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Return To Me
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Vous avez sélectionné:
Return To Me
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Chorale SATB
Partitions à imprimer
24 partitions trouvées
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1
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Taylor Scott Davis
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John 19:1-3
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Return to Me: A Choral Service
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, piano, cello - Medium - SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - ...
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SATB choir, piano, cello - Medium - SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - Digital Sheet Music #70-300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300-E). English. Luke 23:32-38; John 19:1-3; John 19:15-17; Luke 23:26; Matthew 11:28-30; Luke 23:27-28; Isaiah 53:10-12; Luke 23:44-46; Luke 23:50-56.A major choral work with original texts by Terry York and original music by Taylor Davis, Return to Me, takes us on a journey through the traditional Stations of the Cross. The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. Duration: Approximately 40 minutesAs a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. Preview Pak includes a choral score and CD recording.The Choral score (70-300) does not include the Lenten Devotional Guide. The Lenten Devotional Guide must be purchased separately and is available in a hardcopy booklet (70-300B) or as a digital download/PDF file for your e-reader (file_70-300B-E). If the Lenten Devotional Guide is to be used as pew booklets, you only need to purchase the number of Lenten Devotional Guides you wish to have available to your congregation.If your church intends to reproduce the Lenten Devotional Guide in your church bulletin, church websites, social media (e.g., Facebook), or email, you may report usage as follows:• If your church is a member of CCLI or OneLicense.net, you can report there.• If you church is not a member of CCLI or OneLicense.net, you may purchase one of our Congregation Edition Digital Reproduction Licenses, which cover emailing and printing the edition. A PDF of the Congregation Edition is included with the license. The fee for organizations with 0-200 average church attendance is $50.00 and for more than 200 average attendance the fee is $75.00.
$8.50 ≈
7.83€
Return To Me
Return To Me
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Dean Martin
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Scott S
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Return To Me
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955802 By Dean Martin. By Carmen Lombardo and Danny Di Minno. Arranged by Scott S. Stewart. Pop. Octavo. 5 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.955802 By Dean Martin. By Carmen Lombardo and Danny Di Minno. Arranged by Scott S. Stewart. Pop. Octavo. 5 pages. Scott S. Stewart #6062419. Published by Scott S. Stewart (A0.955802). Return to Me (Ritorna a me) is a popular Italian-American standard with multiple programming possibilities. It is especially well-liked at outdoor events, such as ethnic festivals, dinners, wine tastings, etc. It is arranged for 4-part SATB ensemble and piano, and uses both Italian and English lyrics. Performance time: 2:45. .
$1.99 ≈
1.83€
Gracious Spirit, Dwell with Me--SATB/Piano
Gracious Spirit, Dwell with Me--SATB/Piano
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Lyndell Leatherman
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Gracious Spirit, Dwell with Me
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.829483 Composed by Lyndell Leatherman. Christian,Sacred. Octavo. 6 pages. Leatherman Music Services #6853163. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.829483 Composed by Lyndell Leatherman. Christian,Sacred. Octavo. 6 pages. Leatherman Music Services #6853163. Published by Leatherman Music Services (A0.829483). In 1983 John Ness Beck (co-founder of Beckenhorst Press) published my choral piece, Gracious Spirit, Dwell with Me. It was my first freelance arrangement and, interestingly, turned out to be the best-selling anthem that I've ever written. It's had a good run with Beckenhorst, but now the rights have been returned to me. And so it's my joy to introduce it to another generation of church musicians, with a companion orchestration now available (sold separately at https://www.sheetmusicplus.com/title/22237960 In addition, because of the many church choirs with fewer men than women, I have created an SAB edition, available separately at https://www.sheetmusicplus.com/title/22256390
$1.99 ≈
1.83€
Believe in Me
Believe in Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Music: David Lantz III and Wor
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Believe in Me
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1245611 Composed by Music: David Lantz III and Words: Herb Frombach. Praise & Worship,Sacred. Octavo. 12 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1245611 Composed by Music: David Lantz III and Words: Herb Frombach. Praise & Worship,Sacred. Octavo. 12 pages. Lantz Choral Publications #840491. Published by Lantz Choral Publications (A0.1245611). Intended use: General useThemes:Â Believe and receive peaceThis Celtic-style anthem's text, written by Herb Frombach, is based freely on John 12:44. Mostly upbeat, the contrasting a cappella middle section returns to the opening energy where the (optional) violin adds more Celtic flair. This anthem, usable throughout the year, is great fun to sing and appealing to the congregation. Parts for Violin or Flute, guitar, bass, and drum: LCP0078.
