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Vous avez sélectionné:
Sting
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Flûte traversière et Piano
Partitions à imprimer
10 partitions trouvées
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1
Passchaendale Poeme
Passchaendale Poeme
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Flûte traversière et Piano
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AVANCÉ
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Jonty Hall
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Passchaendale Poeme
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forto...
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Fl. Pft. - Advanced - SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forton Music - Digital (F2.FM641). ISBN 9790570485406.Passchendaele, is a small village five miles north-east of Ypres. The 3rd Battle of Ypres was fought here... On 18 July 1917 the Allied troops began a heavy ten day bombardment before the main attack; 3,000 guns fired over 4 million shells. The battle commenced on the 31st of July, and stretched on until November the 10th, 1917. Heavy rain began on the day of attack, producing thick mud, which caked uniforms and clogged rifles; It became so deep that men, horses and pack mules drowned in it. The Germans, who had used chlorine gas in the 2nd Battle of Ypres, now used mustard gas which inflicted chemical burns. The offensive resulted in gains for the Allies, but it was not the great breakthrough that was hoped for; The Allies suffered 310,000 casualties, the Germans 260,000. Just south west of the village of Passchendaele is the Cemetery and Memorial - Tyne Cot. It is the resting place of 11,954 Commonwealth soldiers and is the largest Commonwealth military cemetery in the world. The Tyne Cot Memorial is a long wall which carries the names of 34,863 British soldiers who have no known grave. Pals battalions became synonymous with the towns of northern Britain; Men enlisted because they could serve alongside their friends, relatives and workmates.
$9.95 ≈
9.13€
An American Sonata, for Flute and Piano
An American Sonata, for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Moshe Knoll
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An American Sonata, for Flute
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ArtsAhimsa
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.950860 Composed by Moshe Knoll. 20th Century,Contemporary,Folk. Score and part. 97 pages. ArtsAhimsa #5024469. Published...
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Flute,Piano - Level 5 - SKU: A0.950860 Composed by Moshe Knoll. 20th Century,Contemporary,Folk. Score and part. 97 pages. ArtsAhimsa #5024469. Published by ArtsAhimsa (A0.950860). This is a Sonata Concertante, built on a variety of typically American musical idioms, particularly on pentatonic melodies, and also on a few harmonic and rhythmic patterns from the Pop/Rock styles of the 60' and 70's.There are no quotations of existing material, everything has been through composed, down to the the hymn-style tunes.Far from being a mere nostalgia tour, the different musical elements interact with each other in a dramatic fashion, the very definition of the classical Sonata.
$40.00 ≈
36.70€
Guthrie: Toccata Agitato for Flute & Piano
Guthrie: Toccata Agitato for Flute & Piano
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Flûte traversière et Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pag...
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Flute,Piano - Level 5 - SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968948. Published by jmsgu3 (A0.1384671). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95 ≈
30.23€
Invention #1 for Flute and Piano
Invention #1 for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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New Age
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Contemporain
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Felix Rivera
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Invention #1 for Flute and Pia
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Felix Rivera
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...
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Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99 ≈
13.75€
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00 ≈
32.12€
Fastnet Rock
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99 ≈
2.74€
Joyful, Joyful
Joyful, Joyful
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Flûte traversière et Piano
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AVANCÉ
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Casting Crowns
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Andrew Will
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Joyful, Joyful
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Andrew Will
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.983074 By Casting Crowns. By Bernie Herms and Mark Hall. Arranged by Andrew Will. Christian,Gospel. Score and part. 13 p...
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Flute,Piano - Level 5 - SKU: A0.983074 By Casting Crowns. By Bernie Herms and Mark Hall. Arranged by Andrew Will. Christian,Gospel. Score and part. 13 pages. Andrew Will #6217241. Published by Andrew Will (A0.983074). Advance Flute Solo with Piano Accompaniment. A great piece for the serious musician and a RAP section that will please the audience and a challenge for the musician, more than just a solo. Score and Part included. Enjoy!
$4.99 ≈
4.58€
Breeze for Flute and Piano (2023)
Breeze for Flute and Piano (2023)
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Flûte traversière et Piano
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AVANCÉ
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. ...
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Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00 ≈
9.18€
O Sacred Head, Sore Wounded
O Sacred Head, Sore Wounded
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Flûte traversière et Piano
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AVANCÉ
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Musique Sacrée
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Evelyn R
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Evelyn Larter Music
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O Sacred Head, Sore Wounded
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Evelyn R Larter
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 ...
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Flute,Piano - Level 5 - SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 pages. Evelyn R Larter #5362559. Published by Evelyn R Larter (A0.749859). This is an extended, fantasia like setting of the Passion Chorale for solo flute and piano. The original version was for solo violin and organ (also available on SMP Press) While the organ part could mostly be played on a piano, this version incorporates the organ pedal notes more clearly. The chorale melody was used by Bach in his St Matthew Passion, and is also in many hymn books as O Sacred Head Sore Wounded. For advanced performers, it is suitable as Prelude music throughout Lent, perhaps especially at a Tenebrae service. It could also be programmed as part of a recital. It is over five minutes in length. A MIDI recording is provided, and a performance with violin and organ is available in that version's listing. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$9.99 ≈
9.17€
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