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Give Me Love
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Vous avez sélectionné:
Give Me Love
intermédiaire
Chorale SATB
Partitions à imprimer
20 partitions trouvées
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1
Love Shall Live Forever
Love Shall Live Forever
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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Love Shall Live Forever
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - SKU: MQ.8833-E Composed by Gwyneth W. Walker. 34 pages. E. C. Schirmer Music Company - Digital #8833-E. P...
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SATB choir (choir divisi) and piano - Medium - SKU: MQ.8833-E Composed by Gwyneth W. Walker. 34 pages. E. C. Schirmer Music Company - Digital #8833-E. Published by E. C. Schirmer Music Company - Digital (MQ.8833-E). English. Song of Solomon 8:6-7.The texts for this set of three songs are mostly from the 19th century, but the sentiments are ageless. The special imagery in each of the poems finds its way into the musical setting. Evening Song features moonlight sparkling on glimmering waves. The Cloths of Heaven has the lover yearning to give his beloved beautiful gifts. She Walks in Beauty provides a strong close to the set, with a quote from the Song of Solomon (Set Me As A Seal) as a coda.
$4.75 ≈
4.38€
When All That's Left of Me Is Love: from Songs for the Journey
When All That's Left of Me Is Love: from Songs for the Journey
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Chorale SATB
#
INTERMÉDIAIRE
#
Kevin Siegfried
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When All That's Left of Me Is
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir (choir divisi) and keyboard - Medium - SKU: MQ.8786-E Composed by Kevin Siegfried. All Saints/All Souls, Funeral. 7 pages. E. C. Schirmer Mus...
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SATB choir (choir divisi) and keyboard - Medium - SKU: MQ.8786-E Composed by Kevin Siegfried. All Saints/All Souls, Funeral. 7 pages. E. C. Schirmer Music Company - Digital #8786-E. Published by E. C. Schirmer Music Company - Digital (MQ.8786-E). English.This movement from Songs for the Journey has a text adapted from the poem Epitaph by Merrit Malloy, When all that's left of me is love, give me away. Duration: 3:00.
$2.25 ≈
2.07€
Lord Jesus, Think on Me — SATB voices, organ
Lord Jesus, Think on Me — SATB voices, organ
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Chorale SATB
#
INTERMÉDIAIRE
#
Todd Marchand
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Lord Jesus, Think on Me &mdash
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Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.84€
For God So Loved The World
For God So Loved The World
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Boyd E
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For God So Loved The World
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Boyd Eugene Gibson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.965276 Composed by Boyd E. Gibson. Christian,Sacred. Octavo. 7 pages. Boyd Eugene Gibson #2964383. Published by ...
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Choral Choir (SATB) - Level 3 - SKU: A0.965276 Composed by Boyd E. Gibson. Christian,Sacred. Octavo. 7 pages. Boyd Eugene Gibson #2964383. Published by Boyd Eugene Gibson (A0.965276). This setting of John 3:16 17 gives a new treatment to a favorite text. The bass line forms an ostinato like the unchanging character of God's love. Your choir should enjoy the modal harmonies that produced by the melodic treatment of each voice and the use of the very familiar hymn tune Jesus Loves Me.
$2.50 ≈
2.30€
Give Me Love
Give Me Love
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Chorale SATB
#
INTERMÉDIAIRE
#
Pop musique
#
Ed Sheeran
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Lee Stovall
#
Give Me Love
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Lee Stovall
#
SheetMusicPlus
Choral Voice (SATB) - Level 3 - Interactive Download SKU: A0.480294 By Ed Sheeran. By Chris Leonard, Ed Sheeran, and Jake Gosling. Arranged by Lee Stoval...
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Choral Voice (SATB) - Level 3 - Interactive Download SKU: A0.480294 By Ed Sheeran. By Chris Leonard, Ed Sheeran, and Jake Gosling. Arranged by Lee Stovall. This edition: Interactive Download. Pop. Octavo. Duration 170. Lee Stovall #78EwmXlYqoUAWumIb3GXAQ. Published by Lee Stovall (A0.480294). Key: Db major.
$4.00 ≈
3.68€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Chorale SATB
#
INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Alan A Craig
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Fly Me To The Moon
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Earnside Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.820252 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Alan A Craig. Jazz. 7 pages. Ea...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.820252 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Alan A Craig. Jazz. 7 pages. Earnside Music #6022385. Published by Earnside Music (A0.820252). A stylish yet accessible arrangement for SATB choir and piano of this much loved standard. This version is not in the syncopated jazz style associated with Sinatra. Instead it is based on the original nocturnal waltz style of the song. It sets an enchanted romantic scene that will transport both singers and audiences to the alluring dream world conjured up by the beautiful lyrics. The arrangement also features a delightful piano solo that gives the choral accompanist an opportunity to shine. This arrangement is an ideal item for choral concerts with themes of love or American standards and is suitable for any SATB choir with a strong accompanist.
