Partitions Numériques de No Other Way pour Voix haute

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No Other Way
Non classifié 220

Piano & claviers
Piano seul 147
Piano, Voix 98
Piano, Voix et Guitare 43
Piano Facile 39
Instruments en Do 22

Orgue 10
Piano grosses notes 2
Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 2
1 Piano, 4 mains 1
Piano (partie séparée) 1
Orgue, Piano (duo) 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 30
Ligne De Mélodie, (Paroles) et Accords 21
Guitare 10
Paroles et Accords 4
2 Guitares (duo) 4

Ukulele 3
Piano, Guitare (duo) 3
Banjo 2
Dulcimer 2
Mandoline 1
Ensemble de guitares 1
Basse electrique 1

+ 7 instrumentations

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Voix
Chorale SATB 55
Chorale 3 parties 12
Chorale 2 parties 9
Chorale TTBB 7
Chorale SSAA 6

Chorale Unison 5
Voix seule 4
Voix haute 3

Voix Tenor, Piano 1
Voix Tenor 1
Voix duo, Piano 1
Voix Soprano, Piano 1

+ 7 instrumentations

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Vents
Flûte traversière et Piano 30
Clarinette et Piano 20
Hautbois, Piano (duo) 18
Saxophone Tenor et Piano 17
Saxophone Alto et Piano 16

Saxophone Soprano et Piano 14
2 Saxophones (duo) 14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
Saxophone Baryton, Piano 12
Cor anglais, Piano 10
Flûte traversière 9
Flûte, Hautbois, Clarinette, Basson 8
Clarinette Basse, Piano 8
Clarinette 8
Quatuor de Saxophones: 4 saxophones 8
Saxophone, Clarinette (duo) 6
2 Flûtes traversières (duo) 5
Saxophone (partie séparée) 5
Clarinette, Violon (duo) 4
Saxophone Alto 4
Hautbois (partie séparée) 4
Clarinette, Trompette (duo) 4
Clarinette (partie séparée) 3
Hautbois, Basson (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Ensemble de Flûtes 3
2 Clarinettes (duo) 3
Quintette de Saxophone: 5 saxophones 3
Flûte et Guitare 3
2 Hautbois (duo) 2
Flûte, Alto (duo) 2
Instruments en Mib 2
Flûte, Trompette (duo) 2
Hautbois, Clarinette (duo) 2
Piccolo, Piano 2
Flûte, Saxophone (duo) 2
Flûte, Violon 2
Hautbois, Flûte 2
Quatuor de Flûtes : 4 flûtes 2
Ensemble de Clarinettes 2
Clarinette et Alto 2
Flûte à Bec 2
Flûte, trombone et piano 2
Flûte, Clarinette (duo) 2
Saxophone et Orgue 1
Flûte à bec Tenor 1
Hautbois, Guitare (duo) 1
2 Clarinettes, Piano 1
5 Flûtes à bec 1
Clarinette Basse 1
3 Saxophones (trio) 1
Flûte à bec Soprano 1
Ensemble De Flûte à bec 1
Flute (partie séparée) 1
3 Clarinettes (trio) 1

+ 50 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Cor et Piano 15
Trombone et Piano 15
Trompette, Piano 12
Euphonium, Piano (duo) 12

Cor anglais, Piano 10
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trompette 8
Trombone 6
Trompette, Saxophone (duo) 4
Bass Clef Instruments 4
Tuba 4
Quatuor de Cuivres 4
Tuba et Piano 4
2 Trombones (duo) 3
Trombone (partie séparée) 3
Trompette (partie séparée) 3
Instruments en Sib 2
Cor 2
2 Cors (duo) 2
Trompette, Trombone (duo) 2
Quatuor de cuivres: 4 trombones 2
Cor (partie séparée) 2
Ensemble de Tubas 1
3 Trombones (trio) 1
2 Euphoniums et 2 Tubas 1
Tuba (partie séparée) 1
2 Tubas (duo) 1
2 Trompettes (duo) 1

+ 24 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 73
Violoncelle, Piano 28
Violon et Piano 27
Alto, Piano 14
Harpe 11

Violon 9
2 Violons (duo) 7
Violoncelle (partie séparée) 5
Trio à Cordes: 2 violons, violoncelle 5
Violon, Violoncelle (duo) 4
Alto seul 3
Violon, Alto (duo) 2
2 Altos (duo) 2
Violon (partie séparée) 2
2 Violoncelles (duo) 2
Quatuor à cordes: 4 violons 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto, Violoncelle (duo) 1
Alto (partie séparée) 1
Trio à Cordes: violon, alto, violoncelle 1
Contrebasse, Piano (duo) 1
Trio à Cordes: 3 violoncelles 1
Harpe, Flûte (duo) 1
Contrebasse (partie séparée) 1
4 Violoncelles 1
Harpe, Violon (duo) 1

+ 21 instrumentations

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Percussions & orchestre
Orchestre 31
Orchestre d'harmonie 24
Orchestre à Cordes 17
Ensemble de cuivres 16
Orchestre de chambre 13

Ensemble Jazz 9
Cloches 6
Jazz combo 2
Percussion (partie séparée) 2
Quintette de Cuivres: autres combinaisons 2
2 Marimbas 1
Batterie 1
Fanfare 1

+ 8 instrumentations

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No Other Way

Voix haute

Partitions à imprimer

3 partitions trouvées

No Other Love (High Voice) (from Me And Juliet)

No Other Love (High Voice) (from Me And Juliet) #Voix haute #No Other Love #Hal Leonard - Digital #SheetMusicPlus

(High Voice) - SKU: HX.470460 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470460). (+)

(High Voice) - SKU: HX.470460 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470460).

$1.99

The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #Voix haute #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...(+)

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Coplandâ€™s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susaâ€™s Two Murder Ballads. The ingenuity of Susaâ€™s accompaniments for his ballads in imagining anew the original source material owes a great deal to Coplandâ€™s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englanderâ€™s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executionerâ€™s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50

This Nearly Was Mine from South Pacific

This Nearly Was Mine from South Pacific #Voix haute #INTERMÉDIAIRE/AVANCÉ #Comédie Musicale #Richard Rodgers #W #This Nearly Was Mine from Sout #Diamond S Music #SheetMusicPlus

High Voice,Vocal Solo - Level 4 - SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Mu...(+)

High Voice,Vocal Solo - Level 4 - SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

$8.99

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