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Little Lullaby
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Vous avez sélectionné:
Little Lullaby
avancé
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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1
All The Pretty Little Horses, an Early American Lullaby satb
All The Pretty Little Horses, an Early American Lullaby satb
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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American Traditional Lullaby
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Donald A
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All The Pretty Little Horses,
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Donald A Mills
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.928962 Composed by American Traditional Lullaby. Arranged by Donald A. Mills. A Cappella,Children,Folk,Tradition...
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Choral Choir (SATB) - Level 4 - SKU: A0.928962 Composed by American Traditional Lullaby. Arranged by Donald A. Mills. A Cappella,Children,Folk,Traditional. Octavo. 2 pages. Donald A Mills #3372897. Published by Donald A Mills (A0.928962). This song is a lullaby, a traditional American folk song. From Wikipedia, the free encyclopedia: All the Pretty Little Horses (also known as Hush-a-bye) is a traditional lullaby from the Early United States. The origin of this song is not fully known, but the song is commonly thought to be of African American origin, yet the tune is more easily identified as English or Scottish in origin. This SATB a cappella arrangement by Donald A. Mills ranges in the middle-to-upper levels of expertise. The singers must have a command of breath control, of keeping the tonal center under control, and in an ability to sing in a dissonant chord. The song's duration is comfortable for concert or competition. This beautiful tune is not commonly recognized but is a long-standing lullaby in the American tradition of music.Also available here as a ttbb arrangement.Your chorus and your audiences will love the sweet words, harmonies and melody. Such a rich American tradition. Sing the song as a soft lullaby, in a dream-state. Softly...softly...gently. See and hear more arrangements and compositions by Donald A. Mills at www.SheetMusicPlus.com by entering his name in the search rectangle of that web site.
$2.29
All the Pretty Little Horses....SATB
All the Pretty Little Horses....SATB
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Unknown
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Donald A
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All the Pretty Little Horses..
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Donald A Mills
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.928985 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Children,Classical,Concert,Folk. Octav...
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Choral Choir (SATB) - Level 4 - SKU: A0.928985 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Children,Classical,Concert,Folk. Octavo. 3 pages. Donald A Mills #4853921. Published by Donald A Mills (A0.928985). This SATB a cappella arrangement by Donald A. Mills ranges in the middle-to-upper levels of expertise. It's duration is comfortable for concert or competition. This beautiful tune is not commonly recognized but is a long-standing lullaby in the American tradition of music. Your chorus and your audiences will love the sweet words, the harmonies, and the melody. Such a rich American tradition. Sing this song as a soft lullaby, in a dream-state. Softly...gently.
$1.99
Sleep, Little Baby, Sleep
Sleep, Little Baby, Sleep
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cole Reyes
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Sleep, Little Baby, Sleep
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Cole C. Reyes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.889193 Composed by Cole Reyes. 20th Century,Contemporary,Standards. Octavo. 9 pages. Cole C. Reyes #3009197. Pub...
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Choral Choir (SATB) - Level 4 - SKU: A0.889193 Composed by Cole Reyes. 20th Century,Contemporary,Standards. Octavo. 9 pages. Cole C. Reyes #3009197. Published by Cole C. Reyes (A0.889193). This beautiful setting of the Christina Rossetti text is a lullaby suitable for advanced high school choirs or collegiate choirs and above.
$2.25
Little Wonder (Mary's Lullaby) - a Christmas hymn
Little Wonder (Mary's Lullaby) - a Christmas hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Little Wonder
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.702026 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christian,Christmas,Praise & Worship,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.702026 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #4737733. Published by Kevin G. Pace (A0.702026). An original Christmas hymn with music by Kevin G. Pace and text by Mary Ann Snowball below:
$1.99
Stabat Mater
Stabat Mater
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Pub...
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Choral Choir (SATB) - Level 4 - SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00
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