$1.99 ≈
1.83€
Count On Me
Count On Me
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Chorale SATB
#
INTERMÉDIAIRE
#
Bruno Mars
#
Paul William Stewart
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Count On Me
#
Paul William Stewart
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1294935 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Paul William Stewart. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1294935 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Paul William Stewart. 21st Century,A Cappella,Pop,R & B,Soul. 9 pages. Paul William Stewart #885251. Published by Paul William Stewart (A0.1294935). Count On Me by Bruno Mars (from his debut studio album, Doo-Wops & Hooligans) was first unveiled on Mars's debut extended play, It's Better If You Don't Understand. It details the importance of friendship and conveys a positive message that will resonate with your singers. Here's an accessible a cappella arrangement that your choir will love! With slightly swung sixteenth notes, feel free to add snaps on the upbeats and even vocal percussion to give this arrangement the right groove.
$1.99 ≈
1.83€
LOVE BADE ME WELCOME
LOVE BADE ME WELCOME
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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EAM
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LOVE BADE ME WELCOME
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Eduardo A. Malachevsky
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1284522 By EAM. By Eduardo Andrés Malachevsky. 21st Century,Christian,Contemporary,Praise & Wor...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1284522 By EAM. By Eduardo Andrés Malachevsky. 21st Century,Christian,Contemporary,Praise & Worship,Spiritual. 22 pages. Eduardo A. Malachevsky #875694. Published by Eduardo A. Malachevsky (A0.1284522). LOVE BADE ME WELCOME Voicing: SATB (Divisis) & Soloists  |  Durata Circa: 5 min 30  |  Language: English | Lyrics: Geroge Herbert | Score's pages: 16  |  Score's meassures: 71 Score Preview & info  | YouTube's Composer Channel Choral setting of the exquisite poem by Welsh born XVII century English poet George Herbert. The verses of this Anglican priest who was a contemporary of John Donne describe beautifully a dialog between 'Love’ (the Divine) and the human being. The score attempts to illustrate the dramatic progression of this spiritual dialogue in which the eternal ´Love´ gives himself up to welcome the human being with merciful insistence as a privileged guest at a mystical meal. To make this dialogue clear while the choir takes the voice of the human nature -full of shame and guilt- while the Trebles assume the voice of the Divine Love -full of mercy and compassion-. Neither the choosing of trebles nor the number 3 is casual: Childhood evokes naturally ideas of love and purity which are attributes of God himself, thus trebles seemed to me an appropriate choice to represent the voice of “Love†and the fact that there are three, is an intended reference to the Christian doctrine of the Trinity.
$4.25 ≈
3.91€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.84€
"As I Sit In Heaven" for SATB choir with piano accompaniment
"As I Sit In Heaven" for SATB choir with piano accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Grant Horsley
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"As I Sit In Heaven"
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Grant Horsley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.785846 Composed by Grant Horsley. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 11 pages. Grant Horsle...
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Choral Choir (SATB) - Level 3 - SKU: A0.785846 Composed by Grant Horsley. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 11 pages. Grant Horsley #6698303. Published by Grant Horsley (A0.785846). As I Sit in Heaven for SATB choir with piano accompaniment.Hazel Birdsall who wrote this beautiful poem which has been used to comfort people all over the world, has given me permission to set it to music. Used for sacred, church services, funerals, memorials, remembrance, commemorations or anything where the need arises. Written in the key of D major, Intermediate level. I wanted to produce an element of reflection, whilst hopefully bring comfort in the music to compliment Hazel's lovely poem.The youtube link has the entire score for you to assess suitability.10 pages and 3 mins 30 in length.
$2.29 ≈
2.11€
On Hearing a Symphony of Beethoven
On Hearing a Symphony of Beethoven
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Chorale SATB
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INTERMÉDIAIRE
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Natalie Rebecca Lovejoy
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On Hearing a Symphony of Beeth
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.993462 Composed by Natalie Rebecca Lovejoy. 20th Century,Contemporary,Sacred. Octavo. 7 pages. Natalie Rebecca L...
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Choral Choir (SATB) - Level 3 - SKU: A0.993462 Composed by Natalie Rebecca Lovejoy. 20th Century,Contemporary,Sacred. Octavo. 7 pages. Natalie Rebecca Lovejoy #6471913. Published by Natalie Rebecca Lovejoy (A0.993462). For SATB ChoirText by Edna St. Vincent Millay (1892-1950)Composed: 2007Duration: 2'51Published by 193rd Street Music (ASCAP)Sweet sounds, oh, beautiful music, do not cease!Reject me not into the world again.With you alone is excellence and peace,Mankind made plausible, his purpose plain.Enchanted in your air benign and shrewd,With limbs a-sprawl and empty faces pale,The spiteful and the stingy and the rudeSleep like the scullions in the fairy-tale.This moment is the best the world can give:The tranquil blossom on the tortured stem.Reject me not, sweet sounds; oh, let me live,Till Doom espy my towers and scatter them,A city spell-bound under the aging sun.Music my rampart, and my only one.​~ Edna St. Vincent Millay
$2.80 ≈
2.58€
Now That the Son is Beaming Bright
Now That the Son is Beaming Bright
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #...