$2.55 ≈
2.35€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.60€
O Sleep, Why Dost Thou Leave Me? (Semele)
O Sleep, Why Dost Thou Leave Me? (Semele)
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Scott S
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O Sleep, Why Dost Thou Leave M
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Oc...
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Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Octavo. 4 pages. Scott S. Stewart #853790. Published by Scott S. Stewart (A0.1260597). “O Sleep, Why Dost Thou Leave Me?â€, from Georg Friedrich Händel’s oratorio/opera Semele (1743), is sung by the lovely, yet vain and ambitious princess, Semele of Thebes.  She awakens and regrets that the dream she was having has ended, and calls upon Sleep to return and restore her peaceful vision. (This aria is often suggested listening to those suffering from insomnia.)  This arrangement is for 4-part SATB ensemble to be performed a cappella.  It’s purpose is twofold: to serve as an introduction to Händel and English Baroque music, while at the same time teaching young sopranos a performable aria for their solo repertoire. Performance time: 2:15+-.
$2.99 ≈
2.75€
Peace Flows into Me from For a Breath of Ecstasy (Downloadable Choral Score)
Peace Flows into Me from For a Breath of Ecstasy (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Michael John Trotta
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Peace Flows into Me from For a
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, oboe, and string quartet or piano - Medium - SKU: MQ.1.3525-E Composed by Michael John Trotta. Instrument parts. 9 pages. Duration 4 minutes...
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SATB choir, oboe, and string quartet or piano - Medium - SKU: MQ.1.3525-E Composed by Michael John Trotta. Instrument parts. 9 pages. Duration 4 minutes, 44 seconds. Galaxy Music Corporation - Digital #1.3525-E. Published by Galaxy Music Corporation - Digital (MQ.1.3525-E). English.This second movement from For a Breath of Ecstasy, is a cappella except for a short introduction and coda. The texture is SATB with a soprano descant in the first and last sections. The middle section (piu mosso) is underlayed with a rhythmic motive in the men's parts which pulses below the more flowing women's parts. After the middle section builds to a strong emotional declamation (they are all fulfilled in you,) The beginning material returns. Duration: 4:44 Oboe part included.
$2.65 ≈
2.44€
And His Kingdom Will Have No End
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99 ≈
1.83€
One Quiet Night (An Advent Song)
One Quiet Night (An Advent Song)
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Chorale SATB
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INTERMÉDIAIRE
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Richard Joseph Barber
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One Quiet Night
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Compa...
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Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Company #3692331. Published by Barber Music Company (A0.915687). SATB, a cappella. A good high school choir should be able to perform this piece well. Although harmonies are traditional, good intonation may be difficult at first, but should come with familiarity. The sopranos will sing three high a's, but beyond that, range should not be a challenge. The song is fast paced and worshipful. It tells the story of the angels' visit to the shepherds, the shepherds' haste to the stable to worship the new born King, and their return to tell their friends and neighbors the good news. Let me know what you think of it, and don't be shy about contacting me with performance questions. Dick Barber, aspiringtunerrjb@sbcglobal.net.
$2.20 ≈
2.03€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.20€
The Mystery (Downloadable)
The Mystery (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Pu...
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SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65 ≈
2.44€
Gagarin (Beyond Blue Sky)
Gagarin (Beyond Blue Sky)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3...
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Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50 ≈
2.30€
Agnus Dei from Reconciliation
Agnus Dei from Reconciliation
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Tyler Merideth
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Agnus Dei from Reconciliation
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Tyler Merideth
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Meride...
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Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Merideth #4810437. Published by Tyler Merideth (A0.782530). Agnus Dei is the tenth movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. Although the tenth movement in Reconciliation, Agnus Dei was the initial small seed catalyst that grew into the idea to write a 12 movement work. The idea came to me when I first visited Coventry Cathedral and saw a statue entitled Reconciliation by Josefina de Vasconcellos. The statue depicts two figures kneeling in an embrace. What makes this statue so powerful is that the placement of the statue is among the ruins of the original Cathedral after the bombing by German Aircraft in WWII. I immediately sketched an idea for this movement on the bus after my college choir rehearsed in the cathedral. When I returned to the United States, I wrote a rough vocal line and string orchestra accompaniment. The composition then lay dormant for more than a decade with no major changes. It was only this past week (almost fifteen years later) that I rewrote the accompaniment for piano and cleaned up the choral part. The opening unison vocal line can be timeshared among the voice parts. Since it covers a wide range, let the lower voices sing what range they sing well and the higher voices reciprocate. Please feel free to vary the tempo with rubato throughout the piece to allow for proper breath support. Do not be shy leaning into the dissonances found in the suspensions as the ultimate resolution in the grant us peace
$3.99 ≈
3.68€
All Creatures of Our God and King
All Creatures of Our God and King
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Geistliche Kirchengesäng, J
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Jason Waggoner
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All Creatures of Our God and K
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Jason Waggoner
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1029449 Composed by Geistliche Kirchengesäng, Jason Waggoner. Arranged by Jason Waggoner. Christian,Sacred. O...
