
Trompette, Piano 1
Trombone, Tuba (duo) 1
Trompette, Tuba (duo) 1
Cor, Tuba (duo) 1

+ 14 instrumentations

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Cordes
Trio à Cordes: 2 violons, violoncelle 17
Violon, Violoncelle (duo) 12
Violon et Piano 11
2 Violons (duo) 9
Violoncelle, Contrebasse (duo) 8

Violon, Alto (duo) 7
Quatuor à cordes: 2 violons, alto, violoncelle 5
Alto, Piano 5
Piano Trio: Violon, Alto, Piano 4
Violoncelle, Piano 3
Trio à Cordes: violon, alto, violoncelle 3
2 Violoncelles (duo) 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violon, Guitare (duo) 1
2 Contrebasses (duo) 1
Alto, Guitare (duo) 1
2 Altos (duo) 1
Contrebasse, Piano (duo) 1
Violon 1
Violoncelle , Guitare (duo) 1
Violon, Orgue 1
Alto, Violoncelle (duo) 1

+ 17 instrumentations

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Percussions & orchestre
Orchestre 7
Orchestre d'harmonie 4
Orchestre à Cordes 3
Orchestre de chambre 2
Cloches 2

Ensemble Jazz 1
Quintette de Cuivres: autres combinaisons 1
Jazz combo 1

+ 3 instrumentations

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Instrumental no Artist

Chorale SATB

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3 partitions trouvées

Two Views of Scott Joplin

Two Views of Scott Joplin #Chorale SATB #INTERMÉDIAIRE #James Siddons # #Two Views of Scott Joplin #James Siddons Music and Writings #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...(+)

Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplinâ€™s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishersâ€™ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplinâ€™s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.

$9.99 ≈ 9.26€

Canadian Sunset

Canadian Sunset #Chorale SATB #Contemporain #Hugo Winterhalter/E #Paul Hemmer #Canadian Sunset #PJMS MUSIC #SheetMusicPlus

Choral Choir (SATB) - SKU: A0.798308 By Hugo Winterhalter/E. Heywood. By Eddie Heywood. Arranged by Paul Hemmer. Contemporary. Octavo. 7 pages. PJMS MUS...(+)

Choral Choir (SATB) - SKU: A0.798308 By Hugo Winterhalter/E. Heywood. By Eddie Heywood. Arranged by Paul Hemmer. Contemporary. Octavo. 7 pages. PJMS MUSIC #5735817. Published by PJMS MUSIC (A0.798308). Canadian Sunset is a popular song by jazz pianist Eddie Heywood and lyrics by Norman Gimbel. An instrumental version by Heywood and Hugo Winterhalter reached No. 2 on the Billboard Hot 100 chart and No. 7 on the R&B chart in 1956. A version sung by Andy Williams was also popular that year, reaching No. 7 on the Billboard chart. It's also been recorded by dozens of jazz and pop artists and remains a favorite of the 1950s. This arrangement highlights the flowing melody with rich harmonies and many of the familiar piano figures associated with the original Eddie Heywood recording.

$3.99 ≈ 3.70€

The House of the Rising Sun...SATB

The House of the Rising Sun...SATB #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Unknown #Donald A #The House of the Rising Sun... #Donald A Mills #SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 p...(+)

Choral Choir (SATB divisi) - Level 4 - SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.

$2.99 ≈ 2.77€

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