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Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00 ≈
2.76€
Oceano
Oceano
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Chorale SATB
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INTERMÉDIAIRE
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Josh Groban
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Christopher Alexander
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Oceano
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.839872 By Josh Groban. By Andrea Sandri, Leonardo De Bernadini, and Mauro Malavasi. Arranged by Christoph...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.839872 By Josh Groban. By Andrea Sandri, Leonardo De Bernadini, and Mauro Malavasi. Arranged by Christopher Alexander. Contemporary,Pop. 16 pages. Christopher Alexander #6064975. Published by Christopher Alexander (A0.839872). It's for the love I give you and for the love you don't know that makes me wreck, it's for the love I don't have and for the love I want, it's for this pain, it's for this love that I have for you that makes me get over those real storms. This moving song performed by Josh Groban, sung entirely in Italian, has a sweeping motion similar to being on the waves of the ocean. A whirlwind arrangement to take you and the audience on a journey over the seas to find love.
$2.25 ≈
2.07€
Cry Heaven
Cry Heaven
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Chorale SATB
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INTERMÉDIAIRE
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Ethan R
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Cry Heaven
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Etha...
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Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
$1.99 ≈
1.83€
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20 ≈
2.95€
IN THE BLEAK MIDWINTER
IN THE BLEAK MIDWINTER
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Christiana Rosseti
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MUBIRU DAVID NOAH
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IN THE BLEAK MIDWINTER
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MUBIRU DAVID NOAH
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1096126 Composed by Christiana Rosseti. Arranged by MUBIRU DAVID NOAH. Chamber,Christmas,Classical,Romantic Peri...
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Choral Choir (SATB) - Level 3 - SKU: A0.1096126 Composed by Christiana Rosseti. Arranged by MUBIRU DAVID NOAH. Chamber,Christmas,Classical,Romantic Period,Sacred. Octavo. 7 pages. MUBIRU DAVID NOAH #700078. Published by MUBIRU DAVID NOAH (A0.1096126). May I give you my heart today, Lord Jesus, as an act of worship and love. Let your peace rule all over me today. AMEN.
$1.99 ≈
1.83€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.60€
Wonder
Wonder
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Amy Morales
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Wonder
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Amy J Morales
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.963826 Composed by Amy Morales. Christian,Concert,Sacred,Standards. Octavo. 10 pages. Amy J Morales #4407528. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.963826 Composed by Amy Morales. Christian,Concert,Sacred,Standards. Octavo. 10 pages. Amy J Morales #4407528. Published by Amy J Morales (A0.963826). Wonder is a sacred SATB piece that exemplifies the majesty of God's creation. Near the end of the piece, the text shows the amazement in having a personal relationship with the Almighty Creator.Great for a scared recital or church setting. Cover design by Christy Ash (christyashportfolio.weebly.com) Wonder - Lyrics by Amy MoralesI walked along a winding road in search of finding truth untold;And there Your greatness I behold. I am amazed and wonder to myself of Your story. I see the crystal clear, still river. The streams speak soft in tranquil whisper. Yet strong, ne'er ceases to astound me. I am amazed and wonder to myself of Your beauty.As the sun gives forth her light to shine, the Heavens sing of power divine. A song within the earth I find. I am amazed and wonder to myself of Your glory.The budding of the garden lily. The setting of the Morning Star.No mind can fathom who You are. I stand amazed and wonder to myself, You are mighty.Myself, I find so weak and needy, so small compared to this great beauty,then ponder why You'd reach way down to touch me. I stand amazed and wonder to myself why You'd love me.
$2.50 ≈
2.30€
Tender
Tender
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Chorale SATB
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INTERMÉDIAIRE
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Blur
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Abi Moore
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Tender
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Abi Moore
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1382803 By Blur. By Damon Albarn, Dave Rowntree, Graham Coxon, and Steven James. Arranged by Abi Moore. A...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1382803 By Blur. By Damon Albarn, Dave Rowntree, Graham Coxon, and Steven James. Arranged by Abi Moore. A Cappella,Pop,Rock,Soul. 12 pages. Abi Moore #967230. Published by Abi Moore (A0.1382803). British arranger, Abi Moore, has given a sensitive acappella treatment to Blur's 1999 blues/gospel-drenched prayer for love- Tender.This version is for SSAATTB, with the tenors and basses taking the majority of the main tune. There is so much opportunity for light and shade and beautiful dynamics, from the gentlest, prayer-ful verses to the gut-wrenching, spirit-raising choruses and refrains. By the end, all seven parts are giving in to the anthemic longing, with the Sopranos adding some stunning, harmonised heal me adlibs in the final reprise. Drenched in a warm, rich, gospel tone and stylistic, scooped harmonies, this version is ideal for an intermediate challenge for mixed voice groups. To add another layer of challenge, see if your singers can attempt the body percussion in the video and Learning Tracks!http://www.acapellawithabi.comhttp://www.facebook.com/acapellawithabihttp://www.instagram.com/acapellawithabi.com.
$3.99 ≈
3.68€
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