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Vous avez sélectionné:
Melody In F
avancé
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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1
Rise Up in Splendor, Jerusalem! with "O Come All Ye Faithful" (SATB Choir, Opt. Bb Trumpet, Chords)
Rise Up in Splendor, Jerusalem! with "O Come All Ye Faithful" (SATB Choir, Opt. Bb Trumpet, Chords)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Cathy Stamegna, John F
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Cathy Stamegna
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Rise Up in Splendor, Jerusalem
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.780953 Composed by Cathy Stamegna, John F. Wade (English Translation by Frederick Oakeley). Arranged by Cathy St...
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Choral Choir (SATB) - Level 4 - SKU: A0.780953 Composed by Cathy Stamegna, John F. Wade (English Translation by Frederick Oakeley). Arranged by Cathy Stamegna. Christmas,Contemporary,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Cathy Stamegna #5899887. Published by Cathy Stamegna (A0.780953). Rise Up in Splendor, Jerusalem! with O Come All Ye Faithful (SATB Choir, Optional Bb Trumpet, Chords, Accompaniment).  A glorious, opening anthem to a Christmas service or concert. The initial melody is based on Isaiah 60:1-6: Rise up in splendor, Jerusalem! Your light has come[…]. O Come, All Ye Faithful stands alone as well as weaving harmonically with the anthem. Set of Parts (Bb Trumpet).  Duration:  approx. 3:30.
$2.50 ≈
2.34€
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( SATB Voices and Piano)
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( SATB Voices and Piano)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.759986 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Wor...
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Choral Choir (SATB) - Level 4 - SKU: A0.759986 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Worship,Standards. Octavo. 21 pages. Raymond Fenech #3478569. Published by Raymond Fenech (A0.759986). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for SATB Voices and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$2.95 ≈
2.76€
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.87€
AMAZING GRACE [SATB choir, piano]
AMAZING GRACE [SATB choir, piano]
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Anthony Giamanco
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AMAZING GRACE [SATB choir, pia
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.773839 Arranged by Anthony Giamanco. 20th Century,Concert,Jazz,Sacred. Octavo. 7 pages. Whole Tone Press #574751...
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Choral Choir (SATB) - Level 4 - SKU: A0.773839 Arranged by Anthony Giamanco. 20th Century,Concert,Jazz,Sacred. Octavo. 7 pages. Whole Tone Press #5747517. Published by Whole Tone Press (A0.773839). A lush setting of the famous hymn tune arranged for SATB choir and piano. Contains generous divisi. Appropriate for larger ensembles. Advanced intermediate. This arrangement for choir and piano is essentially an art song setting. It begins quietly in the key of F major, then builds slightly to stanza 2 in the key of D major. The full choir enters at stanza 3, forte, in the key of G-flat major, with a bit of divisi in the tenors. The piece winds down into a repeat of stanza 1, with a soloist taking the melody in the new key of E-flat major, ending softly. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$2.25 ≈
2.11€
Who We Love
Who We Love
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Sam Smith
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Jacob Klingsten
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Who We Love
#
Jacob Klingsten
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Sm...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Smith, and Steve Mac. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Singer/Songwriter. 16 pages. Jacob Klingsten #934182. Published by Jacob Klingsten (A0.1349490). Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). Additional Details: Key: B major 16 Pages Length: 2m 50s Ranges: Solos 1/2: F#3-G#5 Soprano: C#4-D#5 Alto: A#3-F#4 Tenor: F#3-C#4 Bass: F#2-F#3 (optional notes between B1 and E#2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$2.49 ≈
2.33€
Agnus Dei for SATB chorus and Organ
Agnus Dei for SATB chorus and Organ
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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G
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A
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Agnus Dei for SATB chorus and
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Adrian D Biggs
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adri...
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Choral Choir (SATB) - Level 4 - SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970749. Published by Adrian D Biggs (A0.882270). Agnus dei for SATB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, organist. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SATB and Piano.
$3.00 ≈
2.81€
The Sound Of Silence
The Sound Of Silence
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Simon And Garfunkel
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Erin Cook
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The Sound Of Silence
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Erin Odell Cook
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SheetMusicPlus
Voice (SATB) - Level 4 - SKU: A0.985127 By Simon And Garfunkel. By Paul Simon. Arranged by Erin Cook. A Cappella,Pop,Rock. Barbershop Quartet. 8 pages. ...
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Voice (SATB) - Level 4 - SKU: A0.985127 By Simon And Garfunkel. By Paul Simon. Arranged by Erin Cook. A Cappella,Pop,Rock. Barbershop Quartet. 8 pages. Erin Odell Cook #5044677. Published by Erin Odell Cook (A0.985127). SATB a cappella arrangement inspired by Disturbed's performance of this hauntingly beautiful classic song by Paul Simon. This arrangement gives each part a chance to sing the melody for at least one verse, changing keys as it builds to a dramatic finish. Recommended for groups with wide ranges in all 4 parts.Ranges: Bass ((E2)F#2-Bb3), Tenor (D3-full-voice F#4), Alto (F#3-E5), Soprano (A3-F#5)This price entitles the ensemble to four copies of the music.