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Choral Choir (SATB) - Level 3 - SKU: A0.1029449 Composed by Geistliche Kirchengesäng, Jason Waggoner. Arranged by Jason Waggoner. Christian,Sacred. Octavo. 7 pages. Jason Waggoner #5313697. Published by Jason Waggoner (A0.1029449). This is a high-energy, syncopated arrangement of a beloved ancient hymn. Written for SATB and piano, It is perfect for a small or large church or college choral ensemble.The contrasting middle section features original music in a text-driven modulatory setting that culminates with a majestic final stanza in a new key, while returning to the syncopated mood that characterizes this arrangement.I invite you to check out more of my compositions and arrangements at jasonwaggonermusic.com.Follow me on FB: Jason Waggoner Music
$2.75 ≈
2.53€
Now Thank We All Our God: Set B
Now Thank We All Our God: Set B
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set
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Sonata Grendel Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages....
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Choral Choir (SATB) - Level 3 - SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages. Sonata Grendel Publishing #5753937. Published by Sonata Grendel Publishing (A0.837496). SET B Conductor’s Score,Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba, Timpani, SATB Choir/Organ Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$34.95 ≈
32.19€
Now Thank We All Our God: Set A
Now Thank We All Our God: Set A
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set
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Sonata Grendel Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo....
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Choral Choir (SATB) - Level 3 - SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$2.75 ≈
2.53€
Even Now, Return to Me, SATB
Even Now, Return to Me, SATB
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Judith Snowdon
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Even Now, Return to Me, SATB
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Judith E. Snowdon
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SheetMusicPlus
Composed by Judith Snowdon. For Choir,SATB. Christian,Sacred. Intermediate. Octavo. Published by Judith E. Snowdon ...
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Composed by Judith Snowdon. For Choir,SATB. Christian,Sacred. Intermediate. Octavo. Published by Judith E. Snowdon
$2.99 ≈
2.75€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.84€
Hymns from Childhood - Set 10 (SATB)
Hymns from Childhood - Set 10 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25 ≈
2.07€
Hymns from Childhood - Set 9 (SATB)
Hymns from Childhood - Set 9 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 9
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719736 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573109. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719736 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573109. Published by Curtis Hanson (A0.719736). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Spirit of God, Descend upon My Heart, Just As I Am, without One Plea, and Savior, Again to Thy Dear Name.
$2.25 ≈
2.07€
Hymns from Childhood - Set 3 (SATB)
Hymns from Childhood - Set 3 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 3
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719732 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573009. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719732 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573009. Published by Curtis Hanson (A0.719732). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Holy, Holy, Holy, For All the Saints, and A Mighty Fortress Is Our God.
$2.25 ≈
2.07€
Hymns from Childhood - Set 5 (SATB)
Hymns from Childhood - Set 5 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 5
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719733 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573041. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719733 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573041. Published by Curtis Hanson (A0.719733). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together.
$2.25 ≈
2.07€
Psalm 102: pellicano solitudinis (Pelican In The Wilderness) (Downloadable Choral Score)
Psalm 102: pellicano solitudinis (Pelican In The Wilderness) (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Howard Goodall
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Psalm 102: pellicano solitudin
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and keyboard, with optional string quartet - Medium - SKU: MQ.56-0009-E Composed by Howard Goodall. 23 pages. MorningStar Music Publishers - ...
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SATB choir and keyboard, with optional string quartet - Medium - SKU: MQ.56-0009-E Composed by Howard Goodall. 23 pages. MorningStar Music Publishers - Digital Sheet Music #56-0009-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0009-E). English.This seven-minute SATB setting of a section of the 1640 text from the Bay Psalm Book takes wing like the birds it first mentions. What would normally be a somber litany of affliction is set to music that hints at eternal things and the saving power of God. The middle section “I said, ‘In the middle of my days, O my God, do not take away me†is set, amazingly, in Latin, which gives a wonderful contrast to the more lyrical beginning. The beginning material returns as the Latin text is now sung in English, concluding “Thy years throughout all ages are.†This music is sublime and transcendent.
$3.70 ≈
3.41€
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