Partitions Numériques de And There Was Light Harp pour Clarinette, Basson (duo)

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And There Was Light Harp
Non classifié 20

Piano & claviers
Piano seul 6
Piano, Voix 1
Piano Facile 1
Instruments en Do 1

Guitares
3 Guitares (trio) 2
Guitare notes et tablatures 1

Voix
Chorale SATB 9
Chorale SSAA 3
Chorale 3 parties 1

Vents
2 Saxophones (duo) 4
Quatuor de Saxophones: 4 saxophones 4
Quintette de Saxophone: 5 saxophones 4
3 Saxophones (trio) 4
2 Flûte à bec (duo) 3

Clarinette et Piano 3
Hautbois, Piano (duo) 3
2 Flûtes traversières (duo) 2
Saxophone et Harpe 2
2 Clarinettes (duo) 1
Clarinette, Basson (duo) 1

3 Flûtes à bec (trio) 1
Cor anglais, Piano 1
3 Clarinettes (trio) 1
Saxophone Tenor et Piano 1
Flûte à Bec 1
Flûte à bec Soprano 1
Flûte, Clarinette (duo) 1
Hautbois, Harpe 1
Quatuor de Flûtes : 4 flûtes 1
Quatuor de Clarinettes: 4 clarinettes 1
Quatuor de Flûtes à bec 1
Saxophone Baryton, Piano 1
Clarinette, Harpe (duo) 1
Quintette de Flûte : 5 flûtes 1
5 Flûtes à bec 1
Quintette de Clarinettes: 5 clarinettes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte irlandaise 1

+ 26 instrumentations

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Cuivres
Trompette, Piano 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor anglais, Piano 1
Trompette, Harpe 1
Quatuor de cuivres: 4 trompettes 1

Ensemble de Trompettes 1
Cor et Harpe 1
4 Tubas 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Quatuor de cuivres: 4 trombones 1
Ensemble de Cors 1
Euphonium, Piano (duo) 1
2 Tubas (duo) 1

+ 8 instrumentations

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Cordes
Harpe 9
Harpe, Voix 3
Violon et Piano 2
Harpe, Flûte (duo) 2
Violon, Violoncelle (duo) 1

Quatuor à cordes : 4 altos 1
2 Violons (duo) 1
Trio à cordes: 3 altos 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe, Violoncelle (duo) 1
Quatuor à cordes: 4 violons 1
Alto, Violoncelle (duo) 1
4 Violoncelles 1
2 Violoncelles (duo) 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
Harpe, Trombone (duo) 1
Harpe (partie séparée) 1
Trio à cordes: 3 violins 1
Harpe, Violon (duo) 1
Violoncelle, Piano 1
Alto, Piano 1
Trio à Cordes: 3 violoncelles 1
Alto et Harpe 1
Violon, Alto (duo) 1
2 Altos (duo) 1

+ 20 instrumentations

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Percussions & orchestre
Orchestre 6
Orchestre d'harmonie 3
Orchestre de chambre 1

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And There Was Light Harp

Clarinette, Basson (duo)

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Moonlight Sonata by Beethoven for Clarinet and Bassoon

Moonlight Sonata by Beethoven for Clarinet and Bassoon #Clarinette, Basson (duo) #FACILE #Classique #Ludwig van Beethoven #Ander #Moonlight Sonata by Beethoven #Woods Only, Arrangements #SheetMusicPlus

Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1151932 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,Ma...(+)

Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1151932 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752137. Published by Woods Only, Arrangements (A0.1151932). This arrangement adapted for clarinet and bassoon duet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

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