$12.99 ≈
12.16€
I See His Blood Upon the Rose
I See His Blood Upon the Rose
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Jonathan Hellerman
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I See His Blood Upon the Rose
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J. F. Hellerman
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.921796 Composed by Jonathan Hellerman. 20th Century,A Cappella,Christian,Contemporary,Easter,Sacred. Octavo. 3 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.921796 Composed by Jonathan Hellerman. 20th Century,A Cappella,Christian,Contemporary,Easter,Sacred. Octavo. 3 pages. J. F. Hellerman #3566273. Published by J. F. Hellerman (A0.921796). This is a short, a cappella setting of Joseph Mary Plunkett's sublime poem. Each verse features a variation on the same simple melody, while the varied harmony and counterpoint reflect the power and beauty of the text. Only about two minutes in length, I See His Blood Upon the Rose, is appropriate for concert or liturgical use, especially during the Lenten season. It requires some practice, but will be very rewarding for moderate to advanced choirs. A recording can be listened to here: https://www.youtube.com/watch?v=ivh_TbV6YTMFor more information about the composer, visit hellermanmusic.com
$2.20 ≈
2.06€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.36€
One More Arrow
One More Arrow
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Elton John
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Roy Rashbrook
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One More Arrow
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Silverbright Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1310999 By Elton John. By Bernie Taupin and Elton John. Arranged by Roy Rashbrook. 20th Century,A ...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1310999 By Elton John. By Bernie Taupin and Elton John. Arranged by Roy Rashbrook. 20th Century,A Cappella,Contest,Festival,Singer/Songwriter. 7 pages. Silverbright Music #899973. Published by Silverbright Music (A0.1310999). One More Arrow originally featured as the closing song of 1983's album Too Low For Zero.It's a perfect song to include in a programme on the subject of life and remembrance. Bernie Taupin's beautiful lyrics present an elegy for a departed friend or father figure who now lies in the soft brown earth that holds him, forever always young. The lyrics drew from Elton John one of his most gorgeous melodies and I have kept much of the harmony intact in this arrangement, although the second verse gets a bit more ambitious. In addition, the melody is shared out between the various vocal parts, meaning that the basses don't have to spend the entire performance going doo doo!Scored for Soprano solo, SATB á capella, this moderately difficult arrangement involves frequent splits in the Soprano and Bass parts, occasional splits in the alto and none at all in the tenor! In my arrangements, I like to go one step beyond simply presenting the original song for choir, so in the second verse there's the gentlest of subtle nods to Paul Simon's The Boxer at the mention of he could have been a boxer and the lyric knocked me down provides an opportunity for a choral cascade from top to bottom. And just before the final chorus, the choir's vocal lines represent the trajectory of an arrow, shooting up to a top F in the soprano solo part before descending into the new key of B flat major for the closing section.For medium to advanced chamber choirs.
$1.99 ≈
1.86€
Come, Ye Children of the Lord (SATB w/ piano)
Come, Ye Children of the Lord (SATB w/ piano)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Spanish Melody
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Stan Swim
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Come, Ye Children of the Lord
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Stanford Swim
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.890622 Composed by Spanish Melody. Arranged by Stan Swim. A Cappella,Christian,Praise & Worship,Sacred. Octavo. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.890622 Composed by Spanish Melody. Arranged by Stan Swim. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 4 pages. Stanford Swim #6625885. Published by Stanford Swim (A0.890622). This arrangement gives a stirring, familiar hymn a fresh setting that is still easy for a choir to learn. Voicing is in standard congregational range (soprano tops out at E-flat, and bass goes down to F). After an accompanied verse in unison, the choir sings the second verse a cappella and introduces some new harmonies. At the end of the second verse, the piano re-enters, modulates from A-flat to B-flat, and the third verse begins in majestic unison. A brief minor passage transitions back to a build that carries all the way through the end. .
$2.00 ≈
1.87€
Look For The Light
Look For The Light
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Benj Pasek, Justin Paul, and S
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Gabriel Lawson
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Look For The Light
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1287246 Composed by Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Gabriel Lawson. 21st Century...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1287246 Composed by Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Gabriel Lawson. 21st Century,Contemporary,Film/TV. 8 pages. Gabriel Lawson #878260. Published by Gabriel Lawson (A0.1287246). “Look for the Light†is from season three of Only Murders in the Building. This arrangement starts in g minor with an Alto solo followed by background chords in the Soprano, Tenor and Bass. Moving to B-flat major, the song builds gradually, alternating between homophony and polyphony. Modulating to D-flat Major at the highest point, it closes with the melody shared between all four parts and ends with the most comforting chords. Enchanting, comforting and heartwarming, “Look for the Light†is absolutely gorgeous and perfect all year round.Original key.Difficulty 7/10.Solo Eb3-G4.Soprano C4-Bb5.Alto G3-Eb5.Tenor F3-F#4.Bass Gb2-Eb4.
$1.99 ≈
1.86€
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