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Liz Story
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Artistes :
• Story, Liz
• Story of the Year
• Story, Laura
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Vous avez sélectionné:
Liz Story
Flûte traversière et Piano
Partitions à imprimer
11 partitions trouvées
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1
You Belong With Me
You Belong With Me
#
Flûte traversière et Piano
#
FACILE
#
Taylor Swift
#
Louis Drummond
#
You Belong With Me
#
Louis Drummond Van Rensburg
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1446765 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Louis Drummond. Disco,Pop,Rock. Score and part. 17 pa...
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Flute,Piano - Level 2 - SKU: A0.1446765 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Louis Drummond. Disco,Pop,Rock. Score and part. 17 pages. Louis Drummond Van Rensburg #1026530. Published by Louis Drummond Van Rensburg (A0.1446765). Taylor Swift's You Belong With Me is the third single from her second studio album Fearless (2008). She was inspired to write the song after she overheard a telephone call between a band member and his girlfriend.In my arrangement for piano and flute the piano provides an easy accompaniment for the flute player with a bass line in the LH and chords In the RH. My other arrangements for piano and flute of Taylor's songs include Love Story, Me! Sparks Fly and Lover.
$6.99 ≈
6.28€
Ohio
Ohio
#
Flûte traversière et Piano
#
FACILE
#
Crosby Stills Nash and Young
#
Jeff Tincher
#
Ohio
#
Jeff Tincher
#
SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1294676 By Crosby Stills Nash and Young. By Neil Young. Arranged by Jeff Tincher. Country,Historic,Rock. Score a...
(+)
Piano,Soprano Flute - Level 2 - SKU: A0.1294676 By Crosby Stills Nash and Young. By Neil Young. Arranged by Jeff Tincher. Country,Historic,Rock. Score and part. 12 pages. Jeff Tincher #885031. Published by Jeff Tincher (A0.1294676). Here is the one song that really portrays the time of the Vietnam War. It memorializes the tragic event on the Kent State University campus on May 4, 1970. In the original key from the single, this song tells the story in such a short period of time. In this arrangement I also included a short history behind that song that could be used as a narration at performances. This arrangement include the live ending from Crosby, Stills, Nash and Young's 4-Way Street double LP. Duration = 3:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99 ≈
5.38€
The Ninety and Nine (Flute & Piano) Piano Rehearsal Track
The Ninety and Nine (Flute & Piano) Piano Rehearsal Track
#
Flûte traversière et Piano
#
Ira Sankey, Elizabeth Clephane
#
Carol Troutman Wiggins
#
The Ninety and Nine
#
Carol Troutman Wiggins
#
SheetMusicPlus
Flute,Piano - SKU: A0.1065831 Composed by Ira Sankey, Elizabeth Clephane. Arranged by Carol Troutman Wiggins. Christian,Sacred,Traditional. Accompanimen...
(+)
Flute,Piano - SKU: A0.1065831 Composed by Ira Sankey, Elizabeth Clephane. Arranged by Carol Troutman Wiggins. Christian,Sacred,Traditional. Accompaniment. Duration 103. Carol Troutman Wiggins #6473931. Published by Carol Troutman Wiggins (A0.1065831). Piano Rehearsal or Accompaniment Track This old-time hymn tells the story of the Good Shepherd. Great for preludes, offertories, general worship; Intermediate piano accompaniment; Early intermediate instrument solo; Some original material laced with the traditional hymn; Chords included for additional instruments, if desired; Arrangement may be used with most C instruments.
$4.99 ≈
4.48€
The Ninety and Nine (Flute & Piano)
The Ninety and Nine (Flute & Piano)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Ira Sankey, Elizabeth Clephane
#
Carol Troutman Wiggins
#
The Ninety and Nine
#
Carol Troutman Wiggins
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.727659 Composed by Ira Sankey, Elizabeth Clephane. Arranged by Carol Troutman Wiggins. Christian,Early Music,Religious,S...
(+)
Flute,Piano - Level 3 - SKU: A0.727659 Composed by Ira Sankey, Elizabeth Clephane. Arranged by Carol Troutman Wiggins. Christian,Early Music,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #6473925. Published by Carol Troutman Wiggins (A0.727659). This old-time hymn tells the story of the Good Shepherd. Great for preludes, offertories, general worship; Intermediate piano accompaniment; Early intermediate instrument solo; Some original material laced with the traditional hymn; Chords included for additional instruments, if desired; Arrangement may be used with most C instruments.
$9.99 ≈
8.97€
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
22.41€
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
22.41€
Pachelbel: Canon for Alto Flute & Piano
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95 ≈
24.21€
Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.60€
California Dreamin'
California Dreamin'
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Flûte traversière et Piano
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DÉBUTANT
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Rock
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The Mamas And The Papas
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Alex Nunes Rodrigues
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California Dreamin'
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Alex Rodrigues
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1490068 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Scor...
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Flute,Piano - Level 1 - SKU: A0.1490068 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Score and part. 5 pages. Alex Rodrigues #1066936. Published by Alex Rodrigues (A0.1490068). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99 ≈
5.38€
California Dreamin'
California Dreamin'
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Flûte traversière et Piano
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DÉBUTANT
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Rock
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The Mamas And The Papas
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Alex Nunes Rodrigues
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California Dreamin'
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Alex Rodrigues
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1490069 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Scor...
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Flute,Piano - Level 1 - SKU: A0.1490069 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Score and part. 5 pages. Alex Rodrigues #1066937. Published by Alex Rodrigues (A0.1490069). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99 ≈
5.38€
Modern Wind Music - Flute
Modern Wind Music - Flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Duncan Druce, Edward Cowie, Mi
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John Turner
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Modern Wind Music - Flute
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Forsyth Brothers Ltd
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1426085 Composed by Duncan Druce, Edward Cowie, Michael Ball, Nicholas Marshall, and Peter Racine Fricker. Arranged by J...
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Flute,Piano - Level 4 - SKU: A0.1426085 Composed by Duncan Druce, Edward Cowie, Michael Ball, Nicholas Marshall, and Peter Racine Fricker. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 44 pages. Forsyth Brothers Ltd #1006899. Published by Forsyth Brothers Ltd (A0.1426085). Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument. This volume for flute has a natural history slant. Lacerta Agilis by Duncan Druce is a portrait of a sand lizard, Michael Ball's piece takes as its cue the Greek legend of Philomel who was turned into a nightingale to escape the Wrath of Tereus, whilst Edward Cowie's A Lesson For Reed Warblers (for two flutes) is designed for one bird (or flute) to teach the other to sing. The magical solo work in the album is Two Spells by Peter Recine Fricker, and the remaining piece is Nicholas Marshall's rhythmic and jazz-influenced Jump.Contents:Jump by Nicholas MarshallLacerta Agilis by Duncan DrucePhilomel by Michael BallTwo Spells by Peter Racine FrickerA Lesson For Reed Warblers by Edward Cowie (Flute Duet).
$13.99 ≈
12.57€
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